| | Youssou N'Dour Egypt CD Youssou N'Dour Discography of CDs
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While N'Dour's international releases have always combined Senegalese musical traditions with outside sources of inspiration, "Egypt" takes a fresh approach. On this album, the rhythms and melodies of Senegal drive arrangements featuring Egyptian and Arabian orchestral sounds.
Personnel: Youssou N'Dour (vocals); Youssou N'Dour; The Fathy Salama Orchestra (various instruments); Mamdouh el Gebaly (oud); Nidhat Adb El Sameeh, Yuri Kablotsky (violin); Bisheer Ewees (bass violin); Ramadan Mansoor (tabla); Mbaye Dieye Faye, Yaser Mal Allah, Mbaye Dieye Faye (percussion); Kabou Gueye, Kabou Gueye, Mama Gueye (background vocals); Babou Laye (kora); Beugue Fallou Ensemble (percussion, background vocals); Souka Guèye (background vocals). Audio Mixer: Philippe Brun. Recording information: Hany Mihanna Studio, Cairo, Egypt; Mix Studio, Cairo, Egypt; Studio Zippi, Dakar, Egypt. Author: Mamdou Dia. Photographer: Veronique Rolland. Unknown Contributor Role: Shibi. Arranger: Fathy Salama. Youssou N'Dour's Egypt is a radical change of pace for the Senegalese singer/songwriter. Throughout his career, N'Dour has adapted his indigenous musical heritage to the pop sounds of world music. On Egypt, N'Dour and his quartet have created rhythmic and melodic arrangements for material from the Arabic world. Joining N'Dour's quartet for this recording is the renowned Fathy Salama Orchestra, a 14-piece traditional music ensemble. The material is traditional Sufi music, and N'Dour has applied, via the score's director, Hassan Khaleel, Senegalese rhythms and folk melodies to exist in concert with the time-honored originals. The effect is nothing less than startling. N'Dour goes deep into the heart of Senegalese Sufism, tracing the lines where terrains, spiritual practices, and of course musical ideas meet, meld, and change. Unlike his previous recordings, the organic and sacred character of this music seems to stand outside of time and space; it wails and warbles, croons and groans. It is the music of joy and reverence and, as it bridges the various aspects of Islamic cultural traditions, one hopes it can create, via the sheer beauty of its sound and the translation of its lyrics, a portrait of a world that is far different from the one portrayed by Western media constructs. ~ Thom Jurek International pop star Youssou N'Dour explores of the themes and sounds of Senegal's Sufi culture on this striking 2004 release. Markedly different than the artist's other albums, on which African elements combine with Caribbean influence and various American styles (including soul, jazz, and rock), EGYPT moves away from N'Dour's trademark pop and deep into the territory of traditional religious music. Though characterized by an undercurrent of West African rhythms and inflections, the sound here--as the title indicates--draws on North African and Middle Eastern Arab music, and features such regional instruments as the oud, the arghul (a double-reed bamboo flute), tablas, and various Arab Gulf percussion. There is a distinct classical aura here (the personnel list includes an arranger, a conductor, and a score manager). The Fathy Salama Orchestra, which backs N'Dour throughout, features--in addition to Egyptian flutes and drums--first and bass violins, and the group's complex, elegant interplay gives these recordings a stately, stirring feel. N'Dour's voice, in contrast to its usual role as a high, soaring lead, blends subtly into the musical fabric here. A recording notable for its focus, passion, and beauty, EGYPT is possibly N'Dour's riskiest and most artistically rewarding album.
Entertainment Weekly (No. 809, p.73) - "The Senegalese star forgoes his bubbly Afro-pop for this set of sacred songs..." - Grade: A- Q (p.121) - 3 stars out of 5 - "[With] a softly textured, melodic infusion of Oriental strings and mysticism, reminiscent of the spiritual concept albums of disenchanted '70s rockers." Uncut (p.108) - 3 stars out of 5 - "N'Dour's soulful voice takes on the wailing sound of a muezzin calling the faithful to prayer..." Down Beat (p.86) - 4 stars out of 5 - "[O]ne of his best recordings....His different groups working together on EGYPT create different fascinating contrasts..." Dirty Linen (p.55) - "This is a masterwork from N'Dour, with his passionate and at times soothing vocals backed by semi-classical arrangements fused with African and Egyptian colorings." Mojo (Publisher) (p.115) - 4 stars out of 5 - "[H]ugely rewarding..." Youssou N'Dour Egypt Songs Purchase Egypt CD To buy, Click on price to add to cart | Paul Butterfield Blues Band CD (1965)
Egypt
$6.19 Live Recording
Personnel: Paul Butterfield (vocals, harmonica); Sam Lay (vocals, drums); Elvin Bishop (guitar); Mike Bloomfield (slide guitar); Jerome Arnold (bass); Mark Naftalin (organ). Includes liner notes by Pete Welding. The Paul Butterfield Blues Band: Michael Bloomfield. Even after his death, Paul Butterfield's music didn't receive the accolades that were so deserved. Outputting styles adopted from Howlin' Wolf and Muddy Waters among other blues greats, Butterfield became one of the first white singers to rekindle blues music through the course of the mid-'60s. His debut album, ...
