| | Concrete Blonde Mojave CD Concrete Blonde Discography of CDs
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After reuniting for 2002's Group Therapy, Concrete Blonde disappeared into the desert. Singer/bassist and occasional psychic medium Johnette Napolitano's Southwest is a spiritual hotbed of shamanistic sunsets and coyote-fueled nights, and on Mojave the veteran Los Angeles trio ably provides its soundtrack. Guitarist Jim Mankey and drummer Gabriel Ramirez paint a dusty, ominous, and urgently bleak background for Napolitano's husky voice, a voice that once married the lupine howl of Chrissie Hynde with the kerosene croak of Tom Waits, and is now as dry as the desert itself. Mojave is atmospheric and tense without ever really sinking its teeth in, despite the promising opener, "A Road." There are attempts at melody ("True to This") and humor ("Jim Needs an Animal"), but the overall effect is like listening to a compilation of Nick Cave B-sides -- the mostly spoken title track aims for Cave's "Tupelo" but never delivers the musical thunder that its sublime imagery hints at. The Death Valley funk of "Someone's Calling Me" recalls the Concrete Blonde of old and an eerie cover of "Ghost Riders in the Sky" provides some choice spooky moments, especially when Napolitano reaches for her higher register, but as a whole, the album suffers from an odd formlessness. Mojave isn't a bad record, but its reliance on regional lyricism requires a less meandering musical coat. ~ James Christopher Monger
Live Recording
Concrete Blonde: Johnette Napolitano (vocals, acoustic guitar, electric guitar, keyboards, bass guitar); Jim Mankey (guitar, acoustic guitar, electric guitar, bass guitar, background vocals); Gabriel Ramírez (drums, percussion).
Entertainment Weekly (p.165) - "MOJAVE's audible mysticism, brazen electricity, and hallucinogenic reverie are, at times, intoxicating." - Grade: B Mojave Music | List Price | $16.98 (You save $3.99) | | Category | Rock/Pop Albums, Rock CDs, Alternative | | Label | Eleven Thirty | | Orig Year | 2004 | | All Time Sales Rank | 19043  | | CD Universe Part number | 6745813 | | Catalog number | 7001 | | Discs | 1 | | Release Date | Jun 29, 2004 | | Studio/Live | Studio | | Mono/Stereo | Stereo | | Engineer | Jim Mankey; Johnette Napolitano | | Personnel | Johnette Napolitano - vocals, acoustic guitar, electric guitar, keyboards, bass guitar Jim Mankey - guitar, acoustic guitar, electric guitar, bass guitar, background vocals Gabriel Ramirez - drums, percussion
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Concrete Blonde Mojave Songs Mojave Music Review Average Rating: (4.5 out of 5 stars)   Mystic and innovative Once again, I was thrilled to hear that my favorite musician had released a new album, and once again, this band has impressed me with a newfound style. Lead singer Johnette Napolitano, the main influence behind the band, seems to absorb her surroundings (i.e. the Los Angeles sound of the first two albums) and just go with it. Unlike some of the tracks from past albums, it does lack the gutteral blast of her powerful voice at times which may be a surprise to fans, but it has been replaced, or embellished rather, with a textured and layered effect that can only mean that this group really spent some time creating this work. The spoken word tracks make me think of a desert Patti Smith, and the diversity between the signature "rock-out" tracks and the more mystic ones prove something that all fans of all music everywhere can appreciate, and that is one of their favorite artists being innovative and breaking new ground.
A+ Submitted by Matt (Beaufort, North Carolina) Was This Review Helpful? Yes No
unique, to say the least i recently got word of the mojave release and was tickled pink to hear that one of my favorite bands was coming back. i would get to hear johnette napolitano's booming voice once again. well, after my first listen, i was dumbfounded. i have got to say that the main thing that attracted me to concrete blonde in the first place was the vocal capabilities of the singer. "mojave" does not provide exactly that sort of satisfaction. to an extent, yes, but does not parallel past albums. normally i would consider that a disappointment, but for some reason, and i can't quite place it, there is something so utterly compelling about this album. the band has never sounded better. johnette sounds like a veteran, which she is. through the majority of the tracks, she speaks more often than sings; something i am normally not fond of. but the words she is chanting and the music are downright irresistable. there are a couple tracks i could easily do without, yet i can appreciate the slapstick style in which they were done and i am sure some will disagree with my dislike for them. there are a few tracks that are done in the traditional 'rock-out' concrete blonde style such as 'the A road,' and 'because i can.' other tracks will provide listeners with something that is a totally new sound for concrete blonde. a great example would be the narrative 'hey coyote,' which i cannot get enough of. the title track is just downright awesome.(another narrative) track number 10 'someone's calling me' has a little of everything and represents this album perfectly. it is my personal favorite track. the sound is unlike anything i have heard from this band, and i have heard it all. i cannot explain it. house- no. techno- no. dance- not even. utterly awesome and amazing- to say the very least. this album must be heard. Submitted by xshirazx (detroit, MI) Was This Review Helpful? Yes No
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Purchase Mojave CD To buy, Click on price to add to cart | Concrete Blonde Bloodletting CD (1990)
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| | Root Doctor Been A Long Time Coming CD (2006)
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$10.09 "...[Root Doctor] fits together hand in glove." Chicago Sun Times...you boys be playin’ da blues mighty fine! Good luck in all and stay in the groove! Chuck Leavell, Keyboardist for Allman Brothers, Sea Level, Eric Clapton,Rolling StonesLansing, Michigan-based Root Doctor recently made an excellent showing on the Living Blues radio charts with this record, and deservedly so: Been A Long Time Coming is a beautifully executed project, from the performances to the repertoire and production. Balancing traditional blues with soul and even prewar country blues material (Greg Nagy's John Hammond–inspired reading of Willie Brown's Mississippi Blues), Root Doctor emerges here as the consummate working band, worthy of any festival or club audiences' attention.Freddie Cunningham is an authoritative blues singer whose voice wavers and perforates like a hard-nosed version of Bobby Bland. This is delightfully apparent during straight soul numbers like the Brook Benton hit Rainy Night In Georgia and a powerhouse read-through of Leo Graham's Turning Point, a strong composition made popular in 1975 by Tyrone Davis. On the latter track, as with most of the R&B material, the Sofa King Horns form a brass stronghold ...
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