| | Mitch Miller Sing Along CD Mitch Miller Discography of CDs
 (1 Customer Review)
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Our Price: $6.45  CDFor Sale Usually ships in 1-2 days
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This ten-track collection includes "Heart of My Heart," "I'm Looking Over a Four-Leaf Clover" and "The Yellow Rose of Texas." ~ Keith Farley Mitch Miller Sing Along Songs | 1. | Yellow Rose of Texas  | $0.99 | |
| 2. | Tzena, Tzena, Tzena | $0.99 | |
| 3. | Heart of My Heart | |
| 4. | Singin' in the Rain | |
| 5. | Bidin' My Time | |
| 6. | March from the River Kwai | $0.99 | |
| 7. | I'm Looking Over a Four Leaf Clover | $0.99 | |
| 8. | Bye Bye Blackbird | |
| 9. | Five Foot Two, Eyes of Blue | |
| 10. | Ain't We Got Fun? | |
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Purchase Sing Along CD To buy, Click on price to add to cart | Lawrence Welk World's Greatest Polkas CD (1986)
Sing Along
 $10.49  
| | Mitch Miller Holiday Sing Along With Mitch CD (1961)
Sing Along
$6.09  
3 Bonus Tracks
Personnel: ...
| | Mitch Miller More Sing Along/Still More Sing Along With Mitch CD (2001)
Sing Along
$10.45
Conductor, arranger, and producer Mitch Miller gained a tremendous following with his hit 1960's TV show, 'Song Along With Mitch'. This collection, from the vaults of Columbia, features two of Mitch Miller and The Gang's original albums on one CD. Sing-along favorites include 'Let Me Call You Sweetheart,' 'When Irish Eyes Are Smiling' and 'She'll Be Coming Around the Mountain'. ...
| | Alex Baroni California CD (1979) (Import)
$12.65 | | Mitch Miller 50 All-American Favorites CDs (2004)
Sing Along
$19.05
This double-disc set is one of the more bountiful compilations gleaned from Mitch Miller's voluminous Columbia Records catalog. Unfortunately, the contents of 50 All-American Favorites (2004) have been confined to the years 1958 to 1962, during which time Miller's unconventional performance style was on its final descent. Mitch Miller & the Gang consisted of Miller fronting a full choral ensemble of vocalists who sang in unison. As the bandleader was also the concurrent head of Columbia Records' Artists and Repertoire, he was able to use his business savvy and influence to flood the market with a seemingly endless stream of thematic releases. The long-players were filled with familiar popular music, folk, seasonal, and patriotic standards and often came with removable singalong lyric sheets that could be distributed for the purpose of audience participation. As remarkable as it might seem from the perspective of a modern pop listener, Miller and company garnered no less than 19 Top 40 singles by 1958 -- the point at which the anthology begins. That is one reason that none of Miller's best-known sides are included -- although every entry provides a clear indication of the Gang's straightforward material. A glance at the track list yields the most obvious examples of the ...
| | Dino: The Essential Dean Martin CD (2004)
Sing Along
$11.55 
30 Classic Capitol & Reprise Hits On 1 CD.
Personnel: Dean Martin (vocals).
Liner Note Authors: Dean Martin; Deana Martin; Steven Van Zandt; Gail Martin Downey.
Dino: The Essential Dean Martin is an attempt by Capitol Records to fill up a single CD to the brim (30 tracks in nearly 78 minutes) with Dean Martin hits in the manner of the Beatles' 1. It's a welcome development from a label that was previously content to survey the same territory on the 1998 collection Greatest Hits: King of Cool, which contained only 16 tracks and ran less than 50 minutes. Martin put 36 recordings in the pop singles charts between 1949 and 1969, and 23 of them are found here. Of the four Top 40 hits not included, the most notable is the 1964 version of "You're Nobody Till Somebody Loves You." The collection does include the 1960 non-hit version of that song instead, a decision that probably was made to reduce the number of essentially similar arrangements heard on Martin's '60s singles for Reprise Records. After he hit number one with "Everybody Loves Somebody" in 1964 using a '50s rock & roll-style triplet rhythm he repeated the same approach several more times ("The Door Is Still Open to My Heart," "Send Me the Pillow You Dream On") before moving on to a pop-country style in such hits as "Houston." The compilers have broken up the same-sounding tracks with inventive sequencing, but reducing the repetition by one must have seemed like a good idea. Before the listener gets to this final phase in Martin's hit-making career, however, there is the long stretch of '50s hits, many of them with an Italianate ...
