| | Red Garland Red Alone CD Red Garland Discography of CDs
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Our Price: $9.59  CDFor Sale Usually ships in 1-2 days
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Live Recording
Personnel: Red Garland (piano); Red Garland.
Audio Remasterer: Kirk Felton.
Liner Note Author: Ron Eyre.
Recording information: New York, NY (04/02/1960); Nj (04/02/1960).
Photographer: Esmond Edwards.
Red Garland recorded 16 ballads during this single 1960 session for Prestige's Moodsville subsidiary label, half of which appear on this CD reissue, with the remainder being heard on Alone With the Blues. Although these selections were intended as mood music for lovers, Garland's imaginative arrangements keep things interesting. The pianist's strolling tempo of "When Your Lover Has Gone" suggests nostalgic reflection rather than melancholy from the typically slow performances by singers. His playful side comes out in "These Foolish Things," while the graceful runs in the upper keyboard are complemented by his rich block chords in "My Last Affair." The subtlety of his interpretation of "You Are Too Beautiful" and the delicate rendition of "The Nearness of You" are also memorable. But the obvious high point of this release is his stunning exploration of Duke Ellington's "I Got It Bad (And That Ain't Good)," which succeeds in conveying the powerful emotions of this ballad without a singer. This remarkable collection of standards should appeal to any fan of jazz piano. ~ Ken Dryden
Red Garland Red Alone Songs Purchase Red Alone CD To buy, Click on price to add to cart | Gerry Mulligan Meets Johnny Hodges CD (1959) Remastered; Digipak
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| | Thelonious Monk At Carnegie Hall CD (2005)
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Personnel: Thelonious Monk (piano); John Coltrane (tenor saxophone); Ahmed Abdul-Malik (bass instrument); Shadow Wilson (drums).
Liner Note Authors: Larry Appelbaum; Robin D.G. Kelley; Ira Gitler; Lewis Porter; Amiri Baraka; Stanley Crouch; Ashley Kahn.
Recording information: Carnegie Hall, New York, NY (11/29/1957).
Larry Appelbaum, ...
| | Charles Mingus Blues & Roots (Deluxe Edition) CD (1960) Deluxe Edition
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The 1998 reissue of BLUES & ROOTS contains all the original tracks and liner notes, plus additional tracks and rare photos.
Personnel: Charles Mingus (bass); Jackie McLean, John Handy (alto saxophone); Booker Ervin (tenor saxophone); Pepper Adams (baritone saxophone); Jimmy Knepper, Willie Dennis (trombone); Horace Parlan, Mal Waldron (piano); Dannie Richmond (drums).
Recorded at Atlantic Studios, New York, New York on February 4, 1959. Originally released on Atlantic (1305). Includes liner notes by Charles Mingus.
All tracks have been digitally remastered.
Personnel: Jackie McLean, John Handy (alto saxophone); Booker Ervin (tenor saxophone); Pepper Adams (baritone saxophone); Jimmy Knepper, Willie Dennis (trombone); Horace Parlan, Mal Waldron (piano); Dannie Richmond (drums).
Liner Note Author: Charles Mingus.
Photographer: Lee Friedlander.
In response to critical carping that his ambitious, evocative music somehow didn't swing enough, Charles Mingus returned to the earthiest and earliest sources of black musical expression, namely the blues, gospel, and old-time New Orleans jazz. The resulting LP, Blues and Roots, isn't quite as wildly eclectic as usual, but it ranks as arguably Mingus' most joyously swinging outing. Working with simple forms, Mingus boosts the complexity of the music by assembling a nine-piece outfit and arranging multiple lines to be played simultaneously -- somewhat akin to the Dixieland ensembles of old, but with an acutely modern flavor. Anyone who had heard "Haitian Fight Song" shouldn't have been surprised that such an album was well within Mingus' range, but jazz's self-appointed guardians have long greeted innovation with reactionary distaste. After Blues and Roots, there could be no question of Mingus' firm grounding in the basics, nor of his deeply felt affinity with them. Whether the music is explicitly gospel-based -- like the groundbreaking classic "Wednesday Night Prayer Meeting" -- or ...
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This is an Enhanced CD, which contains both regular audio tracks and multimedia computer files.
Producers: Peter Graves, Michael J. Hurzon, Marcus Miller.
Includes liner notes by John C. Bruening.
This is an Enhanced CD, which contains both regulaur audio tracks and multimedia computer files.
This is a Hybrid Super Audio CD playable on both regular and Super Audio CD players.
Producers: Peter Graves, Michael J. Hurzon, Marcus Miller.
Includes liner notes by John C. Bruening.
This is an Enhanced CD, which contains both regular audio tracks and multimedia computer files.
Lyricist: Allen Perry.
Personnel: Jaco Pastorius (electric bass); Randy Bernsen (guitar, koto); Billy Ross (flute, piccolo, woodwinds, soprano saxophone, alto saxophone); Gary Keller (flute, clarinet, woodwinds, alto saxophone, tenor saxophone); Michael Brignola (flute, bass clarinet, woodwinds, baritone saxophone); Mike Scaglione (flute, tenor saxophone); Ed Calle (clarinet, woodwinds, soprano saxophone, tenor saxophone); Marcus Miller (bass clarinet, soprano saxophone, Clavinet, bass synthesizer, bass guitar, drums, scratches); Roger Byman (soprano saxophone); Jeff Kievit, Jason Carder, Kenneth Faulk (trumpet, flugelhorn, brass); ...
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Performers include: Johnson, Hawkins, Tatum & Durr, The Kool Blues, Ronnie Taylor, The Four Mints, Bill Moss, Elijah & The Ebonites, Marion Black.
Capsoul, short for "Capitol City Soul," was a small independent label from Columbus, OH, that was extant from 1970 to 1974 and rolled out a small number of singles in that time. Columbus may have been the base of operations, but the label's sound existed somewhere in between the many larger independents of the time: Stax, Motown, Brunswick, and Philly International. One tune more than any other ...
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Jo McPhee Po Music: Joe McPhee (pocket cornet, tenor saxophone); Andre Jaume (clarinet, bass clarinet, alto saxophone); Raymond Boni (electric guitar); Francois Mechali (bass).
Producers: Pia Uehliner, Werner X. Uehlinger.
Recorded at Foundation Artist House, Boswil, Switzerland on August 2, 1982. ...
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