| | Bourne Supremacy Soundtrack CD (10 Customer Reviews)
Composer: John Powell .
The espionage genre requires a soundtrack as taut as its subject matter, so it came as no surprise when composer John Powell (The Bourne Identity) (The Italian Job) signed on to score the second installment of Robert Ludlum's popular Jason Bourne series. Powell expands on the themes from the previous film, adding a bevy of nervous percussion to the already tense staccato string motif that follows Matt Damon as he circumnavigates the globe to clear his name in the sequel, The Bourne Supremacy. This time around, the composer reins in some of the first film's bombast, allowing the spaces between the orchestral and electronic bursts to simmer in anticipation, resulting in a more refined and elegant score. Moby provides the film's closing credits with "Extreme Ways," a track that also appeared in the first film. ~ James Christopher Monger Bourne Supremacy Soundtrack Music | List Price | $17.98 (You save $4.03) | | Category | Rock/Pop Albums, Soundtrack CDs, Score | | Label | Varese Sarabande | | Orig Year | 2004 | | All Time Sales Rank |  11656  | | CD Universe Part number | 6751324 | | Catalog number | 066592 | | Discs | 1 | | Release Date | Jul 27, 2004 | | Studio/Live | Studio | | Mono/Stereo | Stereo | | Engineer | Dan Lerner; Dennis Sands; Erik Zobler | | Additional Info | Original Soundtrack |
Bourne Supremacy Soundtrack Songs Bourne Supremacy Soundtrack Music Review Bourne Supremacy Soundtrack CD Purchase Music From Bourne Supremacy CD To buy, Click on price to add to cart | VH1 Presents The Corrs Live In Dublin CD (2002)
Bourne Supremacy Soundtrack
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The Corrs: Jim Corr (vocals, guitar, keyboards); Sharon Corr (vocals, violin); Andrea Corr (vocals, tin whistle); Caroline Corr (vocals, drums, bodhran, percussion).
Recorded at Ardmore Studios in Dublin, Ireland in January 2002.
You knew the Corrs had made it when they played the final JFK Awards ceremony of the Clinton administration. Playing it would have been achievement enough, but their status as a happening thing was cemented at the end of the ceremony, during the encores, when everybody was taking their final bows. Bill moseyed up over to Andrea, put his arm around her, and when she was looking away, sized her up -- at precisely the same moment Chuck Berry was checking her out. If that doesn't mean that you've broken America, entering its pop culture, I don't know what does, expect for maybe a VH1-endorsed piece of product like Live in Dublin. Lo and behold, that's exactly what the Corrs received in the spring of 2002, a year and a half after "In Blue" and its ...
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Personnel: Nathan Calvin (vocals).
Audio Mixer: Terry Date.
Recording information: Studio Litho, Seattle, WA.
Editor: Ingrid Erickson.
Arranger: Chris DeGarmo.
It makes sense that Terry Date produced Catch Without Arms, Dredg's second record for Interscope. The producer is a veteran of Deftones albums, and it's that band's rich but still rocking palette that's the intent here. And they succeed. Like past Dredg releases Catch has a conceptual flow. But openers "Ode to the Sun" and "Bug Eyes" focus the grandeur and meandering pace of the band's past work around effective melodies and a steadiness in the rhythm. The choruses emphasize the Bono/Chino Moreno in Gavin Hayes' vocal, and when the rhythm drops out for a contemplative piano moment, nothing feels forced because this is what Dredg has been working toward for years. It's not like in the blurry emo ...
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Additional Tracks
Electric Light Orchestra: Jeff Lynne (vocals, guitar); Mik Kaminski (violin); Mike Edwards (cello); Richard Tandy (piano, Moog synthesizers); Michael De Albuquerque (bass); Bev Bevan (drums).
Electric Light Orchestra: Jeff Lynne (vocals, guitar); Mik Kaminski, Wilf Gibson (violin); Colin Walker, Mike Edwards (cello); Richard Tandy (piano, Moog synthesizer); Michael d'Albuquerque (bass guitar); Bev Bevan (drums).
Additional personnel: Marc Bolan (guitar).
Electric Light Orchestra's third album showed a marked advancement, with a fuller, more cohesive sound from the band as a whole and major improvements in Jeff Lynne's singing and songwriting. This is where the band took ...
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