| | Vital Remains Let Us Prey CD Vital Remains Discography of CDs
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Remastered reissue of the Rhode Island death metallists' 1992 album features nine tracks, packaged in a digipak. Peaceville. 2004.
Audio Mixer: Tony Ricci.
Recording information: Fat Trax Studios, Pawtucket, RI (12/1991).
Vital Remains: Tony Lazaro, Paul Flynn (guitar); Joe Lewis (bass guitar); Jeff Gruslin.
Personnel: Jeff Gruslin (vocals); Paul Flynn (guitar, baritone guitar).
Vital Remains Let Us Prey Songs Purchase Let Us Prey CD To buy, Click on price to add to cart | Death Leprosy CD (1988)
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Just when you think you've pigeonholed Carlos Nakai as the quintessential interpreter of traditional Native American flute music, he appears with an entirely different expression of his ...
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Priority's Chart Toppers series is an excellent budget-line collection, offering a strong selection of 15 original hits, grouped by a specific theme and decade, on each disc. Chart Toppers: Romantic Hits of the 50's combines rock & roll, doo wop, pop, easy listening ...
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Woe to those who dismissed Sweden's Dozer as distant, perhaps unimportant satellites to the mostly U.S.-centric, late-'90s stoner rock solar system, for here they are: five years beyond that scene's generally accepted heyday, and ten into their career -- and still they orbit, only now exerting the gravitational pull of a major heavenly body upon the smaller bands that lie scattered across the vast stoner rock asteroid belt. Can you dig? In the event you can't, and prefer less colorful descriptive methods, suffice to say that Dozer's fourth album, Through the Eyes of Heathens, cements the band's gradual transition from perceived followers to acknowledged leaders of this perennially beloved subgenre of underground hard rock. In fact, the ten tracks making up Through the Eyes of Heathens almost serve as a "state of the genre" address, boasting a broad cross section of historic stoner rock hallmarks. Take infectiously stripped-down tunes like "Drawing Dead," "Born a Legend," and "The Roof, the River, the Revolver," for instance -- all of them so timeless they simultaneously fit in with the mid-2000s crop of post-stoner heavy blues-rock bands (Halfway to Gone Alabama Thunderpussy, etc.), and those Harley-on-the-highway, heavy groove-rock anthems laid down by Dozer's original contemporaries, Clutch and Fu Manchu. The apocalyptic "Until Man Exists No More" (featuring guest vocals from Mastodon's Troy Sanders) and the light-and-shade extremes of "Days of Future Past" dredge up massive Black Sabbath power chords from stoner rock's sister subgenre, doom, and the epic "Big Sky Theory" delves in neighboring ...
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