| | Buddha-Lounge 3 CD
Jaya Lakshmi/David & Steve Gor Don/Gingko Garden/Bobby Cochra
Liner Note Author: Steve Gordon.
Illustrator: Ben Klocek. Buddha-Lounge 3 Review
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The fourth installment in the Sequoia label's Buddha Lounge series continues to aim its warm, soothing grooves and funky, exotic beats at those ...
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Her otherworldly voice is trance-like in such songs as the tranquil "Shepherd Moons," "Angeles," "Evacuee," and "Marble Halls." Accessibly lilting, ...
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This is a comprehensive anthology of Jackson's late-'40s Modern sessions: both sides of six 1947-1948 singles, plus a dozen previously unreleased cuts (including some alternate takes). It's another in what is apparently a never-ending series of Ace compilations showcasing early Modern artists pivotal to the transition between swing jazz and jump blues, even if they (like Jackson) are virtually forgotten half a century later. Unlike some, perhaps most, of such Modern artists, Jackson might be more accurately classified as a jazz musician than a blues/R&B one. Boogie instrumentals are mixed with vocal outings in the Louis Armstrong/Cab Calloway mold, often favoring jazz and pop songs that, even by 1948, were on the verge of passing out of fashion. Jackson was a pleasantly passable singer with a slightly lower-than-normal register, though no great shakes. The recordings are more notable for the playing of the Honeydrippers, who, of course, are more known for their work on more famous records by Joe Liggins. The best numbers on the disc are those ...
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The term "Latin jazz" has usually been used to describe a fusion of jazz and Afro-Cuban music, which includes son, cha-cha, mambo, guaguanc, and many other rhythms that people have been calling "salsa" since the early '70s. But not all great Latin music has an Afro-Cuban orientation; the music of Latin America also includes everything from Venezuelan joropo to Mexican mariachi to Argentinean tango. So if a musician blends jazz with Columbian cumbia -- which is what reedman Greg Ribot does on The International Conspiracy -- you could argue that technically, he/she is playing Latin jazz. However, no one would mistake this CD for a Poncho Sanchez, Dizzy Gillespie, or ...
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Sabrina Sigal Falls plays the Celtic harp as a ministry of healing and worship. She shares her gift of harp music in hope of touching hearts with a deep sense of God's presence and the blessing of God's love and grace. Whether playing in a worship service, at a wedding, a memorial, or at bedside, Sabrina plays her harp to bring beauty, joy, hope, and peace to those who hear it.With piano as her first instrument, Sabrina began to play the harp in 1985, at the age of 28. She fell in love with traditional Celtic music in her college days and listened to it every chance she got ever since. During a sad time in her life, just after the loss of her father who had suffered from cancer, she discovered the harp, which lifted her out of her grief and a deep depression. She believes that the Holy Spirit whispered the idea of playing the harp into her heart during Friends Meeting for Worship one Sunday morning in Philadelphia, where she used to live. Although she knew nothing about harps or how to even begin playing one or finding one, doors opened one after the other as soon as she said "Yes" to God's leading to play it, and soon she had her own harp and was on her way! Although she only thought she would play for herself and family and close friends, ...
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