| | Los 20 Sencillos Del Ano CD
This DVD/CD combination package features the top 20 charting Latin singles, along with 20 music videos for the singles. Musical styles include banda, norteno, cumbia, grupero and duranguense and features material by Grup Montez de Durango, Grupo Bryndis, Palomo, Los Angeles Azules, Jorge Luis Cabrera, El Poder del Norte, German Lizarraga, among others.
This release includes a bonus DVD featuring 20 music videos. Los 20 Sencillos Del Ano Music Los 20 Sencillos Del Ano Songs | 1. | Hoy Empieza Mi Tristeza - Grupo Montez de Durango |
| 2. | Vas a Sufrir - Grupo Bryndis |
| 3. | Te Metiste en Mi Cama - Palomo |
| 4. | El Liston de Tu Pelo - Los Angeles Azules |
| 5. | Quedate Callada - Jorge Luis Cabrera |
| 6. | En la Misma Cama - Liberacion |
| 7. | Pequena Amante - El Poder del Norte |
| 8. | Estoy Sufriendo - German Lizarraga |
| 9. | La Marianita - Beto y Sus Canarios |
| 10. | Por las Damas - Los Cardenales de Nuevo Leon |
| 11. | Loco Tu Forma de Ser - Alberto Y Roberto |
| 12. | Con Olor a Hierba - K-Paz de la Sierra |
| 13. | Para Olvidarme de Ti - Los Reyes del Camino |
| 14. | Ni Me Debes Ni Te Debo - Rocio Sandoval |
| 15. | El Baile de la Toallita - Joel Higuera |
| 16. | En los Puritos Huesos - La Arrolladora Banda el Limon |
| 17. | Mi Casa Nueva - Lalo Mora |
| 18. | No Me Acordare de Ti - Kris Melody |
| 19. | El Mono de Alambre - El Viejo Paulino |
| 20. | Como Pude Enamorarme de Ti - Patrulla 81 |
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The Nashville Sound picks things up in the mid-'50s, and chronicles the rise of country-pop (aka the Nashville sound). In 1955 Marty Robbins made number one on the country charts with a mixture of pristine honky tonk and smooth vocals in "Singing the Blues." This and many of the early tracks on this collection were produced by Columbia's own Nashville sound architect Don Law, who would bring honky tonk to its logical and streamlined extreme; Ray Price still sounds polished even without strings ("Night Life") and Hawkshaw Hawkins jumps into the fray with an appealing choral and country mixture ("I Can't Seem to Say Goodbye"). Law would reach his peak with Billy Walker's seamless, easy listening rendition of the Willie Nelson perennial "Funny How Time Slips Away." Producer Billy Sherrill took the reigns in 1965, and pushed the Nashville sound to its peak, with up-in-the-mix strings and choir, plenty of echo and reverb, and rhythm sections that sounded unobtrusively compact. Sherrill found quick success with David Houston's "Almost Persuaded," Tammy Wynette's career-defining hit "Stand By Your Man," and later with luxuriously arranged hits for George Jones. Charlie Rich's hugely successful crossover hits "Behind Close Doors" and "The Most Beautiful Girl in the World," though, would be Sherrill's watermark and come to represent the apex of the Nashville sound. Along with Rich's hits, Lynn Anderson's "I Never Promised You a Rose Garden," Barbara Mandrell's "The Midnight Oil," and Tanya Tucker's "Would You Lay With Me (In a Field of Stone)" would set the stage for country's transformation into the ultra-polished music it became ...
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