Three Dog Night - Complete Hit Singles CD

Complete Hit Singles buy CD music Digitally remastered by Gary Hobish (1994, Fantasy Studios, Berkeley, California). Digitally remastered by George Horn (Fantasy Studios, Berkeley, California). Digitally remastered by George Horn (1995, Fantasy Studios, Berkeley, California). Guided, perhaps, by musical snobbery or roots-rock phobia, some people inexplicably don't like Creedence Clearwater Revival. As the kings of earnest country-inflected rock in an age when radical stances were de rigueur, CCR sported straight-ahead tunes, and may have seemed a bit unhip. But their music stands the test of time with a vengeance. For the doubtful listener, this outstanding, 20-track hits collection has evidence of their greatness in staggering abundance. Though they produced several excellent albums, Creedence was predominantly a singles band, and CHRONICLE compiles many of their biggest hits. From the slowly building saunter of "Suzie Q" and the spooky, R&B-soaked "I Put a Spell on You" to the fierce "Fortunate Son" and the swampy blues of "Run Through the Jungle," CHRONICLE features the ensemble's signature tunes. Beautifully melancholy songs "Who'll Stop the Rain" and "Someday Never Comes" play off sunny, melodic anthems "Down on the Corner" and "Lookin' Out My Back Door," fully revealing the band's wide range. The group's tight, no-frills musicianship leaves John Fogerty's keening voice and superb songwriting at the fore, and the results--brought together here on one of rock's best greatest-hits packages--make for some of the genre's most endearing and enduring music. Recorded 1968-1970 and includes 'Susie Q', 'I Put a Spell on You', 'Proud Mary', 'Bad Moon Rising', 'Lodi', 'Green River', 'Commotion', 'Down on the Corner', 'Fortunate Son', 'Travelin' Band', 'Who'll Stop the Rain', 'Up Around the Bend', 'Run Through the Jungle', 'Lookin' Out My Back Door', 'Long as I Can See the Light', 'I Heard It Through the Grapevine', 'Have You Ever Seen the Rain?', 'Hey Tonight', 'Sweet Hitch-Hiker' & 'Someday Never Comes'. Fantasy label. 1991. Includes liner notes by John Grissim. Includes liner notes by Greil Marcus. Creedence Clearwater Revival: John Fogerty (guitar, vocals); Tom Fogerty (guitar); Stu Cook (bass); Doug Clifford (drums). Personnel: John Fogerty (vocals, guitar); Tom Fogerty (guitar); Doug Clifford (drums). Liner Note Author: Greil Marcus. Arranger: John Fogerty. Creedence Clearwater Revival: John Fogerty (vocals, guitar); Tom Fogerty (guitar); Stu Cook (bass); Doug Clifford (drums).

Complete Hit Singles CD music THE VERY BEST OF includes a 46-page booklet with pictures and track information. "Hole In The World" was nominated for the 2004 Grammy Award for Best Pop Performance By A Duo Or Group With Vocal. The Eagles' founders Don Henley and Glenn Frey were forthright in their desire to bring then-emerging country rock to new heights of commercial success. Formed in Los Angeles in 1971, they learned from their observations of the scene around them, and subsequently took their music to the top of the charts. They stayed there throughout the '70s, becoming synonymous with the sound of Southern California rock. The band's first hit was with a song by Jackson Browne, and their first album also included a cover of "Ol' 55" by Tom Waits, but the bulk of the material they're known for was penned by Henley and Frey. This two-disc set wisely expands the original VERY BEST OF collection with important album tracks that have also long been band staples and favorites (such as the aforementioned Waits tune and a number of other songs from their pre-platinum first three releases). As is often the common industry-wide practice, there's also a new song, "Hole in the World." A 2-CD retrospective from the multiplatinum superstars whose 1976 "Greatest Hits" is the #1 album of all time! Special Limited Edition bonus DVD included with a music video, outtakes from the video and backstage pass to Farewell 1. Initial pressings included a bonus DVD. Recorded between 1972 & 2003. The Eagles: Bernie Leadon (vocals, guitar, slide guitar, pedal steel guitar, banjo, mandolin); Don Felder (vocals, guitar, slide guitar, steel guitar, keyboards); Glen Frey, Joe Walsh (vocals, guitar, slide guitar, keyboards); Randy Meisner (vocals, guitar, guitarron, bass); Don Henley (vocals, drums, percussion); Timothy B. Schmit (vocals, bass). Producers: Glyn Johns, Bill Szymczyk, Eagles, Elliot Scheiner, Rob Jacobs. Compilation producer: The Eagles. Eagles: Don Felder (vocals, guitars, slide guitar, steel guitar, keyboards); Bernie Leadon (vocals, guitars, slide guitar, pedal steel guitar, banjo, mandolin); Glenn Frey, Joe Walsh (vocals, guitars, slide guitar, keyboards); Randy Meisner (vocals, guitarron, bass guitar); Timothy B. Schmit (vocals, bass guitar); Don Henley (vocals, drums, percussion). Additional personnel: Steuart Smith (electric guitar); Al Perkins (pedal steel guitar); David Sanborn (alto saxophone); Jim Ed Norman, Willie Hollis (piano); Jay Oliver (keyboards); Scott Crago (drums, percussion).