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Egypt
$6.39 The Corrs: Jim Corr (vocals, guitar, keyboards); Sharon Corr (vocals, violin); Andrea Corr (vocals, tin whistle); Caroline Corr (vocals, drums, bodhran, percussion). Recorded at Ardmore Studios in Dublin, Ireland in January 2002. You knew the Corrs had made it when they played the final JFK Awards ceremony of the Clinton administration. Playing it would have been achievement enough, but their status as a happening thing was cemented at the end of the ceremony, during the encores, when everybody was taking their final bows. Bill moseyed up over to Andrea, put his arm around her, and when she was looking away, sized her up -- at precisely the same moment Chuck Berry was checking her out. If that doesn't mean that you've broken America, entering ...
| | Drive-By Truckers Southern Rock Opera CDs (2001) Digipak
Egypt
$11.99 Drive-By Truckers: Mike Cooley, Earl Hicks, Brad Morgan, Rob Malone, Patterson Hood. Additional personnel includes: Kelly Hogan, Annie Richmond, Boston. Producers: Drive-By Truckers, Dick Cooper, David Barbe. Includes liner notes by Patterson Hood. Adapter: Lilla Hood. Audio Mixer: David Barbe. Liner Note Author: Patterson Hood. Recording information: Birmingham, AL. Photographers: Patrick Hood; Wes Freed. A sprawling two-disc set, the Drive-By Truckers' SOUTHERN ROCK OPERA is a cracked masterpiece that's enjoyable on several different ...
| | Bright Eyes I'm Wide Awake, It's Morning CD (2005)
Egypt
$10.79 Bright Eyes: Conor Oberst (acoustic guitar); Mike Mogis (pedal steel guitar); Tim Luntzel (bass guitar); Jesse Harris . Personnel: Conor Oberst (vocals, guitar); Jake Bellows (vocals, harmonica); Emmylou Harris, Jim James, Andy LeMaster, Maria Taylor (vocals); Jesse Harris , Alex McManus (guitar); Mike Mogis (12-string guitar, mandolin); Nate Walcott (trumpet); Nick White (piano, Fender Rhodes piano, organ); Jason Boesel, Clark Baechle (drums). Additional personnel: Nick Walcott (trumpet); Nick White (organ); Emmylou Harris, ...
| | Dredg Catch Without Arms CD (2005)
Egypt
$8.49 Personnel: Nathan Calvin (vocals). Audio Mixer: Terry Date. Recording information: Studio Litho, Seattle, WA. Editor: Ingrid Erickson. Arranger: Chris DeGarmo. It makes sense that Terry Date produced Catch Without Arms, Dredg's second record for Interscope. The producer is a veteran of Deftones albums, and it's that band's rich but still rocking palette that's the intent here. And they succeed. Like past Dredg releases Catch has a conceptual flow. But openers "Ode to the Sun" and "Bug Eyes" focus the grandeur and meandering pace of the band's past work around effective melodies and a steadiness in the rhythm. The choruses ...
| | Thelonious Monk At Carnegie Hall CD (2005)
Egypt
$12.89 Personnel: Thelonious Monk (piano); John Coltrane (tenor saxophone); Ahmed Abdul-Malik (bass instrument); Shadow Wilson (drums). Liner Note Authors: Larry Appelbaum; Robin D.G. Kelley; Ira Gitler; Lewis Porter; Amiri Baraka; Stanley Crouch; Ashley Kahn. Recording information: Carnegie Hall, New York, NY (11/29/1957). Larry Appelbaum, the recording lab supervisor at the Library of Congress, came across this tape by accident while transferring the library's tape archive to digital. What a find. Forget the Five Spot recording that sounds like it was recorded inside of a tunnel from the far end. The sound here is wonderfully present and contemporary. ...
| | Townes Van Zandt In Pain CD (2000)
Egypt
$10.45 16 Solo Performaces;European Concerts From 1994 & 1996
Personnel includes: Townes Van Zandt (vocals, guitar); Hans Theessink (guitar); Wolfgang Pracht (slide guitar, dobro). Recorded live at the Bahnfof Langendreer Club, Bochum, Germany in November 1994 & November 1996; the Starclub, Dresden, Germany, Germany in November 1996; the Muffathalle Club, munich, Germany in November 1995; the Szene Wien Club, Vienna, Austria in November 1996. Culled from the same European tour dates as Abnormal and The Highway Kind, this set of minimal live performances features a number of true Van Zandt classics, including "Snowin' on Raton," "To Live's to Fly," "Mr. Mudd and Mr. Gold," and "You Are Not Needed Now." The man's in fairly decent voice, too, given how many of his later recordings betrayed the ravages of his hard-scrabble life. But even with his voice on his side, Van Zandt sounds as ...
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Egypt
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Egypt
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Egypt
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Egypt
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Egypt
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Egypt
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Egypt
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