| | Chronic Future Lines In My Face CD Chronic Future Discography of CDs
(4 Customer Reviews)
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In 2000, the youngsters in Chronic Future found themselves stuck in a crappy label situation, as Beyond Music disintegrated around them. Naturally, in the bent discourse of the record industry, Beyond's implosion didn't necessarily void the Chronic's contract. This impossible situation resulted in a lengthy, smelly legal wrangle. Luckily, however, instead of having to get jobs at Phoenix area sub shops, the bandmembers ended up out of their old deal, on Interscope, and owners of a more mature sound. It should be -- Chronic Future's members can finally rent cars legally. Whereas 2000's 4 Elements was still wired to a pretty standard rap-rock mainframe (311, Rage, etc.), Lines in My Face wisely paints from a fuller palette. Like other suburbanites raised on grunge, alternative, and Hype Williams fish-eye hip-hop, the Chronic have no problem mixing hues and washes from each of those genres. Incubus, Hoobastank, and RX Bandits have been successful with this same formula during Chronic Future's hiatus, so it's nice that Face is here to get a little recognition of its own. "Stop Pretending," the self-examination "World Keeps Spinning (A Chronic Future)," and "New York, NY" depart deftly from the by-numbers riff slap of Chronic past; MC Mike Busse seems to have incorporated a bit of Eminem's lyrical flow, and the addition of keyboardist/programmer Ryan Breen means songs can rely on more dynamics than the hiccup between "Get up! Get up!" and a downtuned D. Lines finds a workable formula in rangy, angry, or searching verses slipping easily into choruses of loud guitar and actual singing, but it also makes each song on the album unique, whether through wordy raps, thick distortion, or unlikely sonic detours. Highlights include the Foo Fighters-ish "Static on the Radio" and "Thank You"; best might be "Wicked Games," where moody synth textures set up a stuttering, surging chorus. It sounds like mid-'80s Depeche Mode covering P.O.D. ~ Johnny Loftus
Recording information: Hollywood Sound, Hollywood, CA; The Blue Room, Laurel Canyon, CA.
Chronic Future: Mike Busse, Barry Collins, Ben Collins, Brandon Lee .
Audio Mixer: Sean Beavan.
Rolling Stone (p.188) - 3 1/2 stars out of 5 - "[M]ost songs navigate the well-worn territory of pop punk and rap rock without bowing to the conventions of either." Chronic Future Lines In My Face Songs Lines In My Face Music Review Average Rating: (4.5 out of 5 stars)   sickness this cd's got it all. in a word...its sickness. buy this and listen to it or you will die the death. Submitted by am i getting (to your head?) Was This Review Helpful? Yes No
dope this cd freakin rox, end of story Submitted by CHEXICANNIDGET (bow nh) Was This Review Helpful? Yes No
WOW! I bought "Lines In My Face" thinking only "Time and Time Again" was only going to be good. Now I don't skip over any songs. The message in "Static on the Radio" is very important. A very Punk/Alternative album, some Rap, has great melody. HIGHLY recomended. Submitted by Evilturd13 (Vsllejo,CA) Was This Review Helpful? Yes No
Awesome. I seriously can't stop listening to this CD and this is the music that people should really listen to.
They're the real deal, and you should really check it out. Submitted by caseycristman (Arizona.) Was This Review Helpful? Yes No
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Purchase Lines In My Face CD To buy, Click on price to add to cart | Yellowcard Ocean Avenue CD (2003) Enhanced CD
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$12.65 Taking into account the tattoos, nose rings, and spiky haircuts, one might be forgiven for instantly pegging Lit as a punk-pop band no different from a dozen other Orange County, California combos. One listen to the group's recordings, however, reveals what Lit fans have always known--the band creates some of the most diverse and well-crafted music of its genre. ...
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| | Dan Israel Dan Who? CD (2000)
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$13.49 After a turbulent year in which the whole lineup of Dan Israel's Minneapolis roots rock band the Cultivators changed except for himself, Israel decided to take a break from work on the band's third album and release this all-acoustic album in late 2000, sarcastically titled Dan Who?. As the title suggests, the songs are mostly semi-autobiographical about the struggles of a little-known musician nearing his 30th birthday and still chasing his dreams. Some lyrics from the opening track, "Last Words," say it all: "Nobody wants to play a losing hand/nobody wants to book a losing band/too much supply, not enough demand/and you're out 20 grand." Israel is the only musician who appears on the album, playing rhythm guitar and singing and even providing the few lead guitar overdubs to be heard. This, of course, made the album acutely personal to him, not to mention very inexpensive to produce. The middle four tracks on the album are from an unreleased tape from 1997. These tracks show the Dylanesque nasality of Israel's voice -- a quality which has lessened since then. ...
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$10.49 Remastered U.K. edition featuring 11 bonus recordings: "Everybody's Gonna Be Happy," "Who'll Be The Next In Line," "Set Me Free," "I Need You," "See My Friends," "Never Met A Girl Like You Before," "Wait Till The Summer Comes Along," "Such A Shame", "A Well Respected Man," "Don't You Fret," and "I Go To Sleep (Unreleased Demo Recording)."
Peter Dogget describes pop music careers in 1964 England like this: "[U]nless you were Cliff Richard or the Beatles you were likely to be forgotten within 12 months of your first hit." ...
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