| | Clifford Brown Brownie Speaks CD - Import Clifford Brown Discography of CDs
BROWNIE SPEAKS provides an introduction to American jazz trumpeter Clifford Brown. Its 20 tracks include "I Come From Jamaica", "Carvin' the Rock", and the title track.
Digitally remastered anthology presented in a digipak with an 8 booklet. Includes rare photos, session details and biographical notes of the artist. Proper. 2006 Clifford Brown Brownie Speaks Songs | 1. | I Come From Jamaica | $0.99 | |
| 2. | Carvin' the Rock | |
| 3. | Brownie Speaks | $0.99 | |
| 4. | You Go to My Head | $0.99 | |
| 5. | Capri | |
| 6. | Turnpike | |
| 7. | Get Happy | $0.99 | |
| 8. | Wail Bait | |
| 9. | Hymn to the Orient | |
| 10. | Brownie Eyes | $0.99 | |
| 11. | Cherokee | $0.99 | |
| 12. | Easy Livin'  | |
| 13. | Minor Mood | $0.99 | |
| 14. | Brown Skins | |
| 15. | Blue & Brown | |
| 16. | I Can Dream Can't I | |
| 17. | Song Is You | |
| 18. | Come Rain or Come Shine | |
| 19. | It Might as Well Be Spring | |
| 20. | You're a Lucky Guy | |
| Brownie Speaks Review
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Purchase Brownie Speaks CD To buy, Click on price to add to cart | Tinsley Ellis Speak No Evil CD (2009)
Brownie Speaks
$14.95 Tinsley Ellis has worked hard since the early 1980s to establish himself on the contemporary blues scene. As a result, he has become one of the most consistent, and therefore quintessential, electric blues men. He's also a good songwriter in that he stretches the blues form as far as it will go, and occasionally he crosses into solid hard rock territory. On SPEAK NO EVIL, it seems as though Ellis has been listening to some of Robin Trower's early to mid-period records. And what seems to be at work on SPEAK NO EVIL is Ellis trying to push the blues form in a decidedly more rockist direction without losing its emotional feel. Check out the opening track, "Sunlight of Love" With its hard-driven wah-wah pedals and funky backbeat; one can easily imagine this track on Trower's TWICE REMOVED FROM YESTERDAY. Another number in this vein is "The Night Is Easy" (all that's missing are the phase shifters!). What's as impressive as Ellis' guitar playing is ...
| | Paul Butterfield Original Lost Elektra Sessions CD (1995)
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The songs here, recorded in late 1964 before keyboardist Mark Naftalin joined up, were intended for the Butterfield Band's first album. However, they were junked at the last minute by producer Paul Rothchild, who felt they weren't technically up to snuff for reasons that remain unclear despite his liner note reminiscences. The tapes then proceeded to languish in Elektra's vaults for 30 years, at which point Rothchild dug them out and decided they were better than he remembered.
And a good thing, too, because they capture the band raw and in its prime with no apologies necessary. The repertoire overlaps only slightly with the "official" first album (which was ...
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| | Gary Moore Essential Montreux CDs (2009) Special Edition; Box Set
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$35.79 This five-disc box collects as many complete concerts by Irish blues-rock guitarist Gary Moore, recorded in 1990, 1995, 1997, 1999, and 2001 at the Montreux Jazz Festival. Some might call this too much material, especially given the number of songs that recur (four versions of "All Your Love," three each of "Oh Pretty Woman," "Too Tired," and "You Don't Love Me," and two each of "The Blues Is Alright," "Further on Up the Road," "Need Your Love So Bad," "Parisienne Walkways," "Since I Met You Baby," "Still Got the Blues," "Stop Messing Around," and "Walking by Myself"), but there is in fact substantial variation from disc to disc. The obvious outlier is the 1990 disc, on which Moore is joined for four superlative songs by legendary Texas guitarist Albert Collins. But the 1997 concert finds Moore moving from straight Chicago-style blues to an alternative ...
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| | David S Ware Wisdom Of Uncertainty CD (1997)
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| | R L Burnside Acoustic Stories CD (1997)
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| | Magic Sam Live At Ann Arbor & Chicago CD (1982)
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$12.89 While the sound quality leaves something to be desired, fans of electric Chicago blues should hear Magic Sam live. Recorded at two separate locations, the Alex Club in Chicago in 1963 and 1964 and the Ann Arbor Blues and Jazz Festival in 1969, this disc captures the raw energy not only of the musicians, but the crowds' tremendous response to them. Sam is in his natural environment at the Alex Club with an interchanging quintet, including electric pianist Tyrone Carter and tenor saxophonists Eddie Shaw and A.C. Reed, playing in front of a rowdy audience, ready to party. The Ann Arbor performance, on the other hand, finds him playing with a stripped down trio at an outdoor festival to a mainly white hippie crowd; performer and audience are somewhat unfamiliar with each other. This doesn't stop Sam's trio from blazing through their set and once again igniting the crowd. It should be noted that the energy level of the audience and band was exceptionally tense after Sam arrived ...
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Brownie Speaks
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