| | Bobby Hutcherson Happenings CD Bobby Hutcherson Discography of CDs
HAPPENINGS is the seven-track remastered version of great jazz vibrophonist Bobby Hutcherson's 1966 recording, featuring "Aquarian Moon" and "Head Start."
HAPPENINGS was vibraphonist Bobby Hutcherson's fourth Blue Note release as a leader. Where its predecessors DIALOGUE and COMPONENTS were packed with challenging avant-bop, HAPPENINGS instead brings things down a notch. With pianist Herbie Hancock, drummer Joe Chambers, and bassist Bob Cranshaw on board, Hutcherson keeps the tone fairly light, performing his original compositions (the exception is Hancock's "Maiden Voyage") with a mellow, swinging style that emphasizes modal exploration. The performances are all top-notch, and the album still weighs in as one of the best in Hutcherson's fine catalogue.
24bit digitally remastered Japanese version celebrating Blue Note's 65th anniversary.
Recorded at the Van Gelder Studio, Englewood Cliffs, New Jersey on February 8, 1966.
Personnel: Bobby Hutcherson (vibraphone, marimba); Herbie Hancock (piano); Bob Cranshaw (bass); Joe Chambers (drums).
Bobby Hutcherson Happenings Songs | 1. | Aquarian Moon | |
| 2. | Bouquet | |
| 3. | Rojo | |
| 4. | Maiden Voyage | |
| 5. | Head Start | |
| 6. | When You Are Near | |
| 7. | Omen | |
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Happenings Review
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Purchase Happenings CD To buy, Click on price to add to cart | Introducing Kenny Burrell: The First Blue Note Sessions CDs (1956)
Happenings album
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Contains tracks from the sessions that resulted in INTRODUCING KENNY BURRELL (1956) and KENNY BURRELL VOL. 2 (1957), as well as tracks recorded in a 1958 session that had limited release.
Digitally remastered using 24-bit technology by Ron McMaster.
Detroit guitarist Kenny Burrell made his recording debut as a leader on Blue Note Records in 1956 at age 24, and forever changed the state of jazz guitar. This epic two-disc collection gathers that first session and two others from the same year. Burrell displays all the full-bodied, soulful swing for which he would become legendary, and a skillful hand at both standards and his own original tunes. These early sessions show a fully formed stylist who would soon take the jazz world by storm with his smooth, clear sound and unlimited creative virtuosity.
No one session stands out above the rest, although Burrell's debut, covering all of Disc One, has a special energy. Disc Two, however, is stimulating in its pairing of Burrell in two sessions ...
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Digitally remastered by using 20-bit technology by Ron McMaster.
This is part of Blue Note's Limited Edition Connoisseur series.
Bobby Hutcherson's STICK-UP!, an all-star date from 1966, is a bit of a departure from the musician's regular Blue Note sessions of the time. Featuring saxophonist Joe Henderson, pianist McCoy Tyner, bassist ...
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| | Thelonious Monk & Sonny Rollins CD (1955)
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Digitally remastered using 20-bit K2 Super Coding System technology.
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These five tracks, recorded in the 1950s and reissued in 2006, feature Thelonious Monk and Sonny Rollins--two of the era's most progressive musicians--on the stand together. The interplay between Monk's skeletal, idiosyncratic, yet strangely logical playing and Rollins's full, rich tone and adventurous harmonic explorations complement each other beautifully on both standards ("The Way You Look Tonight") and Monk originals ("Friday the 13th"). "Friday the 13th" is the highlight of the set, featuring plenty of stretching out from Rollins, Monk, and French horn player Julius Watkins. This is a fine addition to any Monk and/or Rollins collection.
The two greatest ...
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This set lives up to its title. GREATEST HITS compiles The Duke's best-known tunes (and those of his right-hand man Billy Strayhorn), along with a few pop standards that he didn't write ("Lover Man," "I Can't Give You Anything ...
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Bphatz aka Da Beast comes to the Hip Hop game like a storm blowing away todays unoriginal and water-down MC's, with something old but new. Im talking about lyricism, todays rappers depend soley on production. Bphatz brings back that old feel of putting a CD in and enjoying it from start to end. Bphatz was born and raised in the middle of the tracks in Columbia, South Carolina a "big city in a little town." He was schooled in the classrooms and made on the streets. He displays a style that cannot be classified and even though he's from the South, his lyrical content can be compared to some of todays top east or west coast rappers. So no matter where you are from Bphatz debut album Ambition & Drive is definately for you! Living in Columbia and recording ...
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| | Revolutionary Ensemble Vietnam (At The Peace Church) CD (1972) Remastered; Digipak
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This recording was originally released on vinyl, and, as part of the ESP catalog, eventually fell into the treasure chest of material passed around amongst an international cartel of labels, some fly by night, resulting in confusion and often disappointment for the consumer. Although the name Vietnam was never actually used in any way on the original album cover or some of the reissues to denote it being the title, the album came to be known under this title anyway. The project consists of a single piece of music, totaling 47 minutes, which was sliced in two halves for vinyl purposes but never reassembled into a continuous piece on later compact discs. Creating music that attaches itself to a particularly horrifying historical event through its title is a tricky prospect. If the music itself doesn't seem to really have anything to do with the subject, then the artists could be found guilty of trying to acquire significance simply by, as it is, dropping names. Some pieces that actually evoke horror through musical content are incredibly powerful, such as Krzystof Penderecki's "Threnody for the Victims of Hiroshima," while others, such as John Zorn's "Kristellnacht," come across as shallow. This album rates more on the side of power, yet it is musical strength that comes more from the approach of the group than anything to do with the war in Vietnam. In fact, some listeners may turn around and ask what on earth any of this music has to do with Vietnam. There is an intense emotional involvement with the playing that comes across through every sound made, but this was always the case with this group. Obviously, anyone with any intelligence had strong feelings about the war in Vietnam during the early '70s, and it could be said with accuracy that any performance of this group would have been about Vietnam just as much as this one was, as well as being about any number of other things. The great thing about the Revolutionary Ensemble was the range of grooves and sound areas the trio would get into, much of which is represented as this piece unfolds. The cooking sound of drums, bass, and the violin of Leroy Jenkins soaring above was sometimes what certain parts of the audience were always waiting for, but, like many of the AACM groups, this trio also loved to explore the worlds of silence and space. Drummer Jerome Cooper was a master in this particular area. The low rent vinyl pressing of this album upon its first appearance definitely worked against enjoyment of the quieter aspects of the album, although after living with compact ...
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