| | Peter Green Blues Jam In Chicago V.2 CD Peter Green Discography of CDs
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Like VOL. 1, BLUES JAM IN CHICAGO VOL. 2 documents collaborations between some of Chess Records' most prominent bluesmen and the late-1960s version of Fleetwood Mac (the blues-rock power outfit, as opposed to the commercially successful soft-rock incarnation from the '70s). Given that the Peter Green-led Fleetwood Mac was already deeply rooted in Chicago blues, the project proved to be a natural for the group, with Green's blues-drenched leads and the chops of Mick Fleetwood (drums), John McVie (bass), Danny Kirwan and Jeremy Spencer (guitars) providing a perfect framework for contributions by Willie Dixon, Otis Spann, and David "Honeyboy" Edwards, among others.
Green and company bring an edge to the proceedings, playing with the kind of muscle and unbridled energy associated with rock music. Interestingly, VOL. 2 has greater variety in the lineup than VOL. 1, with Dixon substituting on bass for McVie on a number of tracks, along with much swapping of vocal duties. This last fact gives the second installment the edge over the first, with Edwards singing on his own tunes ("Honey Boy Blues" is a highlight), and the inimitable Spann singing "Someday Soon Baby" and "Hungry Country Girl." This is one of the finer snapshots of British blues-rock meeting its source.
2004 remastered reissue of 1970 album featuring Otis Spann, J.T. Brown, Honeyboy Edwards, J.P. Leary & Willie Dixon, features 18 tracks including 7 bonus tracks, 'My Baby's Gone', 'Sugar Mama' (Take 1), 'Honey Boy Blues', 'I Need Your Love' (Take 1), 'Horton's Boogie Woogie' (Take 2), 'Have A Good Time', 'That's Wrong', & 'Rock Me Baby'. Includes expanded booklet with detailed notes & photos. Sony.
Remastered Release includes several extra songs.
CD contains bonus tracks. Blues Jam In Chicago V.2 Music Peter Green Blues Jam In Chicago V.2 Songs | 1. | World's in a Tangle |
| 2. | Talk With You |
| 3. | Like It This Way |
| 4. | Someday Soon Baby |
| 5. | Hungry Country Girl |
| 6. | Black Jack Blues |
| 7. | Everyday I Have the Blues |
| 8. | Rockin' Boogie |
| 9. | My Baby's Gone |
| 10. | Sugar Mama - Take 1 |
| 11. | Sugar Mama |
| 12. | Homework |
| 13. | Honey Boy Blues |
| 14. | I Need Your Love - Take 1 |
| 15. | Horton's Boogie Woogie - Take 2 |
| 16. | Have a Good Time |
| 17. | That's Wrong |
| 18. | Rock Me Baby |
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Happenstance is Yamagata's debut long-player; it is a logical and delightful follow-up to her acclaimed, self-titled EP. It features 13 listed tracks that are either self-penned or written in collaboration with producer John Alagía (John Mayer, Josh Kelly) and mentor/guitarist Kevin Salem. The cuts "Worn Me Down" and "Reason Why" carry over, but they have been completely re-recorded. It is an unabashedly lush, deeply textured pop record that makes no apologies for its radio-friendliness or its adornments. This album's elegance reflects a willingness to overreach--emotionally as well as in production. Yamagata's voice is full of elliptical slides and slurs; it swoops, croons, rasps, and whispers; it looks for the crack in a lyric in order to reveal the depth behind it. One can hear that same quality in vocalists such as John Martyn, Billie Holiday, the young Rod Stewart, Dinah Washington, Maggie Bell, and Jeff Buckley. That context embodies within it a certain kind of approach, one that fuses grace with grit, and passion with pathos, but also the slow, erotic burn of control and restraint, where heartache becomes the river on which everything is carried; it is given a voice, an unvarnished utterance. In its grain, phrasing is also a vehicle: for something that lies just beyond the scope of actual words pointing down and in, not out. It contains the pastoral languor of a summer afternoon combined with the emotional intensity of a gleaming ...
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