| | Finlay Macdonald Ban Pressed For Time CD - Import Finlay Macdonald Ban Discography of CDs
Pressed For Time Music | List Price | $18.98 (You save $2.03) | | Category | World Albums | | Label | Celtic America LLC | | CD Universe Part number | 6717754 | | Discs | 1 | | Release Date | Mar 30, 2004 | | Additional Info | Import |
Finlay Macdonald Ban Pressed For Time Songs | 1. | Died and Gone to Prague |
| 2. | Breton Set |
| 3. | Happy Jigs |
| 4. | Alastair's Vintage Bar |
| 5. | An Exercise |
| 6. | Macedonian Tune |
| 7. | My Mighty Friend |
| 8. | McKerrells |
| 9. | Bulgarian Red |
| 10. | Pressed for Time |
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Pressed For Time Review
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| | Bebo & Cigala Lagrimas Negras CD (2004)
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Lágrimas Negras (Black Tears) is a collaborative effort between the octogenarian Cuban piano master Bebo Valdés and the reigning Spanish flamenco cantador, Dieguito El Cigala. Recorded for Fernando Trueba and Nat Chediak's Calle 54 label, the sessions took place in Madrid between September and December 2002. Maestro Valdés (born in 1918), the father of the jazz pianist Chucho, has a long history as an innovator in Cuban music. He recorded the first Afro-Cuban jazz session in 1952, and was a tutor to the great bandleader Beny Moré, writing early charts for him. Valdés is also a world-class arranger. Dieguito El Cigala was born in 1960, and has become the undisputed king of Spain's flamenco singers. ...
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Track Listing of songs: Amazing Grace; Three Waltzes: Skye Boat Song/Highland Cradle Song/Believe Me, All ...: Skye Boat Song / Highland Cradle Song / Believe Me, All My Endearing Young Charms; Medley: Corn Rigs/Waternish Point/Dallaghassie/Captain Horne: Corn Rigs-Waternish / Point-Dallaghassie / Captain Horne-Sleepy Maggie / Barbara's Jig-Pipe Major G. S. Allan; March, Slow Air and Hornpipe: ...
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There’s just no getting around it. Music done simple, honest, and heartfelt is music at its most efficacious. Put another way, most people tend to reject a lot of useless BS, unless they’re twelve years old and easily swayed by the ever-changing trends of pop culture. This is possibly why right smack dab in the middle of the Technicolor, psychedelic, flower power scene an American-roots act with the unadorned name The Band made such a significant impact on listeners and musicians alike.To my ears, this fact is what sets Joe Fletcher and his band The Wrong Reasons apart from the rabble. They possess a pure, unadulterated sense for rock & roll, and feel little need to patronize the listener with superfluous embellishments. To the contrary, they attack the material with a palpable integrity that conjures up names like Cash and Dylan. Their new CD release “Bury Your Problems” exemplifies these abilities with eleven songs that reintroduces the meaning of American roots music to a public desperately in need of a refresher course.Joe Fletcher has been cutting his teeth for the better part of the last decade in various New England based outfits including The Sinners Club and the highly-acclaimed Deterrents (which contained former Amazing Royal Crowns frontman Jason “King” Kendall.) However in 2005 he finally concentrated his accrued knowledge into one coherent project. Accordingly, The Wrong Reasons are really a vehicle for Fletcher’s expansive songwriting skills. Thus, the band’s lineup is an ever-revolving roster of musicians, with the 32-year-old singer-songwriter remaining its one constant presence. He is the group’s musical heart, bringing to the table his lifelong appreciation for blues, rock and country, and thus creating a unique style which he describes as “American roots music, that's kinda my passion. With each song I try to keep that element in there and make the songs have some sort of timeless quality. Not too up-to-date, but not too archaic either."The music that makes up “Bury Your Problems” can aptly be called folka-country-billy; kind of a Johnny Cash meets Eddie Cochran meets Woody Guthrie meets... well you get the idea. However it’s the lyrical content of these tracks that makes the listener perk up and take note. As is the tradition in folk, Fletcher tells colorful stories, often set in historic periods. He explains this penchant for the past as “a thing of dealing with feeling like you were maybe born at the wrong time.”Yet unlike folk he puts the whole thing to a rockabilly rhythm replete with doghouse bass and a slapping brushladen snare drum. One great example of this style of upbeat yarn spinning is the disc’s kickoff track “The Port of Seven Vices”. “In the Port of Seven Vices on a five drug night, Little Blackie Vasquez he crashed his motorbike - As the gasoline and blood crept down the cobblestone street, I knelt down over ...
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