| | Kees Hazevoet Pleasure CD Kees Hazevoet Discography of CDs
It's no surprise that most free jazz fans haven't heard Pleasure. The 1970 debut from pianist/clarinetist Kees Hazevoet and his quartet was originally released in the Netherlands as a tiny edition of 250 copies replete with silk-screened covers. It may have been the first offering from Hazevoet under his own name, but by the time of Pleasure's release he was already deeply entrenched in the European free improvisation scene. On Pleasure he's joined by two fellow countrymen: alto saxophonist Kris Wanders and bassist Arjen Gorter, both of whom had been playing with Hazevoet as part of his working group. Joining them here is legendary South African drummer Louis Moholo, best known for his work with fellow South African ex-pat Chris McGregor and the Brotherhood of Breath. The album starts with "Moving Lady," with its humble bass intro soon joined by clarinet and alto for a melancholy melody that is quickly swept away by Moholo's stuttering toms and crashing cymbals. "What Happens" is a more tentative dialog that finds its foundation in Hazevoet's enigmatic piano riffs -- tiny patterns that swirl around the other players before fading away, only to return with heavy chord clusters. It's a brooding style that serves the quartet well, and while there are remarkable solos here, it's the group interaction that makes Pleasure stand out. "All There," the 20-minute album closer, is centered on the spiraling interplay between Hazevoet on piano and Wanders on sax. Toward the end of the piece, Hazevoet switches to clarinet for a frantic mantra that drives Wanders' alto to higher heights before easing the proceedings back to a reverent earthbound finish. This is the second Hazevoet date to be reissued by Atavistic (the first was the excellent Unlawful Noise by Haazz & Company) and a third, Calling Down the Flevo Spirit with Han Bennink, is already planned. Hazevoet may not have the name recognition of his Dutch peers, largely due to his retirement from music just as the Netherlands scene was getting some of its due, but Pleasure's reappearance after such a lengthy stay in obscurity proves that you can't keep a good record down. Here's to more albums like Pleasure and players like Kees Hazevoet getting the attention they deserve. ~ Wade Kergan
This is part of Atavistic's Unheard Music series.
Personnel: Kees Hazevoet (clarinet, trumpet, piano); Kris Wanders (alto saxophone); Arjen Gorter (bass instrument); Louis Moholo (drums).
Personnel: Kees Hazevoet (clarinet, piano); Kris Wanders (alto saxophone); Arjen Gorter (bass); Louis Moholo (drums).
Kees Hazevoet Pleasure Songs Pleasure Review
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Purchase Pleasure CD To buy, Click on price to add to cart | Lambchop Aw C'Mon CD (2004)
Pleasure songs
$13.05 (MP3 Available for Download)
| | Choir of the NDR Broadcast Hamburg '74 CD (1974)
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$11.49 Originally released on the German label FMP (Free Music Productions).
Choir of the NDR Broadcast/Globe Unity Orchestra/Alexander von Schlippenbach: Alexander von Schlippenbach (piano); Michel Pilz (reeds); Günter Christmann, Paul Rutherford, Manfred Schoof (brass); Peter Kowald (double bass); Evan Parker, Gerd Dudek, Han Bennink, Kenny Wheeler, Peter Brötzmann, Rüdiger Carl, Derek Bailey.
This date by the Globe Unity Orchestra featured pianist Alexander Von Schlippenbach, guitarist Derek Bailey, drummers Paul Lovens ...
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| | Prurient Black Vase CD (2005)
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$12.19 (MP3 Available for Download) Pitched somewhere between S&M fests -- a chunk of the album art might as well be Merzbow approximations if not direct outtakes -- and instrumental abuse that will prompt tinnitus checks while any dogs in the area dance wildly about, Black Vase shows that it just needs a day for Prurient to do what it does. Quite literally -- the whole album was recorded at a one-day session, with sole Prurient member Dominick Fernow occasionally helped by engineer Kris Lapke on drums and related beats. "Roman Shower" demonstrates that it's not only possible to create "ambient" music that irritates, but that even at low volume high-pitched squeals are just plain obnoxious -- and that to keep it going for 15 minutes is as perfect a way to find out just who will have the patience to listen to the rest of the album and who will run away screaming. At least after a while he breaks into extended periods of more conventional if frenetic feedback buzz, so by the time his anguished vocals appear at the end one can assume it's black metal without the beats and riffs. In contrast "Silent Mary" is almost power pop, though not many would call a song with near indeterminable lyrics, nervous squelchy drum hits, and sheets of trebly feedback ...
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$9.29 (MP3 Available for Download) By the early 1970s, Archie Shepp had already moved away from the strident avant-garde sound that characterized his '60s work, opting for a swing, groove, and funk-based style that relied on fat, big-band arrangements. 1974's KWANZA is an excellent example of Shepp's work from the era. In addition to being a celebration of the ...
| | George Benson Good King Bad CD (1975)
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$10.45 (MP3 Available for Download) Whether he gets (enough) credit or not from jazz heads, guitarist George Benson certainly created the template for smooth jazz , with 1975's GOOD KING BAD a perfect example of the style in its infant stages. ...
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| | Changcun Wang Mountain Swallowing Sadness CD (2006) Import
Pleasure MP3 Album
$12.19 The avant-garde, as a general catchall term for sound experimenters in this case, transcends national and cultural boundaries as much now as it ever did in previous decades and centuries, which is why it's no real surprise to hear the work on Chinese artist Changcun Wang's The Mountain Swallowing Sadness as something with roots ranging from Merzbow's power electronics to (texturally rather than specifically) Ligeti's innovations with string arrangements. Sub Rosa is a logical label for Wang's work to gain wider recognition from, to be sure, and this two-track effort is worth a listen for those interested in such approaches. The first and much longer of the two pieces, at nearly 40 minutes, "Grand Hotel" is described by Wang as his wanting to "erect a building in the ear," though the fact that initially the building sounds more like something Einstürzende Neubaten would be tearing down is perhaps appropriate. Still, as the wash of layers upon layers of metallic and static and feedback mutates throughout it actually does suggest a swooping structure of sorts; at its roughest sonically, it suggests Harry Bertoia's sound sculptures come to monstrous life, while many pauses and quieter moments, increasing as the track progresses, suggest distance and murkier corners of the mental edifice in question, akin to the unsettling work of Robert Hampson in Main but with less obsessive focus on rhythm. "King of Image 1995," meanwhile, is based on a tape Wang found that documented a funeral service of an unknown-to-him person. It's a fairly straightforward presentation in comparison to "Grand Hotel," with the chanting of (presumably) Buddhist nuns forming the core -- the effect is quite haunting and captivating all at once, especially when the nuns suddenly shift to a swift, staccato delivery. Had it been on a Sublime Frequencies compilation, nobody would have blinked, which makes its inclusion here all the more interesting in context. ~ Ned Raggett
Shanghai-based Changcun is a complex noise-maker in the style of the great Karkowski. This CD is his first release for Sub Rosa. Contextualizing his 40-minute long exploration entitled, "Grand Hotel," Chancun states: "I want to build an architecture in the ear." The other track is a field recording of a burial in the area ...
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Pleasure songs For Sale Pre-Order Now! Available: Tuesday, February 16, 2010
$9.58 
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