| | Wouldn't It Be Nice: A Jazz Portrait Of Brian Wilson. CD (1 Customer Review)
"Don't Talk (Put Your Head On My Shoulder)" was nominated for a 1998 Grammy Award for Best Instrumental Arrangement.
Full title: Wouldn't It Be Nice: A Jazz Portrait Of Brian Wilson.
Engineers: Michael Verdick, James Farber, Malcolm Pollack, Geoff Gillette, Don Grusin.
Tributee: Brian Wilson .JazzTimes (12/97, p.135) - "...not your average tribute album....often bringing out shades of meaning bubbling below the well-travelled surfer anthems. The range of approaches alone is impressive..." Wouldn't It Be Nice: A Jazz Portrait Of Brian Wilson. Music Wouldn't It Be Nice: A Jazz Portrait Of Brian Wilson. Songs | 1. | Surfer Girl (Prelude) - Don Grusin |
| 2. | Surfer Girl - Don Grusin |
| 3. | Can't Wait Too Long - Clark Burroughs |
| 4. | Wouldn't It Be Nice - Jeffrey Osborne |
| 5. | 'Til I Die - Elements |
| 6. | Warmth of the Sun, The - Shelby Flint/Tim Weston |
| 7. | I Just Wasn't Made For These Times - Larry Carlton |
| 8. | In My Room - Marilyn Scott |
| 9. | I Went to Sleep - Clark Burroughs |
| 10. | Caroline, No - Dori Caymmi |
| 11. | Our Sweet Love / Friends - Eliane Elias |
| 12. | Cabinessence - Clark Burroughs |
| 13. | Don't Worry Baby - Steve Khan/Gabriela Anders :: No Te Preocupes Nena - Steve Khan/Gabriela Anders |
| 14. | God Only Knows - Yellowjackets |
| Wouldn't It Be Nice: A Jazz Portrait Of Brian Wilson. Music Review Purchase Wouldn't It Be Nice: A Jazz Portrait Of Brian Wilson. CD To buy, Click on price to add to cart | Robbie Krieger Cinematix CD (2000)
Wouldn't It Be Nice: A Jazz Portrait Of Brian Wilson. album
$8.29 If this new solo album by the legendary writer of "Light My Fire" is supposed to be the soundtrack to a movie, someone must have spilled the canister on the cutting room floor because this album is all over the place! From the dry, slow drums and repetitive licks of "Snake Oil" to the heavy and tribal pounds and gargly backing vocals of "Out of the Mood," this cuts from scene to scene and from idea to idea with little rhyme or rhythm. "Idolatry" is jazzy but in a sax-y way. Perhaps it is the soundtrack to the love scene of the mind Krieger appears wont to create. Similarly, the noir-y accelerations of "Missionary Jam" suggest a bungled chase scene. The beguilingly foreboding '80s guitar play of "Haunted Spouse" (which in itself sounds like a movie title) and the funky warning of "Red Alert" are both appropriately (or at least cleverly) entitled, but that may be the best that can be said of them. Taking ...
| | Michael Brecker Two Blocks From The Edge CD (1997)
Wouldn't It Be Nice: A Jazz Portrait Of Brian Wilson. CD music
$12.65 Michael Brecker is at the top of his game on TWO BLOCKS FROM THE EDGE. His assembled quintet is under continuous direction from their leader with sometimes no more than a subtle inflection from his powerful horn. Displaying his legendary freight train ('Trane?) chops and razor sharp tone is natural for Brecker, but it's his strength as a bandleader that shines through on this disc. Even with distinguished cohorts like Joey Calderazzo (piano), James Genus (bass), Jeff ...
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Wouldn't It Be Nice: A Jazz Portrait Of Brian Wilson. album
$8.49 On 2006's TWO LIGHTS, his fourth ...
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Wouldn't It Be Nice: A Jazz Portrait Of Brian Wilson. CD music
$14.29 Steve Tyrell recalls the classic American vocalists such as Nat "King" Cole and Frank Sinatra. Tyrell doesn't sound like either, but he does shares their eclectic, all-inclusive musical approach. Tyrell is also influenced by jazz and classic/old-school R&B, and he's contributed music to movies (FATHER OF THE BRIDE, MYSTIC PIZZA). In addition, he worked for Scepter Records at the time of the classic Burt Bacharach/Hal ...
| | Thelonious Monk With John Coltrane CD (1961)
Wouldn't It Be Nice: A Jazz Portrait Of Brian Wilson. music CDs
$9.85 Digitally remastered by Kirk Felton (1987, Fantasy Studios, Berkeley, California).
This is a hybrid Super Audio CD playable on both regular and Super Audio CD players.
When Monk finally got his cabaret card back in the summer of 1957, he began a six-month engagement on the lower east side of Manhattan. This stand heralded his return, thrilled the media and garnered him a modicum of respect and recognition. Recorded the following spring, THELONIOUS MONK WITH JOHN COLTRANE is an all-too fleeting recreation of the pianist's legendary Five Spot Quartet (plus a solo piano version of "Functional," and a powerful four-horn rendition of "Off Minor" from a June '57 session featuring Coltrane, Coleman Hawkins and Art Blakey).
In many ways, Coltrane's stint with Monk marked his artistic breakthrough from a gifted technician, to a top musical innovator. Joining him in this remarkable quartet were Shadow Wilson, a drummer of rare musicality and restraint (listen to his sweeping brushwork on "Ruby, My Dear"), and Chicago bassist Wilbur Ware, whose lower register punctuations and sophisticated harmonic sensibility helped anchor the group. "Ruby, My Dear" is landmark for Coltrane the ballad player. Monk's repeated chordal figures function as a thematic entity, and Trane feels compelled to dig deeper into the melody, rather than simply ...
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