| | Tommy Sands Man, Like Wow! The Sands Collection 1957-1963 CD Tommy Sands Discography of CDs
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While Bear Family's 30-track compilation The Worryin' Kind also covers Tommy Sands' late-'50s and early-'60s material, and offers some songs that don't make it onto this later anthology, Man, Like Wow! is a slightly superior buy. There are a few more songs (a whopping 33 on a single CD), and it covers a slightly longer period of his early career, including ten of his chart hits and a few cuts that hadn't previously been issued on compact disc. It doesn't make a compelling case, it must be said, for Tommy Sands as a notable rock & roller; in fact, his stuff was among the most whitebread of any of the early white singers to score rock & roll hits. Sands was really more a mainstream pop singer, with some country flavor, who was put into some quasi-rock & roll arrangements (and marketed to the rock & roll audience) in order to fit into the trend of the day. Even when he tried to rock out and sound menacing, relatively speaking, on "Blue Ribbon Baby," "Man, Like Wow!," "I Ain't Gettin' Rid of You," the "Fever" sound-alike "Doctor Heartache," and "The Worryin' Kind," he wasn't going to give Gene Vincent (who, like Sands, was on the Capitol label in this period) any sleepless nights. However they judge his talent, early rock & roll collectors might be interested to find a few obscure songs by notable writers here, including Jerry Leiber and Mike Stoller ("Chicken and the Hawk"), Atlantic executives Ahmet Ertegun and Jerry Wexler, Bobby Hart, Al Kooper, and Paul Anka, even if none of those tunes are first-rate. As conscientiously assembled as this is, it's fairly tepid rock & roll without much in the way of memorable material, though not quite as mediocre teen idol fodder as some have led listeners to expect. ~ Richie Unterberger
Cool and swish Tommy Sands goes rockin', rollin' and reelin' through no less than 33 of his hottest tracks from the late 50's and early 60's. "Man, Like Wow!: The Sands Collection 1957 - 1963" includes rare single and LP cuts on CD for the first time, informative liner notes and a stack of period photos, all prepared with the assistance of Tommy Sands himself. Man, Like Wow! The Sands Collection 1957-1963 Music Tommy Sands Man, Like Wow! The Sands Collection 1957-1963 Songs | 1. | Teenage Crush  | |
| 2. | Ring-a-Ding-Ding | |
| 3. | My Love Song | $0.99 | |
| 4. | Goin' Steady  | $0.99 | |
| 5. | Ring My Phone | $0.99 | |
| 6. | Sing Boy Sing | $0.99 | |
| 7. | Teenage Doll | |
| 8. | Blue Ribbon Baby | $0.99 | |
| 9. | Worryin' Kind, The | |
| 10. | Bigger Than Texas | |
| 11. | Old Oaken Bucket, The | |
| 12. | Hep Dee Hootie (Cutie Wootie) | |
| 13. | Man, Like Wow! | |
| 14. | Can't Change My Love | |
| 15. | Crazy Cause I Love You | |
| 16. | Soda-Pop Pop | |
| 17. | Bundle of Dreams, A | |
| 18. | Your Daddy Wants to Do Right | |
| 19. | Chicken & The Hawk | |
| 20. | Little Mama | |
| 21. | Oop Shoop | |
| 22. | Hey, Miss Fannie | |
| 23. | Gonna Get a Girl | $0.99 | |
| 24. | Ain't Getting Rid of You | |
| 25. | Is It Ever Gonna Happen? | |
| 26. | Let Me Be Loved | |
| 27. | Sinner Man | |
| 28. | Maybellene | |
| 29. | Hearts of Stone | |
| 30. | Tweedly Dee | |
| 31. | Wrong Side of Love, The | |
| 32. | Doctor Heartache | |
| 33. | Young Man's Fancy, A | |
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$10.15 One adjective that you will never hear in connection with A Little Voodoo is "under-produced." Whether a song was produced by Peter Moshay and T-Bone Wolk, Paul Bryan, Jerry Marotta, or Grey Eye Glances themselves, this alternative pop/rock/adult alternative effort sounds extremely produced. But for all its slickness and studio gloss, A Little Voodoo really does have a lot of heart. Lead singer Jennifer Nobel's warmth and vulnerability always comes through, and the lyrics are consistently personal-sounding. Throughout the CD, it is obvious that the producers are there to serve Grey Eye Glances -- not the other way around. The honey-voiced Nobel and her colleagues never sound like producers' puppets; they sound like they are in the driver's seat, whether the producer is Marotta on "Good Folks" and "Oh, No" or Bryan on "The One" and "Close Your Eyes." And that would explain why this album is as consistent as it is -- the producers knew what type of vision Grey Eye Glances had for this album, and they helped them achieve it. In many cases, a label will hire several different producers for the same album because it is trying to cover as many bases as possible; different producers will produce different types of songs with different radio formats in mind. But on A Little Voodoo, Grey Eye Glances sees to it that there is a certain continuity. Could A Little Voodoo have used more spontaneity? Without a doubt. But because the writing is as strong as it is -- and because the album sounds so darn good -- one can live with that lack of spontaneity. All things considered, A Little Voodoo is a fine addition to Grey Eye Glances' catalog. ~ Alex Henderson
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