| | Married Monk Belgian Kick CD Married Monk Discography of CDs
The Married Monk: Christian Quermalet (vocals, guitar, piano, drums); Philippe Lebreuman (vocals, keyboards, bass guitar, programming); Jean Michel Pires (drums, programming, turntables).
Additional personnel: Yann Tiersen.
Magnet (p.113) - "THE BELGIAN KICK is an absinthe-drunk ride that elicits bizarre visions..." Belgian Kick Music | Category | Rock/Pop Albums, Rock CDs, Alternative, Enhanced CD | | Label | Ici D'Ailleurs | | Orig Year | 2004 | | All Time Sales Rank |  253486  | | CD Universe Part number | 6745163 | | Catalog number | 25 | | Discs | 1 | | Release Date | Jun 22, 2004 | | Studio/Live | Studio | | Mono/Stereo | Stereo | | Engineer | Jim Waters | | Personnel | Christian Quermalet - vocals, guitar, piano, drums
Philippe Lebreuman - vocals, keyboards, bass guitar, programming
Jean Michel Pires - drums, programming, turntables
Also: Yann Tiersen |
Married Monk Belgian Kick Songs | 1. | Tell Me Gary |
| 2. | Love Commander |
| 3. | Night Prince |
| 4. | Belgian Kick, The |
| 5. | Totally Confused |
| 6. | Observatory Crest |
| 7. | Handsome |
| 8. | Pretty Lads |
| 9. | Last Fight |
| 10. | Skip the Summer |
| 11. | You Only Live Twice |
| 12. | Bird on Board |
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Belgian Kick Review
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Purchase Belgian Kick CD To buy, Click on price to add to cart | Her Space Holiday Young Machines CD (2003)
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| | Nanci Griffith Last Of The True Believers CD (1986)
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This is Nanci Griffith's fourth and final release on Rounder Records' folk subsidiary, Philo. At the time Griffith relocated to Nashville, TN, her decidedly Texan sense of musicality had already begun developing subtle hues of Appalachia as well as the cosmopolitan country that would inform her mid- to late-'80s stint on MCA. However, it is the overwhelming strength and conviction in the singer/songwriter's original material on The Last of the True Believers that remain indelibly impressed upon enthusiasts and critics alike. As such, Griffith has retained a copious sampling from the disc in her subsequent live performance repertoire. Griffith's crystalline vocals are well matched to the warm, earthy acoustic instrumentation on the intimate "More Than a Whisper" and "The Wing and the Wheel." At times, the delicate interplay creates a mutual envelopment of the human vocal instrument with that of the stringed nature -- most notably on ...
| | Echo & The Bunnymen Crystal Days: 1979-1999 CDs (2001) Box Set
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The 4-CD box CRYSTAL DAYS includes singles, B-sides, rare live tracks, alternate versions and a 64-page companion book with complete recording notes and historical photos.
Additional personnel includes: Mike Mooney (guitar); Adam Peters (cello, piano); Nick Bernard (violin); London Metropolitan Orchestra (strings, woodwinds, brass); Shankar (strings); Luvan Kiem (clarinet); Ed Shearmur (piano); Alan Perman (harpsichord); Jake Brockman, Ray Manzarek, Henry Priestman, Julian Cope, David Balfe, Mark Taylor (keyboards); Guy Pratt (bass); David Palmer, Stephen Morris, Michael Lee, Jeremy Stacy (drums); Harry Morgan, Royal Burundi Drummers, Tim Whittaker (percussion); Paul Williams (background vocals).
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| | Rolling Stones Singles Collection: The London Years CDs (1989)
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Additional personnel includes: Joe Moretti (guitar); Ian Stewart (piano, organ); Reg Guest (piano); Nicky Hopkins, Jack Nitzsche (keyboards); Eric Ford (bass); Jimmy Miller (drums); Rocky Dijon (percussion); The London Bach Choir, Madelaine Bell, John Lennon, Paul McCartney, Nanette Newman (background vocals); Gene Pitney, Phil Spector, Steve Marriott, Doris Troy, Al Kooper, Ry Cooder, Andy White.
This box set is a compilation of all the Rolling Stones' singles from 1963 to 1971, including A-sides, B-sides and alternate B-sides from the U.S. and the U.K. releases. These 58 songs on 3 discs have been digitally remastered with most tracks in mono to reflect the sound of the ...
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| | North Mississippi Allstars Electric Blue Watermelon CD (2005)
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ELECTRIC BLUE WATERMELON furthers the notion that the North Mississippi Allstars have become something of a rolling history of 20th-century musical forms. Deeply rooted in Delta blues of the heavily rhythmic, modal variety pioneered by Charlie Patton (the band covers Patton's "Mississippi Bollweevil" here) and practiced by latter-century artists like R.L. Burnside, the Allstars spread their wings to encompass old-school rock & roll, country, electrified blues rock, '60s psychedelia, hip-hop, and a dash of alt-rock sensibility.
Typically uneasy musical partners go remarkably well together in the Allstars world. Even the deepest roots music (there are two Otha Turner compositions, originally written for fife and drums) and a nod to contemporary country (Dickinson's duet with Lucinda Williams on "Hurry Up Sunrise") make it into the mix, proving the Allstars to be one of the most versatile and wide-ranging bands around.
Although they may mix elements of hip-hop and alternative rock into their repertoire, the North Mississippi Allstars are really at their best when they blow out the rust on the kind of Mississippi folk-blues numbers they learned first hand from the likes of R.L. Burnside, Junior Kimbrough, and Othar Turner. The lead track here, a blisteringly ragged version of Charley Patton's "Mississippi Boll Weevil Blues," is a case in point. Stripped down and raw, it thunders along on Cody Dickinson's drums, throwing dynamics to the wind until the end, when it breaks down to just washboard and drums, then rises back up into a furious, marching stomp rhythm, before winding wistfully away on Luther Dickinson's slide guitar work. It's a wonderful rendition, and it reestablishes the past in the present without doing damage to either, a balancing act that the NMA do as well as anyone currently on the rock or blues scenes. Produced by legendary Memphis producer (and the father of Luther and Cody) Jim Dickinson, Electric Blue Watermelon has lots of similar moments that reach back to older songs, but instead of re-imagining them, as many artists would do, the Allstars simply amplify what is already there, a bit like tweaking out (but not replacing) the engine in an old stock car. This means the songs still carry the original package of nuts and bolts that made them work in the first place, but with the added kick of being covered by a top-notch band that understands that no one gets anywhere without understanding the past. This doesn't mean that the NMA reproduces the past, just that they understand it. For their version of Odetta's "Deep Blue Sea," for instance, the Allstars actually speed things ...
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