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Vaughan, Stevie Ray - Collection CD Cover Art
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Stevie Ray Vaughan Collection CD

 Stevie Ray Vaughan Discography of CDs

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3pak:Texas Flood,Couldn't Stand The Weather,Soul To Soul
Collection Music


Detailed Collection Music Information



List Price $28.98 (You save $7.29)
Category Rock/Pop Albums, Rock CDs, Latin, Blues, Box Sets, Contemporary Blues
Label Sony
All Time Sales Rank   138741  
CD Universe Part number 6730114
Catalog number 61536
Discs 3
Release Date May 04, 2004
Stevie Ray Vaughan Collection Songs


Stevie Ray Vaughan Collection Album Track Listing



1.Love Struck Baby
2.Pride and Joy
3.Texas Flood
Windows MediaRealAudio Media4.Tell Me$0.99
Windows MediaRealAudio Media5.Testify$0.99
6.Rude Mood
7.Mary Had a Little Lamb
8.Dirty Pool
Windows MediaRealAudio Media9.I'm Cryin'$0.99
Windows MediaRealAudio Media10.Lenny  $0.99
11.Srv Speaks
12.Tin Pan Alley (Aka Roughest Place In Town)
13.Testify
14.Mary Had a Little Lamb
15.Wham!
1.Scuttle Buttin'
2.Couldn't Stand the Weather
3.Things (That) I Used To Do
4.Voodoo Child (Slight Return)
5.Cold Shot
6.Tin Pan Alley (Aka Roughest Place In Town)
Windows MediaRealAudio Media7.Honey Bee  $0.99
Windows MediaRealAudio Media8.Stang's Swang$0.99
9.Srv Speaks
Windows MediaRealAudio Media10.Hide Away$0.99
11.Look At Little Sister
Windows MediaRealAudio Media12.Give Me Back My Wig  $0.99
13.Come On (Pt. Iii)
1.Say What!
Windows MediaRealAudio Media2.Lookin' Out the Window  $0.99
3.Look At Little Sister
4.Ain't Gone 'N' Give Up On Love
5.Gone Home
6.Change It
7.You'll Be Mine
8.Empty Arms
9.Come On
10.Life Without You
11.Srv Speaks
12.Little Wing/Third Stone From the Sun
13.Slip Slidin' Slim

Collection Review


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Blues Jam

22 x 28 inch
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Albert King with Stevie Ray Vaughan - In Session

16 x 16 inch
Photographic Print

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Stevie Ray

16.9375 x 20.9375 inch
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EMI in Great Britain reissued David Axelrod's three albums for Capitol in fine editions on both vinyl and CD at the end of the 1990s. Fantasy issued its own retrospective, The Axelrod Chronicles, in 2000. Blue Note is finally getting its act together here by taking a look at the work Axelrod did as both a producer and artist with Capitol from 1966-1970. The Edge is not perfect, but for 17 tracks it does give a halfway decent look at the wide range of projects and artists Axe worked with, despite the album's aesthetic inconsistency. Some of the most compelling of these are the tracks with actor David McCallum on vocals -- who played Robert Vaughn's sidekick Ilya Kuryakin in The Man from U.N.C.L.E. -- Axelrod produced four albums for him. "House of Mirrors," is a way tripped-out psychedelic piece with vocals Echoplexed to the max. The title cut is an instrumental that is all dreamy shimmering flute, vibes, guitars, and a horn section for drama. There is also a cut here from the South African artist Letta Mbulu, complete ...
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Since their re-emergence in 1973, the Shadows had established themselves among the most tasteful guitar instrumental bands of the age. True, their greatest singles hits tended to be vocal numbers -- the Eurovision Song Contest smash "Let Me Be the One" paramount among them. But mention the Shadows to the average record buyer, and still the first thought that comes to mind was of seamless, sweet, and soaring guitar epics -- which was precisely the thinking behind this set. Despite a track listing which featured three of the band's most recent 45s, String of Hits was not titled for the band's own singles success. Rather, its contents drew, in the main, from the national Top 20 of the past year or so, to serve up tasteful revisions of some truly monster-selling recordings -- Blondie's "Heart of Glass," Gary Moore's "Parisienne Walkways," Art Garfunkel's "Bright Eyes," smashes from the plays Evita and Grease, the theme from The Deer Hunter, and so on. All were restyled to guitarist Hank Marvin's specifications -- gone were the days when the Shadows were an instrumental democracy, with drums and bass alike afforded their own moments in the sun. But, again, ask the average record buyer who the other Shads were -- or even what they played -- and you might as well be speaking braille. So, smooth and stirring was the order of the day, oozing taste and virtuoso frills -- Gerry Rafferty's "Baker Street" turned from gray observation to classical gas; "Classical Gas" itself rewired to such lofty complications that it's hard to believe one ...
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There are few artists who offer the raw sincerity and accomplished musical acumen that guitarist, singer, and songwriter Kelly Joe Phelps does. From his first offering, Lead Me On on the Burnside label, through his subsequent studio outings for Rykodisc, Phelps has done something remarkable: forged himself a solid identifying mark as a folk and blues musician of distinction in fields owing so much to the past that latter-day performers are usually crushed under the weight of them. Tap the Red Cane Whirlwind is a collection of solo live performances recorded n California in 2004. Lee Townsend, who has long been affiliated with him, produced the set. It opens with a nine-and-a-half-minute version of Skip James' "Hard Time Killin' Floor Blues." Phelps snakily moves the tune through various modes and modulations, delving deep into Delta blues tonalities and backside melodies that open up spaces inside it. His voice, smoky and sweetly raspy, is never harsh, though it often sounds like it is inhabited by ghosts. It's a stunner. The other cover here is a smoking version of the late Rev. Gary Davis' "I Am the Light ...
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