Bad Religion Empire Strikes First CD

Bad Religion: Greg Graffin (vocals); Greg Hetson, Brett Gurewitz (guitar, background vocals); Brian Baker (guitar); Jay Bentley (bass, background vocals); Brooks Wackerman (drums).
Bad Religion: Greg Graffin (vocals); Brett Gurewitz, Brian Baker (guitar, background vocals); Greg Hetson (guitar); Jay Bentley (bass instrument, background vocals); Brooks Wackerman (drums, percussion).
In 2004, Bad Religion supplemented a magazine of reissues with one in the chamber called The Empire Strikes First. Given the state of affairs and activism of peers like NOFX's Fat Mike, it's natural for Greg Graffin, Brett Gurewitz, and company to point their measured seethe and trademark erudition against shady politics and policies of preemptive security. "We strike first and we're unrehearsed/Here we go again to stage the greatest show on heaven and earth," the title track rants. But Bad Religion was never just a catchy name, as "God's Love" illustrates yet again. And society doesn't get a pass, taken to task for ignorance in "Social Suicide" and suffered as the source of Graffin's profound cynicism in "To Another Abyss." So the band's as indignant as ever, and that's important. The punk-pop kids in the drive-thru and hanging out at half-pipes need to see the graybeards bringing the big issue pain train. But it helps if those issues are bound to strong melodies, and in this department Bad Religion doesn't disappoint. "Let Them Eat War" features a stinging lead guitar figure and the usual muscular chug; outsider rap poet Sage Francis makes an appearance in the middle. Opener "Overture" is a brooding instrumental, the sound of punk in a neutered Orwell future -- it bursts into a million pieces in the thrusting fists of "Sinister Rouge" and the aforementioned "Suicide." (Empire's lyrics are attended by footnotes -- including Orwell -- à la 1992's Generator.) Those BR harmonies rise and fall behind a pleadingly angry Graffin in "All There Is," and one of the band's three (!) guitarists adds a solo blister. Best might be "Los Angeles Is Burning," not surprisingly inspired by the California wildfires of 2003. "Palm trees are candles in the murder wind/So many lives are on the breeze even the stars are ill at ease" -- the track's as powerfully melodic as it is darn angry. The Empire Strikes First isn't a return to Bad Religion at its most vitriolic and unstoppable -- whether that could ever really happen is unclear, and probably unnecessary. Unnecessary, because Bad Religion is best when standing defiant in the way of whatever hate and shenanigans are currently inhabiting our collective psyche. Their tone doesn't change, but the battles are always changing. Watch out, evildoers -- Bad Religion is in your rear-view, and they're gaining. ~ Johnny Loftus
A sense of justice and moral outrage is frequently part of punk's ethos, and Bad Religion has willfully flown this flag since the early 1980s. The title of the band's 2004 release, THE EMPIRE STRIKES FIRST, and the songs "Let Them Eat War" and "Sinister Rouge" indicate that Bad Religion has a thing or two to say about United States foreign policy and the George W. Bush administration, among other things. Driving guitars, thundering bass, and jackhammer drums create a sonic assault that reinforces the group's ideological fervor and underscores the pitch of its rage.
Though Bad Religion borrows from the legacy of punk, its music does not fall strictly under that rubric. The pop melodicism of the band's song structures and sing-along choruses, along with heavy-metal time changes and blistering guitar solos, help broaden its appeal, as does the range of social and political issues addressed in the group's lyrics. THE EMPIRE STRIKES FIRST shows Bad Religion at the top of its game, mining the musical and topical principles that made its previous releases popular, while losing none of the fire or urgency that keeps its approach vital.Q (p.106) - 3 stars out of 5 - "Bad Religion know how to thrill and THE EMPIRE STRIKES FIRST is a thrill from first to last."
Magnet (p.83) - "[P]otent and timely....The pedigree of the songs on THE EMPIRE STRIKES FIRST is outstanding."
CMJ (p.4) - "[T]he politially charged songs have an added weight - another lesson worth paying attention to."
CMJ (p.31) - "[Graffin] attacks American jingoism and 'nation building' with a passion and verve absent in his voice for too long."