| | Northen Lights Airplay CD - Import Northen Lights Discography of CDs
Northen Lights Airplay Songs | 1. | Ancient Dreams |
| 2. | In All Languages |
| 3. | Crazy Midnight: Midnight |
| 4. | Crazy Midnight: Twelve Midnight |
| 5. | Crazy Midnight: Midnight Air |
| 6. | Crazy Midnight: Midnight Reel |
| 7. | Still Waters |
| 8. | Dark Blue |
| 9. | Hop Scotch |
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Airplay Review
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Check out Holly’s latest recording project with Robson Santos, a Brazilian composer and wonderful friend. Holly is featured on his new album, LĂmbico Trem, now on CD Baby: http://cdbaby.com/cd/robsonsantos.Her debut album, "the Climb," reflects Holly's varied influences of Brazilian music, unusual arrangements of jazz standards, and jazz-tinged covers of popular songs. She is particularly fond of penning lyrics to instrumental jazz standards as demonstrated by Wayne Shorter's "Fee Fi Fo Fum," renamed "Siren Song" with the addition of the lyric. Holly stays true to Pat Metheny's delicate ballad "the Road to You," seen here as "the Road to Me." The first recitation is a beautiful wordless solo, followed by an elegant piano solo, and it closes with her original lyric. Holly’s work as an inventive improviser is tastefully demonstrated on several tracks including Siren Song and I Thought About You. As well as being the bandleader for the album, Holly also co-engineered, co-mixed, and produced it.Holly earned a Bachelor of Music degree in jazz studies from Western Michigan University in Kalamazoo, Michigan. Following her graduation in 2000, Holly was awarded an internship with the jazz programming department at Washington DC's prestigious Kennedy Center for the Performing Arts. There ...
| | Howard Britz Made In Brooklyn CD (2005)
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Hey man, it’s Howard, can you make a session at my place next week?.............One of the great things about Jazz musicians in New York is their willingness to try out things, experiment, get together just for the joy of playing, the answer the question was very often yes! In 2000, in addition to some tours and many gigs, some of my favorite musicians and I would get together in Brooklyn to jam, rehearse and try out new material. Most of the time these kind ...
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Liner notes are an opportunity to muse about the creative process, or to occupy the eyes while music is playing. The creative process: I record albums because I hate scrounging for gigs. I love playing music with great players, but you can't get them unless you get gigs. They want money, more for self-respect than pure income. If not gigs, at least they want to be going somewhere. Don't we all? Anyway, a recording looks somewhat like somewhere.I met Juan in the University of Minnesota jazz band. He played his hollowbody outside the room before rehearsal started. We headed to a practice room after rehearsals. Not to gig. Who knows about that? Trumpet and guitar? Everyone wants bass and drums. Just to play. He could play. It was fun, flexible, open. With just two people it's hard work, challenging, exposed. Focuses the attention.I wanted to keep it going, so I scrounged gigs. Coffeeshops. Dunn Brothers. Crema Cafe, a jazz - friendly ice cream joint. Standards straight up, sometimes arranged.Juan made a living for awhile (I believe) playing with a swing band during the 90s. After that died down he got bored (I think) and, like many talented players I know, headed for New York, Manhattan School of Music.It seemed a shame to leave a fruitful partnership undocumented, so we went into my friend Gary's basement. Fortunately, Gary had tons of equipment he called "Metasonic Studio." In a relaxed atmosphere we recorded April 24, April 29, and May 5, 2001. No standards- the recording industry gets about $ 100 a song for 500 CDs. That's > $ 1000-- why bother? All originals. Some we had played on gigs, but cranked out a few more for the album. Juan wanted to record a guitar thing. It was raining while he did it, so later I recorded rain and threw it behind him. (Sorry dude.) I wanted some distorted guitar, so I got him to overdub Jean - Michelle. I picked takes, learned how to mix it myself, did the cover art. 85% done. ...
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Tommy Castro and the Tommy Castro Band are featured on "Better Late! Than Never". Tommy Castro plays lead guitar on "Easier to Say" and "Unlove You". "Stormy Monday" features the whole band live at Copia, Napa, California."Better Late! Than Never" is just a title that I feel shows the average artist, that no matter how long you've been performing, or singing, it's never too late to chase the dream. A little something aboutTari LaCourtTari LaCourt , formerly Tari Smith, was born in Oakland, CA, At the age of 12 she was fully engulfed in her very first working cover band. While in high school, she would sneak into the night clubs of Oakland and sit in with the bands that were performing. She participated in anything that was related to music, i.e. Choirs, school musicals, classical competitions and local rock bands.At the age of 19, she left her day job to audition for a local club band and she was off and running singing with local bands such as Logos, Hot Cider, Hot Street and most recently The DeSotos sharing the stage with the fabulous vocals of Calvin Tillery for the past 16 years. “It’s been great having Calvin as an inspiration.” Tari has often been vocally likened to such great talents as: Lydia Pense, Bonnie Raitt, Etta James, Aretha Franklin, and Ruthie Foster, throughout her career. She has had the privilege of being part of opening acts for the likes of:Loggins and Messina, Dave Mason, John Mayall, Jackson Browne, The Pointer Sisters, Albert King, Tower of Power, Lydia Pense & Friends (formerly Cold Blood), Elvin Bishop, J Giles Band, Ricky Nelson, just to name a few.She has also performed on stage together with:Elvin Bishop, Lydia Pense and Friends, Bruce Conte, John Mayall, Dave Mason, Robbin ...
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