| | Art Tatum CD - Import Art Tatum Discography of CDs
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Our Price: $23.29  CDFor Sale Usually ships in 1-2 days
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TIGER RAG/HUMORESQUE features a slew of remarkable tracks from jazz piano great Art Tatum.
Includes a 20 page booklet. Art Tatum Review
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Purchase Art Tatum CD To buy, Click on price to add to cart | Ray Davies Kinks Choral Collection CD (2009)
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Photographer: Santiago Garfunkel.
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Recorded between 1960 and 1967. Includes liner notes ...
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| | Al Hibbler After The Lights Go Down Low CD (1956)
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Stylized at times to an almost outrageous degree, the suave and sophisticated voice of Al Hibbler is really unlike that of any other singer ever recorded. His peculiarly chosen dialects, the exaggerated vibrato, the roller coaster plunges into the bass clef and a general air of self-caricature make any Al Hibbler recording a uniquely entertaining experience. Whereas anyone else putting on such a show would run the risk of sounding foolish, Hibbler had so much class mingled with ...
| | Ben Sidran Nick's Bump CD (2004)
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Groove-oriented jazz didn't start with the organ combos and soul-jazz groups of the '60s and '70s; plenty of grooving occurred with Dixieland in the '10s and '20s and swing in the '30s and early to mid-'40s. But soul-jazz did remind the jazz world that it was still OK for an improviser to groove -- that not everything had to be as complex and demanding as John Coltrane's "Giant Steps" or Sonny Rollins' "Oleo." And those soul-jazz and jazz-funk grooves of the '60s and '70s continue to hold up well after all these years, which is why Ben Sidran celebrates that era on this 2003 date. Although Sidran is known for his singing, he favors an instrumental setting on Nick's Bump; this time, Sidran uses the Hammond organ and the electric piano to get his points across -- and he savors the funkier side of post-swing jazz whether he is embracing Sonny Clark's "Blue Minor," Donald Byrd's "Black Jack," or three Eddie Harris compositions ("Listen Here," "Mean Greens," and "Cryin' Blues"). If Nick's Bump sounds dated, it is dated in the positive sense -- dated as in remembering how rewarding a particular era was and being faithful to the spirit of that era. Nick's Bump recalls a time when soul-jazz players realized that jazz was losing more and more listeners to R&B and rock -- and that the only way to win over those Marvin Gaye, Rolling Stones, and James Brown fans was to groove and be accessible. Soul-jazz, unfortunately, didn't restore the mass appeal that jazz enjoyed during the Great Depression and World War II, but it was a noble effort -- one that Sidran happily remembers on Nick's Bump, which falls short of essential but is still an infectious, enjoyably funky demonstration of what he can do in an instrumental setting. ~ Alex Henderson
Jazz has always been about a party - "Having fun in spite of conditions," as saxophonist Johnny Griffin once said. It's originally and essentially street music, music that comes from the bars, the clubs, the corners where people hang out and share the news, "wash away the dust of everyday life," (Art Blakey said that.). In that social space, during the social time, a lot of magic can happen. And of course, from time to time, people in that frame of mind will have a drink. Nick's Bump is our drink of choice.In the classic tradition of the fifties and sixties, when groups like Benny Golson's Jazztet and Art Blakey's Jazz Messengers would stay on the road perfecting their music before recording it, the Nick's Bump Band road tested this music through two years of touring in Europe, Japan and the United States. Nick's Bump, then, is a metaphor as well as a drink. It stands for having a good time, ...
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