| | Marcos Resende Abrolhos CD - Import Marcos Resende Discography of CDs
Marcos Resende Abrolhos Songs | 1. | Turma Do Liceu, A |
| 2. | Abrolhos |
| 3. | Sem Pressa de Chegar |
| 4. | Domingo Com Andre |
| 5. | Aqui Brasil |
| 6. | Often |
| 7. | Largada Geral |
| 8. | Palvra, A |
| 9. | Novos Tempos |
| 10. | Da Minha Janela |
| Abrolhos Review
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Purchase Abrolhos CD To buy, Click on price to add to cart | Joao Gilberto Amoroso/Brasil CD (1993)
Abrolhos
$11.99 Joao Gilberto is perhaps forever destined to be lesser known to casual jazz fans than his occasional collaborator Stan Getz (whose GETZ/GILBERTO albums introduced the United States to bossa nova) and his ex-wife Astrud Gilberto (whose shy, delicate voice made her one of the most distinctive and beloved jazz vocalists of the '60s). However, true fans of Brazilian music recognize that Gilberto is second only to Antonio Carlos Jobim as a writer and interpreter of traditional Brazilian music and Brazilian-influenced jazz.
These two albums, collected ...
| | Eros Ramazzotti Eros (Italian) CD (1997) Italian
Abrolhos
$9.05 The Italian version of EROS contains 2 songs that do not appear on the Spanish version. It also contains 8 songs that are completely re-recorded.
At the height of his popularity, after establishing a fan base for himself across much of Western Europe as well as parts of the Spanish-language world, Italian singer/songwriter Eros Ramazzotti took some time off during the late '90s and released Eros, a greatest-hits compilation comprised primarily of newly recorded material. The 16-track compilation is comprised of five songs that appear in their original versions, nine that have been newly recorded specifically for this compilation, and two new ones. While the decision to re-record the majority of the inclusions is unusual for a greatest-hits album, Eros ends up being a much more interesting album than it would have been otherwise. ...
| | Feet Of Flames CD (1999)
Abrolhos
$11.35 Michael Flatley is one of the top dancers and choreographers in modern performing arts. Lord of the Dance rivals Bill Whelan's Riverdance as one of the top dance phenomena of the '90s. Feet of Flames is also an important dance event of that decade. It matches Flatley with Ronan Hardiman again. As an event, it loses much in the translation to CD, but the music is beautiful and diverse. Hardiman covers many different styles and genres, including Celtic, ...
| | Antonio Carlos Jobim Passarim CD (1987)
Abrolhos
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| | Jethro Tull Broadsword & The Beast CD (1982) Bonus Tracks; Remastered
Abrolhos
$8.05 In the '80s, Jethro Tull was no longer the dominant force on the rock scene they had been throughout much of the previous decade, but the indomitable Ian Anderson continued to make ambitious records based on themes of ages past, even in an era of skinny ties and drum machines. BROADSWORD AND THE BEAST has a marked swords-and-sorcery motif; Anderson is depicted as a winged elfin creature on the cover. Despite such leanings, producer Paul Samwell-Smith--original bassist for the Yardbirds--gives the record a modern gloss, weaving the synthesizer playing of Peter-John Vettesse and the out-sized guitars of Tull stalwart Martin Barre through BROADSWORD's vaguely medieval-sounding romps.
The record is divided into two sides, Beastie and Broadsword. On the songs named for each side, Anderson evokes the spirit of swordplay and dragons, but elsewhere, on songs such "Fallen on Hard Times" he sings of more modern concerns. "Pussy Willow" is perhaps the best distillation of the classic Tull formula, juxtaposing Anderson's gruff but expressive vocals and a strong, insistent melody bolstered by well-placed, crunchy guitar chords.
Jethro Tull appears to have had something like an embarrassment of riches when it came to assembling The Broadsword and the Beast -- at least, that's the obvious way of explaining how the 2005 reissue of the 1982 album, drawn from the same sessions, could expand to 68 minutes of material that's mostly of the same quality as what was on the original. The reservations that one felt about the original album still apply here, however -- the album's concept, such as it was, is still elusive; it also seems to have eluded the band as well (which wasn't the first time that happened with this band). The Broadsword and the Beast does still seem to be just a bunch of tunes -- some of them quite nice -- thrown together, rather than a cohesive, coherent narrative. Most of those tunes are also at times played a little too loudly for their own good -- Martin Barre's electric guitars share the spotlight for the first time with Peter-John Vettesse's synthesizers, and Ian Anderson is still playing lilting tunes on his flute and acoustic guitar (when you can hear the latter). There's a little too much of what seems to ...
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| | Incredible Sandwich CD (2009)
Abrolhos
$9.35 The Incredible Sandwich is an eclectic quartet hailing from Athens, GA. Their music is a creative, intelligent blend of musical styles such as Latin, jazz, funk and rock, with unexpected educated improvisational jams that take the listener on a surprising musical journey. “The Sandwich,” as they are known to their fans, features Matt McKinney on lead guitar and vocals, Kevin Juneau on bass guitar, Damian Kapcala on keyboards, and Rackley Davis on drums and vocals. McKinney, a native of Cordele, GA, began playing the guitar at 13 and moved to Athens after completing his degree in music composition at Georgia Southern University. Juneau, who hails from Albany, GA, began playing guitar when he was 15, and moved to Athens in 2004 to attend the University of Georgia. Davis, a musician since age 11, completed a degree in music at Berry College before moving to Athens in 2007. Newest member Damian Kapcala, raised in Columbia, MD, is a classically trained pianist who also plays guitar, bass, and drums. In 2001 he moved to Athens where he has played with Lost Cat, Sonic Bloom, Field Trip, Lionz, Soul Patch, Krill, Betsy Franck ...
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