| | Dexter Gordon Dexter Calling... CD Dexter Gordon Discography of CDs
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This superb 1961 date matches Dexter Gordon's booming tenor sax with a dynamite rhythm section of Kenny Drew on piano, Paul Chambers on bass, and Philly Joe Jones on drums. Like all his early '60s Blue Note recordings, this is Gordon at his absolute best.
It's a nice mix of originals and standards, including an up-tempo take on Charlie Chaplin's "Smile." There are no surprises here, just straight-ahead bluesy bebop by some of the masters of the genre.
Additional Tracks
Personnel: Dexter Gordon (tenor saxophone); Kenny Drew (piano); Paul Chambers (bass instrument); Philly Joe Jones (drums).
Liner Note Authors: Leonard Feather; Bob Blumenthal.
This is an Enhanced CD, which contains both regular audio tracks and multimedia computer files.Record Collector (magazine) (p.101) - 4 stars out of 5 -- "Gordon is full of energy, mixing styles and bouncing off his confederates to keep the atmosphere lively and fun, while retaining a fineness of touch." Dexter Gordon Dexter Calling... Songs Dexter Calling... Music Review Purchase Dexter Calling... CD To buy, Click on price to add to cart | Jackie McLean Action CD (1964) Remastered
Dexter Calling... album
$8.45 This 1964 Blue Note release features Jackie McLean and his band in fine form. A hard-bop record with polytonal leanings, ACTION exemplifies an era in jazz when new ideas were truly budding. Ornette Coleman and his associates had been playing free jazz five years prior to the making of this album, but it took a while for the hard-boppers to digest the music and embrace the freedom that the style brought to the art form. Therefore, a lot of the music from this period sounds like it's in transition, and ACTION is no exception.
In other words, ACTION is a good example of the growing convergence of bop and avant-garde. This is heard particularly ...
| | Art Blakey Buhaina's Delight CD (1962) Bonus Tracks; Remastered
Dexter Calling... CD music
$8.09 When Art Blakey's Jazz Messengers expanded to a sextet with the addition of Curtis Fuller on trombone, the group took on the character of a small big band propelled by Blakey's forceful drumming. BUHAINA'S DELIGHT, another session in the long line of great Blue Note dates from this period, displays that classic line-up in pristine form. With Freddie Hubbard replacing Lee Morgan, Cedar Walton replacing Bobby Timmons and musical director Wayne Shorter, the Messengers were full of fresh sounds and vibrant with energy.
Uncharacteristically for a Messengers session, the relaxed shuffle "Backstage Sally" opens the disc in a laid back groove. Shorter's brilliant playing is featured prominently on this session on the delicate ballad "Contemplation" and many stunning solo spots. The title track (dubbed for Blakey's Islamic name, Buhaina) and a dynamic arrangement of the standard "Moon River" are excellent examples of the classic Messengers sound: challenging horn arrangements, expressive soloing and assertive drumming by the leader. Also included on this set are bonus takes of all but two of the original tunes. For any Messengers ...
| | Freddie Hubbard Breaking Point CD (1964) Bonus Tracks; Remastered
Dexter Calling... music CDs
$8.35 After leaving his post with Art Blakey's Jazz Messengers, Freddie Hubbard led one of the most adventurous sessions of his career, the remarkable BREAKING POINT. Also of significance here is Hubbard's depth as a composer, as he also penned four of the five stunning pieces on this disc. Hubbard breaks new ground with his playing as well. His edgy tone, relentless drive, and signature chops come together to present a highly individual sound that supports his newfound musical vision. Powerful though he was with Blakey, this session certainly finds Hubbard BREAKING out on his own ...
| | Joe Henderson Inner Urge CD (1964) Remastered
Dexter Calling... songs
$9.25 INNER URGE was Henderson's fourth date as a leader for Blue Note Records, and the first time he set out to record without his trusted friend, trumpeter Kenny Dorham. This release features "Isotope," now a well-known Henderson tune, and a lively version of the standard "Night and Day." Clearly the record's most memorable track, however, is the explorative "El Barrio," a droning piece that offers listeners a plethora of rich musical textures, modal detours, and ...
| | Dexter Gordon Doin' Allright CD (1961) Bonus Tracks; Remastered
Dexter Calling... album
$8.09 Forget the stylized in-session cover art closeup of the "jazz man at work:" eyes clenched shut, lips pursed around a mouthpiece, dim lighting. On the cover of his Blue Note debut Gordon appears perched in a Central Park carriage in a sharp-looking trench coat, one hand on his horn case, the other waving a cigarette, a big grin on his face. Doin' allright, indeed. And compared to some of his labelmates, Gordon was perhaps something of an already-arrived success, having been on the scene for over twenty years by the time of this 1961 recording.
The confidence one would expect therefore, and the sunny disposition implied by the cover, are equally borne out by the music within. Gordon could write, as evidenced by his two fine originals here, "For Regulars Only" and "Society Red," but he enjoyed working with standards as well and made them swing hard. He doubletimes his way through Gershwin's "I Was Doing All Right" with effortless elegance, and coasts over the Styne/Cahn tune "It's You Or No One" with exuberant confidence, buoyed by Al Harewood's cooking cymbal work.
The title of this Blue Note set fit perfectly at the time, for tenor saxophonist Dexter Gordon was making the first of three successful comebacks. Largely neglected during the 1950s, Gordon's ...
| | Dexter Gordon One Flight Up CD (1964) Bonus Tracks; Remastered
Dexter Calling... CD music
$9.25 Gordon takes his time stretching out over the forms, which are particularly drawn out to begin with. Drew's "Coppin' the Haven" is a more concise continuation of the effort to reconcile the modal approach with the use of more bop-like changes. "Darn That Dream," a ballad feature for the leader, is done as a quartet, as is the one Gordon composition "Kong Neptune," a track not released on the original LP. A particularly interesting aspect of this disc is the chance to hear bassist Niels--Henning Orsted Pedersen making one of his earliest recorded appearances.
When he expatriated to Scandinavia just before this session in Paris was recorded, Dexter Gordon said he was liberated in many ways, as a jazz musician and as a human being. This is reflected in the lengthy track on this album, a testament to that newly found freedom, addressing the restrictions the American music scene placed on artists to do the two- to three-minute hit. With the nearly 18-minute "Tanya" and the 11-minute "Coppin' the Haven," Gordon and his quintet, featuring trumpeter Donald Byrd, were able to jam at length with no thought of being edited, and they fully prolong their instrumental remarks ...
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| | Dave Brubeck Plays For Lovers CD (2006)
Dexter Calling... songs
$8.39 Featuring recordings from the 1950s and the 1980s, this collection of romantic Dave Brubeck pieces features the pianist in both solo and small group settings, the latter notably accompanied by the saxophonist Paul Desmond, ...
| | Melanie Hart New Thing CD (2007)
Dexter Calling... album
$6.75 WRITE YOUR REVIEW BELOW!A New Thing Gets High Praise From Independent ReviewBuddyHollywood CD ReviewAlice Loweecey, New YorkA cold day; a crackling fire; curling up in your favorite chair; and Melanie Hart's strong, rich soprano surrounding you and soothing your heart. Yeah, it's just that easy. "I Can Fall" deftly takes the listener on the journey to seek and find God. The laughter of the little girl in "The Beauty of a Girl" delights you as Melanie prays for her daughter's faith and future. The title song from her debut CD made me feel that ...
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