| | Kid Thomas At San Jacinto Hall CD Kid Thomas Discography of CDs
 |
|
Our Price: $14.19  CDFor Sale Usually ships in 1-2 days
|  |
This CD wraps up a series of pure New Orleans jazz recorded Dec. 31, 1965 at the famous San Jacinto Hall where many other great jazz recordings have been made. Features trumpeter Kid Thomas, clarinetist Butch Thompson, trombonist Louis Nelson, banjo play
Personnel: Kid Thomas (trumpet); Kid Thomas ; Mike Polad (banjo); Butch Thompson (clarinet); Louis Nelson (trombone); Joseph Butler (bass instrument); Sammy Penn (drums).
At San Jacinto Hall Music At San Jacinto Hall Review
GuidelinesRemember to focus your comments on Kid Thomas At San Jacinto Hall CD. Check our review guidelines for specific details regarding customer review policy. To submit your review, please fill out the above form and click "Submit Review." A staff member will then verify your review meets our guidelines. Upon approval, your review will be published within a few days. Please do not use this form to comment on web site errors or for order related questions. If you have concerns of this nature, please contact customer service by filling out this form.
Purchase At San Jacinto Hall CD To buy, Click on price to add to cart | | Also Bought |
| Albert Nicholas Vol 1 CD (1999)
At San Jacinto Hall album
 $12.09 
| | Kid Thomas And Emanuel Paul New Orleans Stompers CD (2000)
At San Jacinto Hall CD music
$12.09
| | | Also Bought |
| Herb Morand 1949 CD (1994)
At San Jacinto Hall music CDs
$13.99
Veteran swing/New Orleans trumpeter Herb Morand is heard in two different settings on this interesting collector's LP. The first 11 selections (seven previously unreleased) were cut in the studios with a sextet that also included clarinetist Albert Burbank, trombonist Louis Nelson, and guitarist Johnny St. Cyr. Morand has three vocals and Burbank sings on "Eh! La Bas," with the highlights including "Sheik of Araby," "Milenberg ...
| | Dr Michael White Jazz From The Soul Of New Orleans CD (2002)
At San Jacinto Hall songs
$13.05  
Clarinetist/educator Dr. Michael White doggedly insists on the fresh creative potential of the very earliest jazz, and on this record he makes the case eloquently. Playing standards, crafty originals, and public domain spirituals, White emphasizes the polyglot nature of the New Orleans jazz heritage. The Spanish tinge of "Martinique" and "Calypso Girl," the gospel strains of "In the Beautiful Garden of Prayer," the good-time swing of "Fidgety Feet": White's fluttering, soulful clarinet directs it all, and his group responds with spirited, back-to-basics improvisation. (Thais Clark's bawdy vocal on "Horn Man Blues" is priceless.) One can hear echoes of White's old-but-new concept on more modern albums like Ted Nash's Sidewalk Meeting. ~ David R. Adler
Clarinetist ...
| | | Also Bought |
| Kid Thomas Band With Raymond Burke CD (2003)
At San Jacinto Hall album
$12.09
| | | Also Bought |
| Jim Robinson & Others Last Session At San Jacinto Hall CD (2002)
At San Jacinto Hall CD music
$12.09
| | Super Jazz: Best Of New Orleans CD (1996)
At San Jacinto Hall music CDs
$13.49
Live Recording
| | Citizen Fish Life Size CD (2001)
At San Jacinto Hall songs
$6.95
Life Size may take a while for traditional fans of Citizen Fish to get used to, but lyrically and musically, it shows a continued progression in this British four-piece's work. The music is groovier, the hooks are catchier, and the singer still can't pronounce things correctly from time to time, as many non-British listeners may find lead singer Dick Lukas's accent to be an interesting style of singing. Much of the lyrical content deals with political issues, specifically as they apply to the United Kingdom. While this may seemingly turn many off, Citizen Fish approaches these topics intelligently and with important insights. For example, in a song like "Autographs," the band decries those who claim to be rebels, but follows along with mainstream rock fans and asks for autographs from the band. "Choice of Viewing" has the band asking the listener questions about becoming active in affairs instead of being passive viewers. Both of these songs, as well as many more, are pieces which fans from all across the globe can hopefully relate to and appreciate. ...
| | David Hazeltine Classic Trio Meets Eric Alexander CD (2002)
At San Jacinto Hall album
$13.79 
Pianist David Hazeltine and tenor saxophonist Eric Alexander create sparks when working together, and the presence of bassist Peter Washington and drummer Louis Hayes makes their chemistry even better on this 2001 studio session. Hazeltine's hard bop opener, "On the Boulevard," has the kind of attractive groove one would expect in a classic Blue Note date from the early '60s. The leader also wrote the catchy "Jessica's ...
| | Jazz & European Songs, Vol. 1 CD (2004) (Import) France
At San Jacinto Hall CD music
$11.79
| | Vol. 1-Canico CD (2002)
At San Jacinto Hall music CDs
$13.29
Details TBA. Kaos.
| | Wanda Robinson Black Ivory CD (1971)
At San Jacinto Hall songs
$14.59
| | Art Blakey Big Beat CD (1960) Bonus Track; Remastered
At San Jacinto Hall album
$8.85 
Perhaps the best known and most loved of Art Blakey's works, The Big Beat is a testament to the creative progress of one of the best jazz drummers of all time. Now over 40 years old, The Big Beat is as thunderous as ever. Here, Blakey combines his rhythm with tenor saxophonist Wayne Shorter's brilliant composing to make what could only be termed a "structurally raw" album. Each track rips through bebop as quickly as Blakey ripped through drum heads. "Dat Dere" and "Lester Left Town" stand out as part of the true canons for hot jazz. Two alternate versions of "It's Only a Paper Moon" round out the album, both brimming with the fluid integrity of the song and the drive only Blakey could provide. As one of the few drummers to step out and lead, not just play backup, Blakey created a true jazz treasure in The Big Beat. ~ Christopher Fielder
Perhaps the best-known and most loved of Art Blakey's works, The Big Beat is a testament to the creative progress of one of the best jazz drummers of all time. Now over 40-years-old, The Big Beat is as thunderous as ever. Here, Blakey combines his rhythm with tenor saxophonist Wayne Shorter's brilliant composing to make what could only be termed a "structurally raw" album. Each track rips through bebop as quickly as Blakey ripped through drum heads. "Dat Dere" and "Lester Left Town" stand out as true canons for hot jazz. Two alternate versions of "It's Only a Paper Moon" round out the album, both brimming with the ...
|
|
|
331563 
Email a Friend
