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Laszlo, Ken - Ken Laszlo CD Cover Art
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Ken Laszlo CD

 Ken Laszlo Discography of CDs
5 stars (3 Customer Reviews)

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Ken Laszlo Music


Detailed Ken Laszlo Music Information



List Price $7.97 (You save $0.22)
Category Rock/Pop Albums, R&B CDs, Rap, Dance, Italian
Label ZYX Music
Orig Year 2005
All Time Sales Rank   65746  
CD Universe Part number 6734413
Catalog number 1064
Discs 1
Release Date Oct 04, 2005
Mono/Stereo Stereo
Ken Laszlo Songs


Ken Laszlo Album Track Listing



1.Hey Hey Guy
2.Tonight
3.1,2,3,4,5,6,7,8
4.Glasses Man
5.Don't Cry Tonight
6.Everybody Is Dancing
7.Madame
8.Tonight
Ken Laszlo Music Review


Customer Ken Laszlo Reviews 




Average Rating: (5 out of 5 stars) 5 stars

5 stars great cd recommend to everyone
great cd recommend it to everyone who likes the 80s music
Submitted by rosiekrstanovic1 (melbourne / australia) Verified Buyer
Was This Review Helpful? Yes No

5 stars Italia Disco at it's best
What can I say "Classic Laszlo" a must for any Italia Disco fan. All the classic are here and a remix of "Tonight".
Submitted by dare2001 (Sydney, Australia) Verified Buyer
Was This Review Helpful? Yes No

5 stars 80's Italo Disco At It's Best!
Ken Laszlo known mostly for his mega hits "Hey Hey Guy", "Tonight" and "Don't Cry Tonight" both included here (the later also in remix form as well as the original 12" mix) released catchy heavily synthesized hook laden songs. This cd includes all his hits with the standouts being the above mentioned top three. If you enjoyed listening 80's Italo disco music (Fun Fun, Albert One, Sandy Marton, Gazebo, Joe Yellow, etc.) then this cd will not dissapoint.
Submitted by B.C. ("Hallandale Beach,Fl.,USA")
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Named after a hypothetical and non-existent Jim Thompson novel, Pere Ubu's 13th studio album is one of the most interesting of their long tenure, and testament to the continually replenishing spiky ingenuity of group leader (and sole original member) David Thomas. WHY I HATE WOMEN examines a living slice of dread, as expressed by nervous drums, atmospheric guitars, and Thomas's anxiety-ridden singing. The jerky rhythms and vocals of the opening number "Two Girls (One Bar)" are like opening a door and being greeted by the entirety of the early 1980s no-wave scene. Ditto the unsettling swamp-fevered "Blue Velvet," which reverberates with David Lynchian despair and desire, and the hopped-up "Caroleen," which plays like a love song for troubled adolescents, without the emo bravado. 2006 album from David Thomas and his Ubu boys, old and new. Pere Ubu have really come out fighting with Why I Hate Women, racing towards all horizons at full tilt, pushing the experimental envelope further than ever, but also tightening up their trademark avant-punk attack. The rhythm section (Ubu's longest serving) of bassist Michele Temple and drummer Steve Mehlman is tauter and leaner than ever before. Robert Wheeler's bravura performance on vintage electronics has him coming over as rural Ohio's answer to Sun Ra, splattering analogue synth and theremin all over the music with wild, visionary abandon. Guitarist (and newest recruit) Keith Moliné veers between wayward sonic expressionism and disciplined garage thrust. At the eye of the storm is singer David Thomas, a true rock maverick at the height of his powers. His vocal approach shows a startling new melodicism, a plaintive purity of expression that cuts through his familiar repertoire of radical voicings and techniques. 11 tracks. Smog Veil. 2006. Personnel: ...
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Originally released on Gordy Records. Includes liner notes by A. Scott Galloway. Throughout the '90s, alt-rock pioneer Perry Farrell became caught in the DJ culture emerging from the underground and slowly permeating the mainstream. Two years after the nasally singer contributed a pair of drum-and-bass-driven tracks to the Jane's Addiction/Porno For Pyro compilation REV, the father of Lollapalooza returned with a solo debut more steeped in electronica and shaped by a renewed interest in his Jewish background. Aided by an array of talent including reggae legend Mad Professor, Jane's guitarist Dave Navarro, PFP's Martyn LeNoble and Jon Brion, Farrell hop-scotches through a number of different dance-driven styles. "Seeds" is a light, swirling stab at Orb-flavored techno, "To Me" rides a rubbery dancehall rhythm driven by the piano of War's Lonnie Jordan and "Nua Nua" is a Middle Eastern tinged outing sparked by clattering beats. Among the themes touched on are ones of global renewal (a drum-and-bass flavored "Happy Birthday Jubilee") and the spiritual importance of song in society (the ambient title track). Although cuts like "Say Something" and "Shekina" occasionally drift off into the ether, SONG YET TO BE SUNG finds Farrell once again finding a way to challenge both himself and his fans. All tracks have been digitally ...
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