| | Sheba Potts-Wright I Need A Cowboy To Ride My Pony CD Sheba Potts-Wright Discography of CDs
 (2 Customer Reviews)
Recording information: Ecko Sound Studios, Memphis, TN.
Personnel: Sheba Potts-Wright (vocals); Jim Spake (tenor saxophone, baritone saxophone); James "Ham" Jackson (keyboards); Morris Williams (background vocals); John Ward (guitar, sequencer); Juni Fisher (drums); Tristan Jones.
Audio Mixers: John Ward; Bobby Manuel.
Living Blues (pp.69-70) - "[A] sassy singer who reveals a young woman's perspective..." I Need A Cowboy To Ride My Pony Music Sheba Potts-Wright I Need A Cowboy To Ride My Pony Songs I Need A Cowboy To Ride My Pony Music Review Purchase I Need A Cowboy To Ride My Pony CD To buy, Click on price to add to cart | | Also Bought |
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| | Kim Wilson Lookin' For Trouble CD (2003)
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LOOKIN 'FOR TROUBLE was nominated for the 2004 Grammy Award for Best Traditional Blues Album.
Though he's best known as the frontman for the blues-rocking Fabulous Thunderbirds, singer/harmonica ...
| | Noel Redding Experience Sessions CD (2004)
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Well, let's be honest here. Noel Redding's position in rock history is cemented by virtue of having been the bass player for the Jimi Hendrix Experience. But the fact is that he was not actually a bass player, but a converted guitar player who was hired, at least in part, because Jimi liked his hair! By the time of Electric Ladyland, Redding was feeling creatively frustrated in the group, which basically led to the breakup of the Experience. He did, however, get two of his songs recorded by the Experience: "She's So Fine" on Axis: Bold As Love and "Little Miss Strange" on Electric Ladyland. Both are pleasant enough little tunes, but they do pale in comparison to Hendrix's songwriting abilities. Redding's later bands, Fat Mattress and the Noel Redding Band, were commercial duds with little to recommend them. So The Experience Sessions has been offered up by Experience Hendrix to fill out Noel's legacy. Unfortunately, there isn't really much to fill out. When you take out the live version of "Red House" by the Experience and the two cuts each of "She's So Fine" and "Little Miss Strange" (the album version and an alternate for both), you're left with only seven tracks, and two of those are alternates of the same tune. That's not much of a legacy. "There Ain't Nothing Wrong" has been available for years in bootleg circles, the difference here being cleaner sound and a vocal track that had never been heard because Noel cut the vocals for it in 1988! The best tunes here are nice psychedelic pop ditties much like "Little Miss Strange": "Walking Through the Garden," "Dream," and "Little, Little Girl," all of which demonstrate the fact that Noel Redding was not a particularly gifted lyricist. There are some nice touches, like the phased vocals on "Little, Little Girl" or Jimi's bass playing on "Dream," but they aren't especially remarkable. "How Can I Live" sounds unfinished, lacking a bass track, and "Noel's Tune" is a pretty loose jam, redeemed only by Jimi's soloing. The alternate version doesn't even have Hendrix, and suffers in comparison. The alternate take of ...
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Recording information: Roscoes (11/2005).
| | Ron Franklin City Lights CD (2007)
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Ron Franklin is an enigmatic young musician whose music is, at once, raw and polished. He’s a self-taught multi-instrumentalist and the songs he writes original songs can be evocative, plaintive and rocking. In short, Ron Franklin is one of a kind. Folk, blues, country, old timey are labels he could easily wear but chooses not to.He began his musical wanderings at the age of four when he picked up the harmonica found himself playing Leadbelly songs and Irish reels, later trying his hand at the fiddle and, later, a gut string guitar. He heard records by Chuck Berry, Fats Domino, Bo Diddley and The Spaniels and his grandparents’ collection of Malaco, Chess and country records had a profound influence. As a child, he never lived in one place very long, he deadpans, “I was raised mostly in a U-Haul.” While City Lights, his debut album for Memphis International, was recorded in that city, he continues to make his home on the road, having shown up in North Carolina, East Texas, Louisiana and Chicago over the past few years. Along the way, he’s met or played with Roosevelt “Booba” Barnes, Magic Slim, Junior Wells, James Cotton, Yank Rachell, Fred Ford and numerous others who inspired him. He’s played in numerous bands, fronting The Entertainers and achieving some notoriety in the garage scene with The Natural Kicks as well as Mouserocket, South Filthy, The Tearjerkers, The Memphis Roadmasters and, briefly, Love with the late Arthur Lee. He wrote, performed and produced the score the award winning feature length documentary film Nobody and, himself, directed a documentary entitled The Man Who Loved ...
| | Martriden CD (2007) (Import)
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| | Michael Bolivar In The City CD (2009)
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