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Our Price: $7.29 CDFor Sale Usually ships in 1-2 days (Only 2 available)
Our Price: $10.89
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Purchase Musica Pa'Amanecer Bebiendo CD To buy, Click on price to add to cart | Pink Martini Splendor In The Grass CD (2009) Digipak
Musica Pa'Amanecer Bebiendo album
$13.39 Pink Martini follow the around-the-world-in-a-dozen-songs thrills of HEY EUGENE! with SPLENDOR IN THE GRASS, a mellower, simpler set of small pleasures. These are relative terms, however; the group's music is still well-traveled, with China Forbes singing in five languages (English, Spanish, Neapolitan, French, and Italian) instead of the six or so on EUGENE!. However, Pink Martini opt for a more unified sound here, one that draws on the more straightforward lounge-pop of their debut, SYMPATHIQUE, and the mellowness of '60s and '70s pop. SPLENDOR IN THE GRASS' first half is especially smooth, opening with the beautifully soft Neapolitan ballad "Ninna Nanna" and the title track, on which Forbes sings "I think we should take it slow" over swooping strings, brass, and piano that resurrect the glory days of AM pop; that feeling is echoed by the cover of Joe Raposo's ...
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$11.05 It was not pure ego that led Buju Banton to title his 1993 album VOICE OF JAMAICA; his unique voice is a gruff, melodic instrument, and his lyrics are precise. He built his career on controversial hits and slacker anthems, but has since helped spearhead a movement to swing reggae's pendulum away from sex and violence, back towards conscious lyrics and Rastafarian themes. On `TIL SHILOH, the voice of Jamaica has visibly evolved.
Still, don't let all this consciousness talk scare you; Buju's strength is his ability to create hooks that buoy the weight of his words. The choruses of singles like "Murderer," "I Wanna Be Loved" and "Champion" drill themselves into your head and nest there for days. 'TIL SHILOH is also one of the most experimental dancehall releases ever, utilizing an a capella intro, a track built out of African chanting and percussion ("'Til I'm Laid To Rest"), and a song featuring an acoustic guitar ("Untold Stories"). A duet with the late Garnett Silk ("Complaint") provides a nice respite from Banton's trademark growl. For the most part, Buju and executive producer ...
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$17.89 With help from musicians associated with the era and location (including Don Tosti, Lalo Guerrero, and Thee Midnighters' Little Willie G.) and studio musicians Jim Keltner, Jon Hassell, and legendary Tex-Mex accordionist Flaco Jimenez, Cooder has created a musical novel that richly celebrates the music, life, and lingering mythos of Chavez Ravine, an L.A. neighborhood razed by the city in the interest of big business (namely to build a stadium for the soon-to-be L.A. Dodgers). Stylistically, the album, performed in both Spanish and English, encompasses Latin folk forms, swing, atmospheric ballads, rhumba, and R&B. Yet the whole feels so rooted in history, so packed with real characters ...
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$11.49 It's almost unthinkable, really, that Derry's fabled good-time teen punks of yesteryear would record and continue without frontman Feargal Sharkey, let alone that their output would be anything less than embarrassing. Yes, re-form without Feargal is what the Undertones did, and the results on Get What You Need are nowhere near embarrassing. Jimmy O'Neil still kicks ass as a songwriter of tight, focused greasy little ditties where girls and more girls are the predestined and predominant order of the day. Never mind that the sod is in his midforties. With Paul McLoone in the vocal slot and the rest of the 'Tones kicking out the jams at ten, combined hooky, infectious melodies, fifth-gear tempos chock-full of lovely bridges and refrains, and the O'Neil brothers as inspired as ever -- if sounding a bit silly going on about ...
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