Complete Hit Singles songs Initial pressings of this first edition contain a bonus disc. Recorded between 1970 & 2002. Includes liner notes by Paul Gambaccini. Greatest Hits 1970-2002 is a nearly flawless double-disc set commemorating Elton John's three-decade career. Disc one features what may arguably be John's most essential work: Seeing songs such as "Saturday Night's Alright for Fighting," "Goodbye Yellow Brick Road," "Candle in the Wind," and "Bennie and the Jets" -- not to mention "Your Song," "Rocket Man," and "Tiny Dancer" -- lined up back to back reaffirms just how diverse, and yet universal, his songwriting talent is. Disc two finds this talent maturing gracefully into the '80s, '90s, and beyond, touching on pop gems like "Don't Go Breaking My Heart," "I'm Still Standing," and "I Guess That's Why They Call It the Blues" as well as his Lion King classic "Can You Feel the Love Tonight?" and the Aida duet "Written in the Stars" with LeAnn Rimes. The collection also finds room for the highlights of his most recent albums, including Made in England's "Believe" and "Blessed," The Big Picture's "Something About the Way You Look Tonight," and Songs from the West Coast's "This Train Don't Stop Here Anymore." For most casual fans, Greatest Hits 1970-2002 will replace the need for collections such as Greatest Hits, Greatest Hits, Vol. 2, and Greatest Hits, Vol. 3, although these collections are still worthwhile as of-their-time retrospectives of John's work. ~ Heather Phares All tracks have been digitally remastered.

Complete Hit Singles album for sale Today the most recognition the Animals get is "House of the Rising Sun" being played on oldies radio, but in the mid-1960s they were a powerful part of the British Invasion, often reckoned on a par with the Beatles, the Stones, and the Who. Like those bands, the Animals had strong roots in blues and R&B, but, in their original incarnation, they stayed closer to those roots than their peers did. This definitive compilation, masterfully assembled by the ABKCO think tank of Teri Landi and Jody Klein, shows the tough, uncompromising use to which the Animals put their American influences. John Lee Hooker's "Boom Boom" is recast as a raw garage rocker glazed with Alan Price's sinister organ riffs, and the aforementioned "House of the Rising Sun" is transformed from a traditional folk lament to an urgent, ominous piece of churning tumult. Of course, the group skillfully expanded those roots (with the help of some great writers), and turned out some classic working-class-rebel anthems ("We Gotta Get Out of This Place," "It's My Life"). By '67, the original lineup disbanded, and Eric Burdon led a new batch of Animals into a psychedelic West Coast sound ("San Franciscan Nights," "Monterey"). The Animals may not be given pride of place in the rock history books, but RETROSPECTIVE shows that they fully deserve it. Audio Remixers: Eddie Kramer; Gary Kellgren; Vic Briggs. Liner Note Author: Jim Bessman. Recording information: Kingsway Recording Studio, London, England (01/22/1964-??/??/1970); Mayfair Recording Studio, New York, NY (01/22/1964-??/??/1970); RCA Studios, Hollywood, CA (01/22/1964-??/??/1970); Sunset-Highland Recording Studios, Hollywood, CA (01/22/1964-??/??/1970); Wally Heider Recording Studio, San Francisco, CA (01/22/1964-??/??/1970). Arrangers: Vic Briggs; Horace Ott; Dave Rowberry. The Animals: Alan Price (keyboards); Chas Chandler (bass instrument); Eric Burdon, John Steel , Hilton Valentine. Personnel: Eric Burdon (vocals); John Weider (guitar, violin); Vic Briggs (guitar, piano, vibraphone); Howard H. Scott, Hilton Valentine (guitar); Charles Miller (flute); Royal Scots Guard Pipe And Drum Marching Band (bagpipe, percussion); Lee Oskar (harmonica); Alan Price (piano, organ); Lonnie Jordan, Dave Rowberry (organ); Barry Jenkins (drums, percussion); Harold Brown, John Steel (drums); Thomas R. Allen, Jr. (percussion). Additional personnel: War.