| | An Evening With Dorothy Fields CD (1998)
Sing Along
$9.19
The lag of 26 years between this performance by lyricist Dorothy Fields at the Lyrics & Lyricists series at the 92 Street YMHA in New York and its release on record is practically criminal. Fields had a remarkable career, from her early hits like "I Can't Give You Anything but Love" in the late 1920s to the Broadway musical Seesaw in 1973 (a year after this performance was given), and she was a little less than two years from her death when she took the stage at the YMHA, accompanied by pianist Richard Leonard, and augmented by singers Bobbi Baird, Adrienne Angel, John Peck, and Bob Gorman. Though far from a professional singer herself, she held her own on songs for which her range was suited. As she warned early on, the 79-minute set was long on songs (35 of them, some treated only briefly) and short on analysis. She told the story of her career in affectionate anecdotes, ...
| | Vera Lynn It's A Lovely Day CD (1994) (Import)
Sing Along
$17.55
| | Celtic Mist CD (1999)
Sing Along
$10.59
| | Jimi Hendrix Jimi Plays Berkeley: The Second Set CD (2003) Remastered; Digipak
Sing Along
$9.45
Personnel: Jimi Hendrix (vocals, guitar); Billy Cox (bass); Mitch Mitchell (drums).
Compilation producers: Janie Hendrix, Eddie Kramer, John McDermott.
Recorded live at the Berkeley Community Theatre, Berkeley, California on May 30, 1970. Includes liner notes by John McDermott.
The Berkeley shows by Jimi Hendrix are fairly well known because not only were the shows filmed, but they have been bootlegged pretty extensively over the years, as well. Live at Berkeley: 2nd Show marks the first official release of this material, and, like its predecessor, Blue Wild Angel: Live at the Isle of Wight, the show has its strengths and weaknesses. Things start loose, very loose, on "Pass It On," which is actually the music from "Straight Ahead" with some off the cuff lyrics, then into "Hey Baby (New Rising Sun)." Hendrix's guitar tone is fantastic, and there are some fine moments of soloing, but as far as the songs go, he seems distracted. Things start to pick up with "Lover Man" (check Billy Cox's bass playing here), and Hendrix really seems to find himself while romping through some older material like "Stone Free" and "Hey Joe." In fact, the solo on "Stone Free" is amazing, and quite unlike other live versions. It's clear that all the guitar electronics were working together (despite the brief security interruption on "Hey Joe;" again, shades of Isle of Wight), and by the time he gets into "I Don't Live Today" and "Machine Gun," Hendrix is in the stratosphere. The intensity drops just a bit as he finishes up the set, drifting into "Keep on Groovin'" while in the middle of "Voodoo Child (Slight Return)," but "Purple Haze" and "Foxey Lady" are still strong showings. The official release of more Hendrix archival material is not likely to ease his reputation as an inconsistent performer, but those who rightfully regard him as one of the finest electric guitarists ever will always be clamoring for good sounding live shows, and Live at Berkeley: 2nd Show will not disappoint at that level. ~ Sean Westergaard
While there's certainly no shortage of posthumous Jimi Hendrix concert recordings running the gamut in terms of quality, this one is something special. It captures Hendrix in a period of transition. He was ready to start a new chapter, having no way of knowing he'd be dead in a matter of months. After his Band of Gypsys phase, he had decided to reunite the original Experience, but bassist Noel Redding declined, perhaps convinced that his band, Fat Mattress, was bound for glory. Consequently, the visceral R&B of the Gypsys mixed with the fluid open-endedness of the Experience through the combination of ...
| | Bleed The Dream Built By Blood CD (2005) With DVD
Sing Along
$12.35
| | Ute Lemper Blood And Feathers: Live At The Cafe Carlyle CD (2005)
Sing Along
$14.55
Personnel: Ute Lemper (vocals); Mark Lambert (guitar); Werner Vana Gierig (piano); Gregory Jones (bass instrument); Todd Turkisher (drums).
Recorded in the Caryle Café in their historic and luxurious Caryle Hotel in Manhattan, German chanteuse Ute Lemper delves deeply into underbelly of popular song -- both American and European -- and transforms the stage into a place of mystery and imagination through the sheer power and fearlessness of her sophisticated delivery. While her studio recordings have long been renowned for the chances they take, it is here, in front of a live audience, that the modern-day cabaret diva slowly and fearlessly tears at the skin of song and reveals what lies underneath its often romantic and seemingly innocent veneer. Kicking off the show with Kurt Weill and Bertolt Brecht's "Pirate Jenny," Lemper unveils her intent. This is a snarling, daring version with her quartet supporting her slippery delivery while simultaneously pushing her out onto the wire that evokes both the ghosts of the original protagonist and the emotional depth of Edith Piaf. Next Lemper touches upon melancholy, desperate love in "Milord" by Georges Moustaki. These tracks are merely preparations for what lies in the dark heart of the set, the "Moon Medley" that juxtaposes songs on both sides of the Atlantic that rip the false romanticism from their popular interpretations: "Bilbao Song," "Alabama ...
| | Mau Marcelo On My Own CD (2007) (Import)
Sing Along
$11.79
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