| | Schumann: Liederkreis, Etc / Fischer-Dieskau, Moore, Klust CD Fisher-Dieskau / K-Lust / Moore / Schumann CDS
Schumann: Liederkreis, Etc / Fischer-Dieskau, Moore, Klust Music | List Price | $11.98 (You save $2.29) | | Label | EMI Music Distribution | | Orig Year | 4/6/2004 | | All Time Sales Rank |  18414  | | CD Universe Part number | 6707826 | | Catalog number | 62771 | | Discs | 1 | | Release Date | Apr 06, 2004 | | Recording Time | 1 19 | | Additional Info | Remastered |
Schumann: Liederkreis, Etc / Fischer-Dieskau, Moore, Klust Review
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Schumann: Liederkreis, Etc / Fischer-Dieskau, Moore, Klust Music Composers on Schumann: Liederkreis, Etc / Fischer-Dieskau, Moore, Klust CD : Robert Schumann Performers on Schumann: Liederkreis, Etc / Fischer-Dieskau, Moore, Klust CD : Dietrich Fischer-Dieskau, Hertha Klust, Gerald Moore [Piano] Purchase Schumann: Liederkreis, Etc / Fischer-Dieskau, Moore, Klust To buy, Click on price to add to cart | Bill Evans Intuition CD (1974)
Schumann: Liederkreis, Etc / Fischer-Dieskau, Moore, Klust
 $8.69 
Digitally remastered by Phil De Lancie (1990, Fantasy Studios, Berkeley, California.
The fullness of this duet album's sound suffers only slightly from the lack of a drummer, compensating with deeply satisfying intuitive interplay between pianist Evans and longtime collaborator Gomez. Evans experiments on INTUITION with the electric Fender-Rhodes piano for his original tunes, "Show-Type Tune" and "Are You All the Things," but he is at his most assertive and polished when playing acoustic piano. Particular standouts are the two songs by Bronislau Kaper, the romantic ballad "Invitation," and, with particular care and expression, the theme "Hi Lili, Hi Lo," from the musical "Lili." Gomez is a full participant, using the bass the way he did as a member of the Bill Evans Trio, making himself an indispensable ...
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Schumann: Liederkreis, Etc / Fischer-Dieskau, Moore, Klust
$6.59  | | Miles Davis Kind Of Blue CD (1959) Bonus Track; Remastered
Schumann: Liederkreis, Etc / Fischer-Dieskau, Moore, Klust
$6.29   
With BIRTH OF THE COOL, Miles Davis distilled a new tonal palette for jazz. As early as 1954, Miles reacted to the escalating chordal complexity of hard bop by fashioning an evocative blues based on a simple scalar pattern ("Swing Spring"). KIND OF BLUE was the ultimate fulfillment of this approach, with Miles providing his collaborators little more than outlines for melodies and simple scales for improvisation. By emphasizing the blues and the improvisor's melodic gifts, KIND OF BLUE precipitated a major stylistic development--modal jazz.
Charles Mingus had experimented with pedal points throughout the 1950s, and the melodic freedom of Ornette Coleman's Atlantic sides was also predicated on freedom from chord changes. But KIND OF BLUE was to prove the most influential, enduring work of its kind. There was just such a vibe about these 1959 sessions--Miles' lyric genius and burgeoning stardom, the innovative voicings and rarefied touch of pianist Bill Evans, the electrifying presence of Coltrane and Cannonball--that some thirty-plus years after its initial release, KIND OF BLUE is still recognized as Davis' point of departure towards jazz's less-explored regions.
Bill Evans' translucent chords and Paul Chambers' famous bass line herald the revolution that is "So What": Davis and Evans' taut, coiled ...
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Schumann: Liederkreis, Etc / Fischer-Dieskau, Moore, Klust
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Schumann: Liederkreis, Etc / Fischer-Dieskau, Moore, Klust
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Schumann: Liederkreis, Etc / Fischer-Dieskau, Moore, Klust
$13.99 
Although 1969's DAVID'S ALBUM is named in honor of Joan Baez's then-husband, jailed draft protester David Harris, it's oddly enough one of her least political albums. Recorded in Nashville--at about the same time as Bob Dylan's NASHVILLE SKYLINE, an album which this strongly resembles--with country music veterans like Pete Drake, Jerry Kennedy and even country-pop songwriter and sometime-actor Jerry Reed, DAVID'S ALBUM is a fairly straightforward country-rock album. A version of the classic Bill Monroe arrangement of the gospel standard "Will the Circle Be Unbroken" is a highlight, as is the first of several versions Baez recorded of Gram Parson's country-rock masterpiece "Hickory Wind." The arrangements sometimes sound a bit slick and dated, but this is probably Baez's most fruitful experiment in this then-fashionable genre.
The 2005 reissue of David's Album is beautifully digitized, with a rich, detailed sound and vivid presence for all of the players, and contains exceptionally detailed annotation as well as two bonus tracks, "How Can I Miss You," featuring Joan and her sister Mimi ...
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Schumann: Liederkreis, Etc / Fischer-Dieskau, Moore, Klust
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Schumann: Liederkreis, Etc / Fischer-Dieskau, Moore, Klust
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Schumann: Liederkreis, Etc / Fischer-Dieskau, Moore, Klust
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Schumann: Liederkreis, Etc / Fischer-Dieskau, Moore, Klust
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| | Peter Rundel Morton Feldman: Violin And String Quartet CDs (2002)
Schumann: Liederkreis, Etc / Fischer-Dieskau, Moore, Klust
$24.99
With this world-premiere recording of this two-hour piece dating from 1985, all of Morton Feldman's post-1981 works are now available on disc for those with the time -- and budget -- available to appreciate them. To adopt an analogy from the world of painting the composer loved so much, each of these monumental works has its own particular color deriving from a kernel of harmonic material; in Violin and String Quartet this is the whole tone and its inversion, the minor seventh (particularly using pitches A and G). As a result, the harmonic language is accordingly less chromatic here than in other late Feldman works (though words such as "diatonic" and "chromatic" are not sufficiently precise as adjectives to describe harmonic procedures that are effectively both). Compared to the beautiful but somewhat frosty readings of Feldman's string pieces by the Ives Ensemble on hat[now]ART, violinist Christina Fong's discreet but wistful vibrato and occasional use of portamento imbue the music with a twinge of Romanticism that might not appeal to some purists, but serve both to differentiate her playing from the other two ...
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Schumann: Liederkreis, Etc / Fischer-Dieskau, Moore, Klust
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