| | Tony Parenti Clarinet Marmalade:Life And Musi CD Tony Parenti Discography of CDs
(176 page book with CD) Derek Coller, one of England's leading jazz authorities, wrote this full-blown warts-and-all profile of one of the most enduring of the New Orleans jazz pioneers. Parenti began recording in the mid-20s and moved through ...... Clarinet Marmalade:Life And Musi Music | Category | Jazz Albums | | Label | Jazzology | | CD Universe Part number | 6740741 | | Discs | 1 | | Release Date | May 07, 2004 |
Clarinet Marmalade:Life And Musi Review
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COME AWAY WITH ME won the 2003 Grammy Awards for Album Of The Year, Best Pop Vocal Album and Best Engineered Album (Non-Classical).
"Don't Know Why" won the 2003 Grammy Awards for Record Of The Year, Song Of The Year and Best Female Pop Vocal Performance.
Arif Mardin won the 2003 Grammy Award for Producer Of The Year (Non-Classical).
This is a hybrid Super Audio CD playable on both regular and Super Audio CD players.
A direct descendant from the pedigree of one of the 20th century's virtuosos, Norah Jones might not be on such a lofty artistic level as her dad Ravi Shankar, but certainly inherited some musical intuition from him. With nary a sitar nor raga within earshot, the young newcomer sounds very much an assimilated, western, 21st century pop-jazz singer. One thing that separates her from the pack is Ms. ...
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Recorded on December 8, 1960 and April 27, 1961. Originally released on RCA (2362).
By 1961, film composer Henry Mancini was already well known in Hollywood for his jazzy, brassy scores to Touch of Evil and Peter Gunn. But it was this effervescent soundtrack for Blake Edwards' adaption of Truman Capote's wistful novella that propelled ...
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One of the founding ladies of rock & roll, LaVern Baker's hits "Jim Dandy" and "Tri La La" helped propel her to ...
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2003.
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Chris Staples used to be in the emo-tinged indie rock band Twothirtyeight, and everything was all right. But it was when he went solo that it started making sense, since his laconic delivery never quite fit with all those angular emo stops and starts. After a couple years of acoustic guitar stuff, Staples has renamed himself Discover America, hooked back up with Tooth & Nail, and issued the reflective, poppy, and charmingly low-fidelity Psychology. With just a few helping hands Staples handled all the production, singing, and instrument-playing at his home studio. Opener "Call It in the Air" features lazy drum programming under an acoustic guitar and a big, reverb-filled chorus; "1986" is a nice snapshot of youth, a peek inside Staples' contented memories -- "Roos on my feet/I'm riding in the back seat staring at the back of my momma's ...
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If you think jazz is becoming an endangered art form chained to its past, that's nothing compared to the present condition of classical art song, which is almost extinct in concert halls, sustained mostly by star singers taking a break from opera. Nevertheless, pianist/composer Brad Mehldau treads where very, very few jazzmen have bothered to go before, composing a pair of classical song cycles for the esteemed, front-rank soprano Renée Fleming. No kidding. And he does it strictly in European classical terms; with no jazz, no hints of improvisation except in the title song, everything written out just as Schubert, Schumann, Mahler, Mehldau's idol Brahms, and other classical masters did before him. Rainer Maria Rilke's philosophical poems form the texts for Mehldau's "Songs from The Book of Hours: Love Poems to God," a grand seven-song cycle lasting over a half-hour. It speaks well for Mehldau's taste that these are far better texts than you often encounter in lieder, rooted in solitude, questioning man's relationship to God. ...
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Blurring the lines between punk, hardcore and rock further, The Redemption Song return with Victims ; a shorter, faster and louder assault showing a band continuing to push things forward. The five song follow up to the 2003 debut full length, Plays Dead In Stereo , is years ahead in focus, content and delivery driven by a more streamlined, straightforward approach, while still finding new ways to expand.Victims tells five stories; hopelessness, exploitation, the will to live, power and last chances. It's not exactly a concept record, ...
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The Dalton Gang is a ten piece band led by guitarist, arranger and composer Willy Dalton. The band mixes jazz with a blend of funk and latin music. The members are freelance musicians around the New York area. Among their credits are recordings ...
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