| | Don Gibson Am I That Easy To Forget/Lovin' Lies CD Don Gibson Discography of CDs
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This two-fer from Collectables features a pair of out of print LPs by Don Gibson, Lovin' Lies and Am I That Easy to Forget, both originally issued on RCA Camden in 1970 and 1973. Highlights among the 18 tracks include several Gibson-penned classics, including "I Can't Stop Loving You," "Oh, Lonesome Me," and "Just One Time." ~ Al Campbell
2 LPs on 1 CD: AM I THAT EASY TO FORGET (1973)/LOVIN' LIES (1970). Am I That Easy To Forget/Lovin' Lies Music Am I That Easy To Forget/Lovin' Lies Music Review Purchase Am I That Easy To Forget/Lovin' Lies CD To buy, Click on price to add to cart | Partridge Family Christmas Card CD (1972)
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A Winter Romance is perhaps best described as a "seasonal" album rather than a Christmas or holiday release, despite the inclusion of such familiar fare as "White Christmas" and "Winter Wonderland." Dean Martin has also included such standards as "The Things We Did Last Summer" and "June in January," as well as some specially written material such as Sammy Cahn and Ken Lane's title song and "It Won't Cool Off." Nevertheless, with its lush strings, well-scrubbed vocal choruses and buoyant mood, this collection has an appropriately festive feel. Martin does a competent job, even having fun here and there when the song allows him to present his take on a similar baritone (Bing Crosby on "White Christmas," Vaughn Monroe on "Let It Snow! Let It Snow! Let ...
| | Lillie Delk Christian 1925-1928 CD (1996) Import
Am I That Easy To Forget/Lovin' Lies music CDs
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Released in 1996, this 25-track compilation of recordings made in Chicago between 1925 and 1927 by Hociel Thomas and Lillie Delk Christian fills gaps in the early Louis Armstrong story, with cameo appearances by classic jazz heroes like clarinetists Johnny Dodds and Jimmie Noone, banjoist Johnny St. Cyr, and pianists Hersal Thomas, Richard M. Jones, and Earl Hines. Both singers have been posthumously pilloried by critics who deplore Hociel's casual, free spirit approach to timing, pitch, and intonation even while jeering at Lillie for sounding too tame, concise, and sweetly mannered. Hociel Thomas was the daughter of George Washington Thomas, Jr., a pianist who recorded under the name of Clay Custer and who composed the "Muscle Shoals Blues" and the "New Orleans Hop Scop Blues." She was the niece of Beulah Thomas, better known as blues singer Sippie Wallace, and Beulah's little brother Hersal Thomas, a piano prodigy who died suddenly only months after setting up these sessions for Hociel and accompanying her himself. If you're fussy about pitch and intonation, you're listening up the wrong tree with Hociel. She sang intuitively with her heart and let the tones fall where they may. There's something intensely rewarding about this kind of earthy, organic singing, and it should not be judged according to normal standards of musicianship. These are not her complete recordings. There were a handful made before the Okeh sessions that yielded tracks one-ten, and another very fine cluster of tunes cut some 20 years later with trumpeter Mutt Carey. What you do get are all of the records she made in the company of Louis Armstrong. As for Lillie Delk Christian, the charge of excessive sweetness is greatly exaggerated and needs to be overruled. Stylistically she belongs somewhere among Ruth Etting, Annette Hanshaw, and other similarly pleasant pop singers from the 1920s, with a polite candor that suggests a background in cabaret and musical theater. She is best ...
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Personnel includes Herschel Bernardi (vocals); Peter Matz (arranger, conductor).
Since an actor's stage performances disappear after they are made before small audiences, while his or her television and film work is not only disseminated more widely but also preserved, it is easier to remember an actor like Herschel Bernardi for his numerous character parts or even for his voicing ...
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