| | Donald Fagen - Concepts For Jazz/Rock Piano DVD Concepts For Jazz Rock Piano CDS
Closed Captioned; Standard Screen; Soundtrack English Steely Dan co-founder Donald Fagen shares his piano writing processes and demonstrates how simple blues lines can be transformed into complex, original compositions. Donald Fagen - Concepts For Jazz/Rock Piano | List Price | $29.95 (You save $9.86) | | Studio | Music Video Distributors | | Orig Year | 1993 | | DVD Encoding | Region 1 | | All Time Sales Rank |  35388  | | CD Universe Part number | 6753285 | | Catalog number | 641647 | | Discs | 1 | | Release Date | Apr 13, 2004 | | Rating | Not Rated | | Movie Details | Color; Digitally Processed |
Donald Fagen - Concepts For Jazz/Rock Piano Review
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Purchase Donald Fagen - Concepts For Jazz/Rock Piano Movie To buy, Click on price to add to cart | Boston (1976) Super Audio CD
Donald Fagen - Concepts For Jazz/Rock Piano video
 $20.15  
Boston: Brad Delp (vocals); Tom Scholz (guitar, organ); Barry Goudreau (guitar); Fran Sheenan (bass); Sib Hassian (drums).
Recorded at Foxglove Studios, Watertown, Massachusetts; Capitol Studios, Hollywood, California; The Record Plant, Los Angeles, California between 1975 and 1976.
This is a Super Audio CD playable only on Super Audio CD players.
Boston is one of the best-selling albums of all time, and deservedly so. Because of the rise of disco and punk, FM rock radio seemed all but dead until the rise of acts like Boston, Tom Petty, and Bruce Springsteen. Nearly every song on Boston's debut album could still be heard on classic rock radio decades later due to the strong vocals of Brad Delp and unique guitar sound of Tom Scholz. Tom Scholz, who wrote most of the songs, was a studio wizard and used self-designed equipment such as 12-track recording devices to come up with an anthemic "arena rock" sound before the term was even coined. The sound was hard rock, but the layered melodies and harmonics reveal the work of a master craftsman. While much has been written about the sound of the album, the lyrics are often overlooked. There are songs about their rise from a bar band ("Rock and Roll Band") as well as fond remembrances of summers gone by ("More Than a Feeling"). Boston is essential for any fan of classic rock, and the album marks the re-emergence of the genre in the 1970s. ~ Vik Iyengar
Recorded on a simple 12-track recorder as a demo, it was so good that the record company released it. Tom Scholz masterminded the project in his spare time; little did he know that this record came to define AOR, and would become a hi-fi store standard demo disc. Since that ...
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Donald Fagen - Concepts For Jazz/Rock Piano film
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| | Norah Jones Come Away With Me CD (2002) SACD Hybrid
Donald Fagen - Concepts For Jazz/Rock Piano review
$15.49 
Personnel: Norah Jones (vocals, piano, Wurlitzer piano); Jesse Harris, Kevin Breit (acoustic & electric guitars); Tony Scherr (acoustic guitar, slide guitar); Adam Levy, Bill Frisell (electric guitar); Adam Rogers (guitar); Jenny Scheinman (violin); Sam Yahel (Hammond B-3 organ); Rob Burger (organ); Lee Alexander (bass); Brian Blade (drums, percussion); Dan Reiser, Kenny Wollesen (drums).
Producers: Arif Mardin, Norah Jones, Jay Newland, Craig Street.
Recorded at Sorcerer Sound, New York, New York and Allaire Studios, Shokan, New York.
Norah Jones won the 2003 Grammy Award for Best New Artist.
COME AWAY WITH ME won the 2003 Grammy Awards for Album Of The Year, Best Pop Vocal Album and Best Engineered Album (Non-Classical).
"Don't Know Why" won the 2003 Grammy Awards for Record Of The Year, Song Of The Year and Best Female Pop Vocal Performance.
Arif Mardin won the 2003 Grammy Award for Producer Of The Year (Non-Classical).
This is a hybrid Super Audio CD playable on both regular and Super Audio CD players.
Norah Jones' debut on Blue Note is a mellow, acoustic pop affair with soul and country overtones, immaculately produced by the great Arif Mardin. (It's pretty much an open secret that the 22-year-old vocalist and pianist is the daughter of Ravi Shankar.) Jones is not quite a jazz singer, but she is joined by some highly regarded jazz talent: guitarists Adam Levy, Adam Rogers, Tony Scherr, Bill Frisell, and Kevin Breit; drummers Brian Blade, Dan Rieser, and Kenny Wollesen; organist Sam Yahel; accordionist Rob Burger; and violinist ...
| | David Bowie Ziggy Stardust (1972)
Donald Fagen - Concepts For Jazz/Rock Piano DVD
$18.85
Personnel: David Bowie (vocals, guitar, saxophone, piano); Mick Ronson (vocals, guitar, piano); Trevor Bolder (bass); Mick Woodmansey (drums).
Principally recorded at Trident Studios, London, England.
This is an Enhanced CD, which contains both regular audio tracks and multimedia computer files.
Borrowing heavily from Marc Bolan's glam rock and the future shock of A Clockwork Orange, David Bowie reached back to the heavy rock of The Man Who Sold the World for The Rise & Fall of Ziggy Stardust and the Spiders from Mars. Constructed as a loose concept album about an androgynous alien rock star named Ziggy Stardust, the story falls apart quickly, yet Bowie's fractured, paranoid lyrics are evocative of a decadent, decaying future, and the music echoes an apocalyptic, nuclear dread. Fleshing out the off-kilter metallic mix with fatter guitars, genuine pop songs, string sections, keyboards, and a cinematic flourish, Ziggy Stardust is a glitzy array of riffs, hooks, melodrama, and style and the logical culmination of glam. Mick Ronson plays with a maverick flair that invigorates rockers like "Suffragette City," "Moonage Daydream," and "Hang Onto Yourself," while "Lady Stardust," "Five Years," and "Rock 'n' Roll Suicide" have a grand sense of staged drama previously unheard of in rock & roll. And that self-conscious sense of theater is part of the reason why Ziggy Stardust sounds so foreign. Bowie succeeds not in spite of his pretensions but because of them, and Ziggy Stardust -- familiar in structure, but alien in performance -- is the first time his vision ...
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