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Buckner / Janacek Po / Kotik / Satoh - From The Depth Of Silence: Orchestral Music Of Somei Satoh CD Cover Art
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From The Depth Of Silence: Orchestral Music Of Somei Satoh CD

 Buckner / Janacek Po / Kotik / Satoh CDS

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Category Classical, 20th Century Period, Orchestral/Symphonic
Kyokotu,Baritone & Orch. Thomas Bruckner,Baritone
From The Depth Of Silence: Orchestral Music Of Somei Satoh Music


Detailed From The Depth Of Silence: Orchestral Music Of Somei Satoh Music Information



List Price $17.97 (You save $3.22)
Label Mode Records
Orig Year 5/25/2004
All Time Sales Rank   14153  
CD Universe Part number 6709705
Catalog number 135
Discs 1
Release Date May 25, 2004
Recording Time 1 3
From The Depth Of Silence: Orchestral Music Of Somei Satoh Review


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From The Depth Of Silence: Orchestral Music Of Somei Satoh Songs


From The Depth Of Silence: Orchestral Music Of Somei Satoh Songs Detailed Work Information



1. From the Depth of Silence, for 2 tubular bells & orchestra  (12:38)
   Composer  Somei Satoh (1947 - )
   Conductor  Petr Kotik
   Date Written  2000-2001
   Venue  Philharmonic Hall, Ostrava, Czech Republ
   Recording Date  05/07/2003
2. Burning Meditation, version for baritone & string orchestra  (12:10)
   Composer  Somei Satoh (1947 - )
   Conductor  Petr Kotik
   Performer  Thomas Buckner
   Date Written  1993
   Venue  Philharmonic Hall, Ostrava, Czech Republ
   Recording Date  05/07/2003
3. Kyokoku, for baritone & orchestra  (23:58)
   Composer  Somei Satoh (1947 - )
   Conductor  Petr Kotik
   Performer  Thomas Buckner
   Date Written  1991
   Venue  Philharmonic Hall, Ostrava, Czech Republ
   Notes  Philharmonic Hall, Ostrava, Czech Republic (05/15/2002-05/16/2002)
4. Kisetsu, for orchestra  (14:20)
   Composer  Somei Satoh (1947 - )
   Conductor  Petr Kotik
   Date Written  1999
   Venue  Philharmonic Hall, Ostrava, Czech Republ
   Notes  Philharmonic Hall, Ostrava, Czech Republic (05/15/2002-05/16/2002)


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From The Depth Of Silence: Orchestral Music Of Somei Satoh Music


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Composers on From The Depth Of Silence: Orchestral Music Of Somei Satoh CD : Somei Satoh

Conductors on From The Depth Of Silence: Orchestral Music Of Somei Satoh CD : Petr Kotik

Performers on From The Depth Of Silence: Orchestral Music Of Somei Satoh CD : Thomas Buckner

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Craig Urquhart's classical compositions have been recorded by world-famous baritone Thomas Hampson and Lauren Wagner. His "The Wonder of Miracles" was choreographed by the Turtle's Dance Company for a memorial concert at the Cathedral St. John the Divine. His compositional style began shifting from classical to new age as he began appreciating the later compositions of Brian Eno and Philip Glass, and his approach moved from atonal to tonal and lyrical after a project which found him setting the poetry of Walt Whitman and Emily Dickinson to music. The title of this 15-track recording comes from one of Felix Mendelssohn's most famous works. It reflects the powerful melodic nature of Urquhart's early new age material, which could be sung even without lyrics. It is the most classically influenced of his four works. Many of the tracks are also indicative of his growing environmental concerns, particularly the "Beach Music" suite of "Fog Horns," "Ocean Song," and "Versper Hymn." The sequence tells the musical story of the artist walking on the beach where he "hears" the ocean pleading for help; the hymn finds the sun going down after the day is through. Each song tells a unique story, and as with all of his projects, he begins and ends with an optimistic musical spirit ("The Homecoming," "Morning"). ~ Jonathan Widran Composer/solo pianist Craig Urquhart creates rich melodic landscapes which blossom into dramatic journeys from the heart. Expressing his passion for the environment as well as a belief in the healing power of music, while drawing upon the influences of classical music's keyboard masters, Urquhart has become one of modern acoustic piano's most transcendent voices. Urquhart's timeless sound and compositional focus has gradually shifted from academic classical music to a more lyrical personal voice. His music draws upon the influence of such iconic keyboard composers as Bach, Schumann, Mendelssohn, Chopin, Debussy, Satie and Copland, but Urquhart also considers pop/rock musicians Joni Mitchell, Laura Nyro, and Brian Eno as creative influences.

The composer's love of the piano began at age six, when he began taking piano lessons as a child growing up in Michigan; however he credits Leonard Bernstein's CBS series The Young People's Concerts with The New York Philharmonic as "literally educating a whole generation of kids about music, including myself."Moving to New York City after receiving his Master's in Composition from the University of Michigan, Urquhart left some of his music with Bernstein's Manhattan doorman; the Maestro called Urquhart back, and the two became acquainted. In 1985 Urquhart was hired as Bernstein's musical assistant, and worked for Bernstein until the composer's death in 1990. He also served for ten years as a member of the music faculty at the Harlem School of the Arts, and was actor Tom Hulce's musical coach for the Academy Award winning film Amadeus. Urquhart is also a well-known composer of American classical art songs, including musical settings of poems by Emily Dickinson and Walt Whitman. His songs have been performed and recorded by Thomas Hampson, Michael Slattery, Lauren Wagner, and other artists. Urquhart has been actively involved in a wide array of social and environmental causes over the years, performing at the United Nations for National AIDS Awareness Day and Earth Day, as well as at benefit concerts for such organizations as the Tidewater AIDS Taskforce of Norfolk, Virginia, Momentum AIDS Project in New York and Bread & Roses AIDS hospice in Connecticut. His "The Wonder of Miracles" was choreographed by the Turtle's Dance Company for a memorial concert at the Cathedral St. John the Divine. SHEET MUSIC of Urquhart's solo piano works is available for purchase through his website ( craigurquhart ).

PRESS QUOTES:CRAIG URQUHART takes you even deeper into the possibilities of solo piano music... subtle as moonlight reflecting on ocean waves, yet [retaining] a thoughtfulnes

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