Complete Hit Singles CD music THE BEST OF THE MOODY BLUES contains vintage photographs and a conversation with Justin Hayward. Recorded between 1964 and 1988. Includes liner notes by John Reed. By keeping it simple and sticking to the hits, this collection successfully relates the story of this pioneering band. The Moody Blues began as a Gerry & the Pacemakers-like, R&B-influenced band fronted by sad-voiced singer Denny Laine, who is heard here on "Go Now." Laine was replaced by Justin Hayward, keyboardist Mike Pinder brought in a Mellotron, and the band hooked up with the London Symphony Orchestra to make the first orchestral-rock album DAYS OF FUTURE PASSED, from which "Tuesday Afternoon" and "Nights in White Satin" are included on this album. Over the next few years the band banged out several gem albums that were full of a distinctive mix of folk-tinged ballads and ambitious prog-rock. Cuts from this period take up a healthy piece of this collection. After a lengthy sabbatical, the Moodies made a comeback in 1981, and with an updated sound (more synth, less Mellotron) the hits began anew. The last section of this album features the songs that brought the Moody Blues back to life. THE BEST OF THE MOODY BLUES is a definitive and accurate portrait of the group, and a good place for neophytes to begin. All tracks have been digitally remastered. Producers include: Tony Clarke, 10cc, Jeff Wayne, Pip Williams, Tony Visconti. Compilation producer: Dorian Wathen. Engineers include: Tony Visconti. Audio Mixer: Tony Visconti. Liner Note Author: John Reed.

Complete Hit Singles buy CD music Chicago commemorates 35 years of playing together with the career-spanning 2-CD anthology ONLY THE BEGINNING. This Windy City septet started out as one of the few '60s groups aside from Blood, Sweat & Tears and The Electric Flag to fuse a full horn section with a rock band. Chicago's early hits included more aggressive fare like "25 Or 6 To 4," "Beginnings," and a scorching cover of The Spencer Davis Group's "I'm A Man," but they became known as a ballads band as the '70s progressed. AM hits like "Saturday In The Park," "Just You 'N' Me," and "Baby, What A Big Surprise" helped solidify this reputation. Despite stumbling in the late '70s and getting dropped by Columbia Records, Chicago neatly landed on its feet at Warner Brothers. Their chart assault in the '80s continued with ballads like "Hard To Say I'm Sorry/Look Away," "Hard Habit To Break," and the quintessential prom theme/wedding song "You're The Inspiration." Hits sans Peter Cetera (who left in 1985), include "Chasin' The Wind." Wrapping up this 40-song set is "Sing, Sing, Sing," a new collaboration with The Gipsy Kings. Out-of-print in the US. Subtitled - Only The Beginning. Double disc with 39 hit singles spanning Chicago's complete 35-year history. Including the #1 singles 'If You Leave Me Now,' 'Hard To Say I'm Sorry' and 'Look Away'. Booklet features detailed liner notes by Bill DeYoung. Rhino Records Includes liner notes by Bill DeYoung. All tracks have been digitally remastered. Producers include: James William Buercio, Phil Ramone, David Foster, Bruce Fairbairn, Ron Nevison. Compilation producers: Chicago, David McLees.