| | Lee Konitz Peacemeal CD Lee Konitz Discography of CDs
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Live Recording
Personnel: Lee Konitz (soprano saxophone, alto saxophone, tenor saxophone); Lee Konitz (electric saxophone); Eddie Gomez (double bass); Marshall Brown (valve trombone, baritone horn); Dick Katz (piano, electric piano); Jack DeJohnette (drums).
Audio Remasterer: Kirk Felton.
Audio Remixer: Stephen Hart .
Liner Note Author: Orrin Keepnews.
Recording information: Decca Studios, New York, NY (03/20/1969-03/21/1969).
Photographer: Charles Stewart.
Arrangers: Marshall Brown; Dick Katz.
This Lee Konitz recording is of even greater interest than usual. Altoist Konitz, in a quintet with valve trombonist Marshall Brown, pianist Dick Katz, bassist Eddie Gomez and drummer Jack DeJohnette, performs jazz adaptations of three Bela Bartok piano compositions, a trio of Dick Katz originals, two of his own pieces (including "Subconscious-Lee") and versions of "Lester Leaps In" and "Body and Soul" that include transcriptions of recorded solos by, respectively, Lester Young and Roy Eldridge. A thought-provoking and consistently enjoyable set of music. ~ Scott Yanow
Lee Konitz Peacemeal Songs Peacemeal Review
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For a short time in the mid-'60s, the Modern Jazz Quartet were working primarily in Europe and recording for the French division of Philips, with the results coming out in the United States on the MJQ's regular label, Atlantic. There was only one exception to this rule: Place Vendôme, the collaboration the MJQ did with the Swingle Singers, which appeared in the U.S. on Philips' American subsidiary through Mercury Records, on which the Swingle Singers had been appearing for some years already. For Philips, the collaboration must have seemed like an inevitability; Ward Swingle had sung with the Double Six of Paris, which had backed up Dizzy Gillespie who, of course, had led the big band out of which the MJQ was formed in 1952. The Swingle Singers had been jazzing up the music of Johann Sebastian Bach since at least 1963 with phenomenal success, and while John Lewis wasn't quite as into the Bach bag in 1966 that he would be in later, his MJQ compositions had long been taken up in European devices such as fugue and the renaissance Canzona. Although Swingle and Lewis agreed to collaborate backstage after an MJQ concert in Paris in 1964, it wasn't until 1966 that the two groups found themselves in Paris at the same time. The resultant album, Place Vendôme, was a huge international ...
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