| | I Love Rock & Roll, Vol. 11 CD
I Love Rock & Roll, Vol. 11 contains the original versions of ten memorable pop tracks from the '50s and '60s by the original artists, including Jerry Butler, the Turtles, the Vogues, Frankie Avalon, Betty Everett, the Casinos, and the Silhouettes. Although this isn't a bad budget-priced disc, there are far better collections available, offering more songs and better sound for not much more money. ~ Al Campbell
I ... I Love Rock & Roll, Vol. 11 Music I Love Rock & Roll, Vol. 11 Songs | 1. | Venus - Frankie Avalon |
| 2. | Let It Be Me - Jerry Butler/Betty Everett |
| 3. | Then You Can Tell Me Goodbye - The Casinos |
| 4. | Stay - Maurice Williams |
| 5. | Whispering Bells - The Del Vikings |
| 6. | You Baby - The Turtles |
| 7. | Five O'Clock World - The Vogues |
| 8. | Get a Job - The Silhouettes |
| 9. | There's a Moon Out Tonight - The Capris |
| 10. | It's in His Kiss - Betty Everett |
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The chakras are subtle energy centres, at the hub of our being, through which our energy bodies are made manifest. In the two meditations on this CD you learn to tune into each chakra, with its different character, and release its energy. The chakras remind us that our being extends much further beyond just a visible physical body. We are beings of energy, with multiple bodies of energy. As such we are receiving and giving this energy, this vital life force, constantly … as our breath demonstrates. With more practice, as we become more consciously aware of the totality of our being, we realise that we can positively effect and change this energy to heal and create as we need and wish. ...
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Once upon a time, twenty years ago little more or little less, a music compilation curiously called: "Balumba Tombo".Twenty years later, many names featured on that album meet around a mixer, joining "new forces" of the "no profit" music army to create what can be easily defined as the sequel. So, after a laborious work in progress, BALUMBA TOMBO RELOADED, that's the new compilation by PEDALE BAROQUE.But who's that people, what's those names? (maybe you're wondering) So, here's some little history. In the middle eighties there was a big ferment in music, both in the world as, indirectly, in Italy. Fashions were changing fast, in the name of the search for new, transgressive and not conventional. The new wave, the new romantics, the electronic music, etc. etc. Yes, they were also the years of the big technological revolution. Synthesizers, electronic instruments, multitrack tape recorders and the first home computers were about to change completely the approach to all kind of music. In this context a bunch of Italian artists, more precisely from Bologna, were beginning to venture into this so intriguing artistic mood, creating music in the most hybrid and uncontaminated way that could be imagined. There was a lot of "naif-ism" in their productions, but much enthusiasm too and lots of creativity. Very soon a little group of devote followers came out which baptized this movement as "underskin" to emphatize this kind of music as completely OUT of any limitating commercial's logic. (and whose assimilation happened going thru the body skin to reach even deeper the listeners' souls) To cut this story short, they were making music with the only purpose of having fun and having other people to feel the same. These artists then decided to invent a fake music label to be considered as their trademark. The Pedale Baroque Records was born. Everything was ironic, deliberately provocatory, infact not only Pedale baroque Records didn't legally exist, but neither produced or was able to produce and commercialize records, because the technology of those times for private and not majors' produced music was still limited to tape only. So, a huge amount of DEMOTAPES came out fast, the way all home music and indipendent tried to get attention with. Internet still was a long way to come, so it was all about going to the post and send small packages, hoping to get the interest of some record label or some producer. The "Pedale Baroque" production was huge. They didn't care about nobody appeared to offer them a recording deal. The fuel to go on was the energy itself which was coming out of the creative act. And then the fans' love. As a further tam tam there was a small local radio ...
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