Kick Paralysed CD

Paralysed Music

Category	Rock/Pop Albums, Heavy Metal CDs, Rock
Label	Majestic Rock
Orig Year	2004
CD Universe Part number	6712755
Discs	1
Release Date	Jul 18, 2006
Mono/Stereo	Stereo
Additional Info	Import; Limited Edition

Paralysed Review

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Kickin It Old Skool

27 x 41 inch
Poster

Price: $9.98

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Special Edition CD includes the full album, a CD of instrumental mixes of the album and a CD of six cover songs. Dream Theater's tenth long-player is about as dense and challenging as any album in the band's discography and emphasizes not only the virtuoso members' stupefying musicianship, but also their most aggressive and thoroughly metallic songwriting tendencies. The sixteen-minute opener "A Nightmare to Remember" quickly ...

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Morbid Angel had impressed many with Altars of Madness, but they still hadn't climbed into the upper class of death metal bands until this record. Overshadowed by great albums from Sepultura, Entombed, and Carcass the same year, Morbid Angel still managed to solidify their reputation as a heavy metal maelstrom with the 13 tracks found here. Songs like "Thy Kingdom Come," "Brainstorm," and the redundantly titled "Unholy Blasphemies" would go on to become cult favorites in the metal underworld, ...

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Atlanta's Mastodon climbed to the top of the metal heap the old-fashioned way. Taking the template for success etched by Metallica, the band captured the imagination with a series of albums that offered potent heaviness and relentless experimentation. After graduating from respected indie Relapse, they released 2006's acclaimed BLOOD MOUNTAIN, an album with a fire motif/fantasy adventure concept ...

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Possessing metal pipes like few before him, leonine Steelheart yelper Michael Matijevic scarred the airwaves forever when he hammered the simply unmatchable chorus of the hairball "I'll Never Let You Go": ludicrous and sublime, akin to Whitney Houston hitting the hot spot in "I Will Always Love You." The opening strands of "Everybody Loves Eileen" bring Ratt out of the cellar before the cut curls into a pop n' fresh roller coaster ride. The remainders on this ridiculous dish are also overlong examples of excess but not as memorable, paying homage to Whitesnake and other flailing stylistic ventures. "I'll Never Let You Go" is available on some quality collections and no aficionado of poodle pomp should let that song go, otherwise leave Steelheart in peace with the music it helped lay to rest. ~ Doug Stone Possessing metal pipes like few before him, the leonine Steelheart yelper Michael Matijevic scarred the airwaves forever when he hammered the simply unmatchable chorus ...

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Screenwriter and songwriter Leslie Bricusse's 1970 movie Scrooge, a musical adaptation of Charles Dickens' A Christmas Carol, was not particularly well received at the time of its release, but, like many holiday entertainments, managed to maintain perennial interest, and more than two decades later, Bricusse further adapted it to the stage, writing an additional handful of songs in the process. As such, the theater version of Scrooge is a more formidable musical work, and, in its initial 1992 production, which opened in Birmingham, England, but failed to move to the West End, it boasted much improved casting. The film had starred non-singer Albert Finney in the title role, but the stage version marked Bricusse's reunion with his old partner Anthony Newley, with whom he had written the internationally successful musicals Stop the World -- I Want to Get Off and The Roar of the Greasepaint -- The Smell of the Crowd. Newley did not collaborate with Bricusse on the book or songs for Scrooge, but he certainly knew his way around Bricusse's material. All of this should have boded well, and it can be said that the original Birmingham cast album of Scrooge is an improvement over the 1970 movie soundtrack album; it is more complete and better sung. That said, it still isn't one of Bricusse's more memorable scores. The storyline is the familiar one of Ebenezer Scrooge proclaiming, "Bah, humbug!" during the Christmas season until his attitude is changed by a series of ghosts, and that dictates some very predictable songs such as Scrooge's "I Hate Christmas" (called "I Hate People" in the movie), contrasted with the more positive sentiments expressed by the ghosts, notably Jon Pertwee's Marley in "Make the Most of This World" (called "See the Phantoms" in the movie), and "I Like Life," sung by the Ghost of Christmas Present (Stratford Johns). And there is a suitably uplifting conversion number for Scrooge at the end called "I'll Begin Again." But rarely does Bricusse go beyond the obvious, one exception being the new patter song "The Minister's Cat," a sort of party game of a song that has no particular connection to the story, but certain enlivens it. Newley, who was Scrooge's age, past 60, sounds ...

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While Freya's debut did mark an attempt by the Earth Crisis veterans to expand their lyrical and musical horizons a little, it's still clichéd hardcore punk with a little funk and occasional more standard hard rock influence. Karl Buechner's throat-straining drowning-howl singing wears on the listener just as surely as it must be wearing away his vocal nodes. The mood of anger and frustration pounds away in black-and-white patterns as unrelenting as the blurry, bleak black-and-white of the cover graphics. The words swim in a maelstrom of dejection and hopelessness, though small hints of the redemptive power of romantic love are heard in the title track, and a bit of optimism even peeps through in "Seize the Day." The occasional vocals ...