| | Deanna Durbin Can't Help Singing CD - Import Deanna Durbin Discography of CDs
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Our Price: $9.39  CDFor Sale Usually ships in 1-2 days
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CAN'T HELP SINGING features vocal performances from Canadian-born actress Deanna Durbin, a popular American film star of the 1930s and '40s.
Reissue of 1982 compilation from the Hollywood star, born in Manitoba, who was know as 'Winnipeg's Sweetheart'. Deanna Durbin was a highly popular American singing film star who appeared in 21 films between 1935-1948. Pulse Records. 2004. Deanna Durbin Can't Help Singing Songs | 1. | My Own | $0.99 | |
| 2. | Il Bacho | |
| 3. | It's Raning Sunbeams | |
| 4. | Les Filles De Cadix | |
| 5. | Ave Maria | |
| 6. | Because | |
| 7. | The Last Rose Of Summer | |
| 8. | Home Sweet Home | $0.99 | |
| 9. | Spring In My Heart | $0.99 | |
| 10. | One Fine Day | $0.99 | |
| 11. | Poor Butterfly | |
| 12. | Annie Laurie | $0.99 | |
| 13. | Kiss Me Again | |
| 14. | My Hero | |
| 15. | Estrellita | |
| 16. | Musetta's Waltz Song | |
| 17. | Amapola | |
| 18. | Loch Lomond | |
| 19. | Love Is All | $0.99 | |
| 20. | It's Foolish But It's Fun | |
| 21. | Waltzing In The Clouds | $0.99 | |
| 22. | When April Sings | |
| 23. | Beneath The Lights Of Home | $0.99 | |
| 24. | Perhaps | |
| 25. | God Bless America | |
| 26. | Love's Old Sweet Song | |
| 27. | Can't Help Singing | |
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Can't Help Singing Review
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Buy Can't Help Singing CD Purchase Can't Help Singing CD To buy, Click on price to add to cart | Beatles - A Hard Day's Night DVDs (1964)
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A HARD DAY'S NIGHT presents a fictionalized day in the life of the Beatles as they give a performance on a live television show. Filmed just a month after their appearance on the Ed Sullivan Show in February 1964, this film--the Beatles' first--introduces us to the unique personalities of each member of the band. The film opens with the Fab Four boarding a train mobbed with adoring young fans (mostly women) as they attempt to travel to the television studio in London. The antics of ...
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Glitter and Doom Live, a double-disc set, marks Tom Waits' third live effort in his nearly 40-year career, each one summing up his career to the point of its release. The first, Nighthawks at the Diner issued in 1975 on Asylum, is regarded by many as one of the greatest live albums of all time. The second was Big Time, released during his tenure at Island in 1986. The musical performances on disc one of Glitter and Doom Live were culled from Waits' historic sold-out tour of the U.S. and Europe. He compiled and sequenced the set himself, intending to make them sound like a single show. The material leans, understandably, on his recordings with the Anti label. There are stellar performances here, such as "Get Behind the Mule" from The Mule Variations, "Trampled Rose" from Real Gone, and a haunting version of Leadbelly's "Fannin Street" from Orphans: Brawlers, Bawlers & Bastards, to mention just three of the 17 cuts here. But he goes back to his Island albums too. For instance, there are completely re-visioned readings of "Lucky Day" and "I'll Shoot the Moon" from 1993's Black Rider, and a killer -- though equally revamped -- version of "Singapore" from 1985's Rain Dogs. Musically, the performances are flawless, as is the sound on this set. The killer stage band includes Vincent Henry on woodwinds and harmonica, guitarist ...
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Digitally remastered by Doug Sax (The Mastering Lab, Los Angeles, California).
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The breakthrough success of DARK SIDE OF THE MOON made WISH YOU WERE HERE a crucial follow-up in strictly commercial terms. Further pressure came from it being Pink Floyd's first recording for a new label, Columbia. Yet the demands on the band only provided Roger Waters with more fodder for his lyrics, which glanced at the band's roots as well as their new responsibilities.
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The 20-minute-plus "Shine On You Crazy Diamond" has its roots in earlier pieces like "Atom Heart Mother Suite" and "Echoes." ...
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"18" was nominated for the 2003 Grammy Awards for Best Pop Instrumental Performance.
Continuing to deliver the kind of soulful electronica with an ethereal sheen that made PLAY such a breakthrough album for him, Moby keeps the good vibrations going on the equally engaging follow-up 18. Having previously drawn from such disparate sources as subtle dance beats and samples of African-American spirituals, it's not surprising that this devout Christian once again looked to the church for recruits. This time around the talents of The Shining Light Gospel Choir (the revival-like "I'm Not Worried At All" and the sweeping "In My Heart") and the recently ordained Sinead O'Connor (the lush "Harbour") get tapped.
Moby avoids making 18 a strictly austere affair by throwing some beats onto the barbie in the shape of the thumping Angie Stone/M.C. Lyte collaboration "Jam For The Ladies" and the subtle cut-and-paste funk of "Sunday (The Day Before My Birthday)." Moby does a fine job manning ...
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It says a lot for Mexican singing sensation Paulina Rubio's self-confidence that she's included a disco version of the Kiss song "I Was Made For Loving You" on her English-language debut. It's stripped down and perky, much like the rest of BORDER GIRL--as the daughter of a famous Mexican actress, Rubio has been around showbiz long enough to know when to keep it simple. Rubio's pleasant vocals are very much to the fore--she's obviously learned a lot from the school of Britney, though if the cover shot is any hint, she's going to find it hard to reproduce the perennial post-teen's illusion of constantly teetering on the edge of virginity.
Here you'll find sultry down-tempo ballads such as the title track, brisk MTV-friendly dance cuts like the album-opening "Don't Say Goodbye," (also included in its Spanish language version, as are several of the cuts here), and a Jewel of a pop ditty in "Undeniable," which conjures images of the Alaskan waif reincarnated as a Mexican pop princess. With BORDER GIRL Rubio ...
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Rather than follow up her unexpected mainstream breakthrough from the soundtrack of the 2007 film smash JUNO with a more traditional indie rock album that would further her commercial profile, the always idiosyncratic Kimya Dawson decided to do something else entirely: ALPHABUTT is the anti-folk singer-songwriter's first album comprised entirely of children's ...
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