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One could get frustrated with the short lengths of Dear Nora's precious indie pop. But with songs that are so emotionally sincere as they are on Mountain Rock, it's hard to be bitter. Performed and recorded by Katy Davidson in rural Arizona (her home state), she shifts from her band's girl group-inspired indie pop to heart-on-sleeve solo introspection. Dear Nora's second full-length and fifth overall release on Magic Marker couldn't get much more personal and quiet. Sticking only to placid acoustic guitar and Davidson's softhearted voice, Mountain Rock plays as a "life cycle," beginning with "Living Song" and ending with "Suicide Song." The pieces are short and sometimes seem unfinished, but even on the two-minute "Caribou, Timberwolf," Davidson has such an effective frankness that it's excusable. The following track, "Give Me Some of Yr Love," which is upbeat despite an absence of a full band, gets cut off, almost as if Davidson realized it was too happy for such a solemn record. A hidden outtake returns the felicity with a group singalong, perhaps to remind her that she's not so alone. ~ Kenyon Hopkin
Calling Simon is an acoustic-rock group based in Eugene, Oregon. We provide quality acoustic sounds and timely, constructive lyrics that are based on a desire to see the world change. That's right, we're a group of Christians who believe that we've been given the opportunity to share the beauty of a life with Jesus with the rest of the world through music.
Photographer: Jake Longstreth.
Dear Nora includes: Katy Davidson (vocals, guitar); Marianna Ritchey (drums).
Recording information: Bea Rector's Quonset Hut, Catalina (12/2003); Peggy D's Living Room, AZ (12/2003).
Dear Nora Mountain Rock Songs Mountain Rock Review
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Purchase Mountain Rock CD To buy, Click on price to add to cart | Art Tatum Tatum Group Masterpieces, Vol. 3 CD (1955)
Mountain Rock album
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| | Art Tatum Tatum Group Masterpieces, Vol. 8 CD (1956)
Mountain Rock CD music
$8.39 Recorded in Los Angeles on August 1, 1955. Includes liner notes by Benny Green.
This CD has the same tracks as THE TATUM GROUP MASTERPIECES, VOL. 3 (Pablo 2405-426), except for "Hallelujah" - (alternate take) which is only on the other CD.
Recorded in Los Angeles, California on September 11, 1956. Includes liner notes by Benny Green.
Digitally remastered ...
| | Gerbils Are You Sleepy? CD (1998)
Mountain Rock music CDs
$13.85 It's hard to picture a band more aptly named than The Gerbils, for if those fuzzy little creatures could make music, this is what it would sound like; chirpy, catchy, ...
| | Duke Ellington - In Hollywood: Swing Era DVD (2004)
Mountain Rock songs
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| | Duke Ellington Afro Bossa CD (1963)
Mountain Rock album
$9.95 By the beginning of the 1960s, Duke Ellington and his faithful collaborator, Billy Strayhorn, had been exposed to many different cultures ...
| | Michael Jackson Thriller CD (1982) Bonus Tracks; Remastered; Special Edition
Mountain Rock CD music
$5.99 The finest example of perfect disco pop, and a record that should be prescribed to musical snobs and manic depressives. The album is a true ambassador ...
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| | Bertine Zetlitz Rollerskating CD (2005) (Import) Import
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| | Vic Chesnutt Skitter On Take-Off CD (2009)
Mountain Rock music CDs
$13.05 Only a few months after releasing his sophomore collaboration with Thee Silver Mt. Zion Orchestra, At the Cut, Vic Chesnutt has emerged with his second album of 2009, Skitter on Take-Off, and the two projects could hardly sound more different. While Thee Silver Mt. Zion Orchestra summoned a grand and gloriously idiosyncratic barrage of sound to accompany Chesnutt's songs, Skitter on Take-Off is a spare and minimal affair; Jonathan Richman and his longtime drummer Tommy Larkin produced these sessions, and though they offer understated support on a few songs (most audibly on the upbeat "Society Sue"), for the most part this is just Chesnutt's voice and acoustic guitar, cut live in the studio with a touch so light that at times it seems as if the microphones are eavesdropping on Chesnutt as much as capturing a performance. Chesnutt is an artist who is best served by emotionally direct performances, and the stark intimacy of Skitter on Take-Off largely works in his favor; the venomous whisper of "Dick Cheney" is all the more powerful for the fact there's so little to obscure it, and two lengthy tracks, "Rips in the Fabric" and "Worst Friend," give Chesnutt all the space he needs to spin his curious but compelling tales in all their richly detailed glory. Richman and Larkin are smart enough to know that Chesnutt is a one-of-a-kind songwriter and performer who doesn't need to have his work fussed with to work in the studio, but sometimes, Skitter on Take-Off feels rather too stripped down; the arrangements (or lack of them) give the songs an audio verite feel ...
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