Gary Bartz Harlem Bush Music CD

Harlem Bush Music combines two Gary Bartz Ntu Troop albums recorded in November of 1970 and January of 1971. The title itself shows that soprano/alto Bartz and singer Andy Bey were moving toward a more expansive format to explore black consciousness within the realm of jazz. The small-group arrangements spin out long grooves on "Rise" and "People Dance" while smooth vocalist Bey adds a steady lyrical mix that weaves in and out of the music. Bass and percussion add a heavy rhythmic effect to "Drinking Song" and "Vietcong," pushing both pieces steadily forward. The overall sound of Harlem Bush Music is evocative, if unusual, but occasionally becomes stagnant -- as with the ten-minute "People Dance" -- without melodic variation. There are lots of surprises, though. Bartz's narratives in "Parted" and "A Warrior's Song" combined with bursts of music will seem dated but nonetheless intriguing, while "Blue (A Folk Tale)" shifts intriguingly over its 18-minute length. How one finally looks at Harlem Bush Music -- is it music, politics, or something in between -- matters less than understanding the time and place that it was made. And whether one ultimately finds these efforts by the Gary Bartz Ntu Troop satisfying or tiring matters less than appreciating the adventurous spirit that went into making them. ~ Ronnie D. Lankford Jr.

Miles Davis' band "was indeed [playing] on another level," says Bartz of his tenure with Davis. Heavily influenced by this experience, this Ntu Troop outing reaches for that plateau. Named after his daughter, Taifa was recently reissued in England with its companion album Uhuru. Bartz creates an electric energy with mostly acoustic instruments; his sax melodies have a strong vocal quality, similar to Hendrix's guitar. That sound, complemented by Andy Bey's distinct tenor, gives the album its spiritual intensity and dance accessibility. "Free Your Mind" and the tone poem "Rain" best exemplify the project's scope. Although some tracks meander (as Davis could), this is some of the most experimental and daring jazz-funk on wax. ~ Ryan Randall Goble

Includes tracks from HARLEM BUSH MUSIC: TAIFA (1970) and UHURU (1971).

Live Recording

Audio Remasterer: Joe Tarantino.

Liner Note Author: Orrin Keepnews.

Recording information: Decca Studios, New York, NY (11/19/1970-??/??/1971).

Photographer: Tony Lane.

Personnel: Gary Bartz (vocals, spoken vocals, soprano saxophone, alto saxophone, piano); Ron Carter (double bass); Joony Booth (electric bass); Joony Booth (bass guitar); Nat Bettis, Nat Bettis (percussion); Andy Bey (vocals); Harold White (drums).