| | Brian: Symphony No 1 "Gothic" / Lenard, CSR Symphony, Et Al CD Brian / Dolezal / Jenisova / Lenard / Mikulas Discography of CDs
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Brian: Symphony No 1 "Gothic" / Lenard, CSR Symphony, Et Al Music Brian: Symphony No 1 "Gothic" / Lenard, CSR Symphony, Et Al Review
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Brian: Symphony No 1 "Gothic" / Lenard, CSR Symphony, Et Al
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Filmed in Europe on the Day For Night tour, this is Spock's Beard doing everything they're best known for by their fans: Rocking out prog-style with amazing harmonies, ...
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Brian: Symphony No 1 "Gothic" / Lenard, CSR Symphony, Et Al
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A reporter discovers a mysterious key that unlocks the secrets of a legendary actress who vanished from view at the height of her career.
The creative love child of anime director Satoshi Kon and screenwriter Sadayuki Mura (PERFECT BLUE), MILLENNIUM ACTRESS recounts the legend of an actress named Chiyoko Fujiwara who mysteriously disappeared during her greatest moment of fame. Via a sweeping backdrop of historical and fictional events that breathlessly ...
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| | Ansermet Royal Ballet Gala CD (2008)
Brian: Symphony No 1 "Gothic" / Lenard, CSR Symphony, Et Al
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While the bulk of Ansermet's recordings were made with L'Orchestre de la Susise Romande, there were a few with the Paris Conservatoire Orchestra and the very occasional foray into recordings with London orchestras, one of these being with the Orchestra of the Royal Opera House, Covent Garden, in 1959 with producer Michael Williamson and engineer Kenneth Wilkinson in tow at London's Kingsway Hall. Reviewing this recording, Audiophilia Online Magazine wrote: "This is the stuff of which dreams are made. The Royal Ballet Gala is one of the finest RCAs recorded in London's Kingsway Hall. The chunks of great ballet music are well served by orchestra, conductor and engineer. Performances are executed to a very high standard - the Royal Opera House Orchestra, both then and now, rank as one of the finest of opera orchestras. "Conductor Ansermet keeps the pace moving, giving the listener the impression of a dance event rather than a dramatic concert hall reading. With the exception of some of the Tchaikovsky scenes, the music is light and remains so under Ansermet's gentle touch. Each ballet is given full attention by the players, something not always attained at Covent Garden during long ballet nights! The threat of eternity does have its merits. The recorded ...
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