| | Joe Henderson Inner Urge CD Joe Henderson Discography of CDs
(1 Customer Review)
INNER URGE was Henderson's fourth date as a leader for Blue Note Records, and the first time he set out to record without his trusted friend, trumpeter Kenny Dorham. This release features "Isotope," now a well-known Henderson tune, and a lively version of the standard "Night and Day." Clearly the record's most memorable track, however, is the explorative "El Barrio," a droning piece that offers listeners a plethora of rich musical textures, modal detours, and percussive explosions.
Recorded at Rudy Van Gelder's Englewood Cliffs studio just nine days before John Coltrane's A LOVE SUPREME, Joe Henderson's INNER URGE bears some resemblance to Coltrane's later work. This is no surprise since Henderson employed McCoy Tyner (piano) and Elvin Jones (drums) for this album, and these musicians were already forming the concepts they would unleash on the Coltrane session. But the music on INNER URGE is unique, too, namely in its improvisational approach. Henderson and company span the gaps between hard-bop and avant-garde jazz with greater ease and cohesiveness than many of their contemporaries, a quality best evidenced on the title track.
Personnel: Joe Henderson (tenor saxophone); McCoy Tyner (piano); Bob Cranshaw (bass instrument); Elvin Jones (drums).
Liner Note Author: Bob Blumenthal.
Joe Henderson Inner Urge Songs Purchase Inner Urge CD To buy, Click on price to add to cart | Joe Henderson Mode For Joe CD (1966) Bonus Track; Remastered
Inner Urge
$8.99 Given the date of this release and the band lineup, one might assume that this is a straight-up hard-bop album. However, this 1966 Joe Henderson record--featuring trumpeter Lee Morgan, trombonist Curtis Fuller, vibraphonist Bobby Hutcherson, pianist Cedar Walton, bassist Ron Carter, and drummer Joe Chambers--is a great example of modern jazz at its best. MODE FOR JOE was recorded during a time of sweeping musical changes due to developments in free jazz, soul jazz, and even early experiments with fusion. It was a time when the bluesy and funky leanings of hard-boppers were giving way to more individualized contemporary approaches. One of the best examples of this shift, MODE FOR JOE sounds more like the experimental work of Branford Marsalis than the groovy musings of Art Blakey and the Jazz ...
| | Jackie McLean Action CD (1964) Remastered
Inner Urge
$8.45 This 1964 Blue Note release features Jackie McLean and his band in fine form. A hard-bop record with polytonal leanings, ACTION exemplifies an era in jazz when new ideas were truly budding. Ornette Coleman and his associates had been playing free jazz five years prior to the making of this album, but it took a while for the hard-boppers to digest the music and embrace the freedom that the style brought to the art form. Therefore, a lot of the music from this period sounds like it's in transition, and ACTION is no exception.
In other words, ACTION is a good example of the growing convergence of bop and ...
| | Freddie Hubbard Breaking Point CD (1964) Bonus Tracks; Remastered
Inner Urge
$9.09 After leaving his post with Art Blakey's Jazz Messengers, Freddie Hubbard led one of the most adventurous sessions of his career, the remarkable BREAKING POINT. Also of significance here is Hubbard's depth as a composer, as he also penned four of the five stunning pieces on this disc. Hubbard breaks new ground with his playing as well. His edgy tone, relentless drive, and signature chops come together to present a highly individual sound that supports his newfound musical ...
| | Andrew Hill Black Fire CD (1963) Bonus Tracks; Remastered
Inner Urge
$8.99 Pianist Andrew Hill's most notable contribution to jazz may be his ability to creatively combine bebop with the avant-garde. On 1963's BLACK FIRE, the oft-misunderstood jazz composer creates a tonal landscape that is at once steeped in bop, yet ambitiously searching for new harmonic and structural vistas.
Joined by legendary drummer Roy Haynes, tenor great Joe Henderson, and bassist Richard Davis, Hill performs a set of nine originals that seek to push the musical envelope. Each musician explores melody, harmony, and rhythm in ways they normally didn't, particularly Henderson, who expertly adapts his style and sound to the tricky compositions of Hill. Every member of the quartet gets a chance to stretch on this album, and there is more "soloing equality" on BLACK FIRE than on most late-'50s or early-'60s records. Indeed, this was the dawning of a new age in jazz, and Hill was one of this era's greatest pioneers. Standout tracks include the moody and rubato "McNeil Island" and the knotty "Pumpkin."
Black Fire, Andrew Hill's debut record for Blue ...
| | Joe Henderson In 'N Out CD (1964) Bonus Track; Remastered
Inner Urge
$8.85 This progressive session from Joe Henderson is a quintessential mid-'60s Blue Note disc. Although a great deal of attention has been placed on the significance of the work of Miles Davis and John Coltrane at that time, Henderson was one of the leaders in the '60s scene that forged new ground into adventurous areas of jazz. The saxophonist plays sharply with a highly rhythmic style that swings and strides through the modally oriented material of stellar tracks like the blazing title cut, "Punjab," and the funky mambo "Short Story." Joining Henderson on the session are Kenny Dorham, McCoy Tyner, Richard Davis, and Elvin Jones, the last of whom drives the proceedings like a madman in one of his best non-Coltrane performances. Also included is "Serenity," one of Henderson's best-crafted melodies and an additional take of the dynamic title track.
Joe Henderson's third Blue Note release (which is reissued here on CD along with the addition of a previously unissued version of the title cut) matches the very distinctive tenor with the veteran trumpeter ...
| | Wayne Shorter Night Dreamer CD (1964) Bonus Track; Remastered
Inner Urge
$8.85 Shorter's Blue Note debut, NIGHT DREAMER, is a stunning statement from one of the premiere saxophonists and composers in the history of jazz. In 1964, after a long period as musical director for Art Blakey's Jazz Messengers and newly joining Miles Davis' quintet, Shorter was primed to enter the field as a major solo artist. His guests include Lee Morgan (trumpet), renewing the outstanding frontline the two formed in Blakey's band, and McCoy Tyner (piano) and Elvin Jones (drums) from Coltrane's legendary quartet. The musical vision here, however, is Shorter's ...
| | Dudley Moore First Orchestrations CD (2004) (Import) United Kingdom
Inner Urge
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Inner Urge
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| | 30 #1 Hits Of The 30'S CDs (2005)
Inner Urge
$15.69 While there are a handful of various-artists compilations gathering songs from the Great Depression, few (if any) have packed so many "hit versions" into a single anthology as this 2004 release. The ever-increasing popularity of radio unified a nation wrought by financial and often personal turmoil. Of course, it also reflected the optimism and aspirations projected by the minority of Americans whose lifestyles were either unaffected or fueled by the misfortune of the rest. That obvious disparity is evident as Rudy Vallée's "Brother, Can You Spare a Dime?" is juxtaposed with the hopeful attitude of Ruth Etting's classic "Life Is a Song (Let's Sing It Together)." Perhaps as a form of escape, some of popular music's most essential entries surfaced during the 1930s. Although available space prohibits a complete ...
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| | Bill Laswell & Material CD (2006) (Import) Holland
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| | Sol En Si CD (1999) (Import) France
$42.05 | | Last Man Standing False Starts & Broken Promises CD (2007) (Import)
Inner Urge
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