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Rava, Enrico - Plays Miles Davis CD Cover Art
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Enrico Rava Plays Miles Davis CD

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Enrico Rava: Enrico Rava; Enzo Pietropaoli (double bass); Paolo Fresu, Roberto Gatto, Stefano Bollani.
Personnel: Enrico Rava (trumpet, flugelhorn); Paolo Fresu (trumpet, flugelhorn); Stefano Bollani (piano); Roberto Gatto (drums).
Recording information: At The Montreal Jazz Festival (07/05/2001).
Editor: Jean-Pierre Bouquet.
Photographer: Guy Lequerrec.
Plays Miles Davis Music


Detailed Plays Miles Davis Music Information



Category Rock/Pop Albums, Jazz CDs, Jazz Instrument, Live Performances, Classics (Silents / Avant Garde), Trumpet
Label Label Bleu
Orig Year 2004
All Time Sales Rank   155366  
CD Universe Part number 6717439
Catalog number LBLC 6639
Discs 1
Release Date May 01, 2004
Studio/Live Live
Mono/Stereo Stereo
Enrico Rava Plays Miles Davis Songs


Enrico Rava Plays Miles Davis Album Track Listing



1.Bye Bye Blackbird
2.There Is No You
3.Milestones
4.Blue in Green
5.When Lights Are Low
Plays Miles Davis Review


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Remastered reissue of the 2000 album by the UK's unique psychedelic electronic jam-band, packaged in a digipak. Seven tracks. Snapper. 2004. Ozric Tentacles: Ed (guitar, synthesizer, samples); Jon (flute); Seaweed (synthesizer); Zia (bass); Rad (drums, percussion).
Ozric Tentacles isn't an easy band to pigeonhole. Essentially, The Hidden Step falls into the space rock/progressive rock category. But Ozric was never a carbon copy of Pink Floyd, King Crimson, ELP, or Yes any more than it was a copy of Tangerine Dream. Ozric has had a vision of its own, and the British instrumentalists continue to forge ahead on this 2000 CD. Full of synthesizers, The Hidden Step successfully links space and progressive rock with ambient, trance, and techno. This isn't rave music per se -- it's definitely rock -- but it does acknowledge some of the electronic forms that dancers have moved to at underground raves. Another thing The Hidden Step readily acknowledges is world music; elements of Middle Eastern, Arabic, and North African music are quite prominent on this release. If The Hidden Step was played alongside Algerian rai or contemporary Turkish pop, it would be apparent how the East and West are benefiting one another. While a lot of contemporary Middle Eastern and North African pop has been heavily influenced by western pop and rock, The Hidden Step is an example ...

Carpal Tunnel Syndrome
Derek Bailey Carpal Tunnel Syndrome CD  (2005)

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CD $13.09  Audio Samples
Personnel: Derek Bailey (guitar); Derek Bailey.
Recording information: Barcelona, Spain.
It's a bit difficult to understand how, after more than four decades of playing guitar, Derek Bailey developed a debilitating case of carpal tunnel syndrome. It's not like holding a pick was something new to him, but the condition (fortunately confined to his right hand) made it such that he was no longer able to hold a "plectrum." This fact comes out in "Explanation & Thanks," the introductory piece to the album entitled Carpal Tunnel Syndrome, an audio letter dictated/played by Derek to someone named "Carol." He goes on to describe his playing as "desultory and inaccurate" as a result, having to relearn to play with his thumb instead of a pick, but "not using a plectrum has turned out to be quite interesting for me." He says that while "medical people" insist he should have an operation, he's "more interested in...trying to find a way around it," claiming at that moment to be "only partly successful." Thus the stage is set for a fascinating aural documentary. Here you have a man who single-handedly changed the vocabulary and future of guitar decades ago, ...

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Personnel: John Coltrane (tenor saxophone); Red Garland (piano); Paul Chambers (bass); Art Taylor (drums).
Recorded at the Van Gelder Studio, Hackensack, New Jersey on February 7, 1958. Originally released on Prestige (7142). Includes liner notes by Ira Gitler.
Personnel: John Coltrane (vocals, tenor saxophone); John Coltrane; Paul Chambers (upright bass); Red Garland (piano); Art Taylor (drums).
Audio Remasterer: Rudy Van Gelder.
Liner Note Authors: Mark Gardner; Ira Gitler; John Corbett .
Recording information: Hackensack, NJ (02/07/1958); New Jersey (02/07/1958); Van Gelder Studios, Hackensack, NJ (02/07/1958).
Author: Rudy Van Gelder.
Photographer: Esmond Edwards.
In addition to being bandmates within Miles Davis' mid-'50s quintet, John Coltrane (tenor sax) and Red Garland (piano) head up a session featuring members from a concurrent version of the Red Garland Trio: Paul Chambers (bass) and Art Taylor (drums). This was the second date to feature the core of this band. A month earlier, several sides were cut that would end up on Coltrane's Lush Life album. Soultrane offers a sampling of performance styles and settings from Coltrane and crew. As with a majority of his Prestige sessions, there is a breakneck-tempo bop cover (in this case an absolute reworking of Irving Berlin's "Russian Lullaby"), a few smoldering ballads (such as "I Want to Talk About You" and "Theme for Ernie"), as well as a mid-tempo romp ("Good Bait"). Each of these sonic textures displays a different facet of not only the musical kinship between Coltrane and Garland but in the relationship that Coltrane has with the music. The bop-heavy solos that inform "Good Bait," as well as the "sheets of sound" technique that was named for the fury in Coltrane's solos on the rendition of "Russian Lullaby" found here, contain the same intensity as the more languid and considerate phrasings displayed particularly well on "I Want to Talk About You." As time will reveal, this sort of manic contrast ...

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