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Our Price: $13.39  CDFor Sale Usually ships in 1-2 days
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Personnel: Barbara Lusch (vocals); Dan Gaynor (piano); Essiet Essiet, Scott Steed, Kevin Deitz (bass instrument); Reinhardt Melz, Reinhardt Melz (drums); Scott Holmes, Kirk Green (background vocals); Bobby Torres (percussion).
Audio Mixer: Dave Friedlander.
Recording information: Kung Fu Bakery, Portland, OR.
Arrangers: Bobby Torres; Scott Steed; Reinhardt Melz. Barbara Lusch Review
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Purchase Barbara Lusch CD To buy, Click on price to add to cart | Dan McMillion Got The Spirit CD (2001)
Barbara Lusch
 $13.39  
| | Modern Jazz Quartet & Orchestra CD (1961)
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| | Jim Rotondi Destination Up CD (2001)
Barbara Lusch
$13.75
Jim Rotondi has quietly made his way to the very top tier of jazz trumpeters, and this CD proves it. Known primarily for his lengthy association with tenorman Eric Alexander & organ dynamo Charles Earland, this album is a tour de force. Jim is joined by
Personnel: Jim Rotondi (trumpet, flugelhorn); Steve Davis (ttrombone); Joe Locke (vibraphone); Mulgrew Miller (piano); Peter Washington (bass); Joe Farnsworth (drums).
Recorded at Systems Two, Brooklyn, New York on March 29-30, 2001. Includes liner notes by Bob Blumenthal.
Personnel: Jim Rotondi (trumpet, flugelhorn); Steve Davis (trombone); Mulgrew Miller (piano); Joe Locke (vibraphone); Joe Farnsworth (drums).
Recording information: Systems Two Studios, Brooklyn, NY (03/29/2001-03/30/2001).
Photographer: Jon Abbot.
Trumpeter Jim Rotondi brings together vibraphonist Joe Locke and pianist Mulgrew ...
| | Etta Jones Sings Lady Day CD (2001)
Barbara Lusch
$14.29
Personnel: Etta Jones (vocals); Houston Person (tenor saxophone); Richard Wyands (piano); Peter Bernstein (guitar); John Webber (bass); Chip White (drums).
Recorded at M & I Recording Studios, New York, New York on June 21, 2001.
Includes liner notes by Sid Gribetz.
ETTA JONES SINGS LADY DAY was nominated for ...
| | Nancy Nelson Sweet And Low Down CD (2003) (Import) Import; Netherlands
Barbara Lusch
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| | Boz Scaggs Speak Low CD (2008)
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Personnel: Boz Scaggs (vocals, guitar); Carol Robbins (harp); Joyce Hammann, Laura Seaton (violin); Lois Martin (viola); Richard Locker (cello); Bob Sheppard (flute, bass flute, bass clarinet, soprano saxophone, tenor saxophone); Lawrence Feldman (alto flute); Aaron Heick, Lou Marini (bass flute); Gil Goldstein ...
| | Michael Musillami Glass Art CD (1993)
Barbara Lusch
$9.19
Personnel: Michael Musillami (guitar); Randy Brecker (trumpet, flugelhorn); Thomas Chapin (flute, alto saxophone); Kent Hewitt (piano); Ray Drummond (bass); Steve Johns (drums).
Recorded at Sound On Sound, New York on December 1, 1992. Includes liner notes by Matt Resnicoff.
All songs written by Michael Musillami.
Personnel: Michael Musillami (guitar); Thomas Chapin (alto saxophone, flute); Randy Brecker (trumpet, flugelhorn); Kent Hewitt (piano); Ray Drummond (bass); Steve Johns (drums).
Recorded at Sound On Sound Studios, New York, New York in December 1992. Includes liner notes by Michael Musillami.
Personnel: Michael Musillami (guitar); Thomas Chapin (flute, alto saxophone); Randy Brecker (trumpet, flugelhorn); Kent Hewitt (piano); Steve Johns (drums).
Liner Note Author: Matt Resnicoff.
Recording information: Sound on Sound, New York, NY (12/01/1992).
Illustrator: George Rothacker.
For part two of Michael Musillami's series of Playscape recordings, the guitarist's quintet becomes a sextet with the addition of trumpeter Randy Brecker. Pianist Kent Hewitt, drummer Steve Johns, and the late altoist Thomas Chapin all remain, while bassist Nat Reeves is replaced by Ray Drummond. The addition of trumpet allows Musillami to create arrangements of greater depth and complexity, most notably on the quick 3/4 tune "Shoeshine," which stretches to nearly 12 minutes. This remarkable piece begins with Musillami playing deft, swinging lines, backed only by Johns on brushes. Drummond then enters to set up a vamp, which introduces a marvelously intricate three-part melody involving Brecker on muted trumpet, Chapin on flute, and Musillami on guitar. From an orchestrational standpoint, this is a good deal more advanced than what one hears on Musillami's previous outing, Archives. There are similar nuances on the opening track, "GlassArt," where Musillami deploys the three melody instruments in such a way as to simulate sectional writing. "Cousin Jim" also finds Musillami reaching new ...
| | Depth Charge Spill CD (2006) (Import) United Kingdom
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| | Gerald Wilson In My Time CD (2005)
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| | Tailors Wakey Wakey CD (2007) (Import)
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| | Dungen 4 CD (2008) (Import) United Kingdom
Barbara Lusch
$11.09
Dungen: Gustav Ejsted.
Personnel: Gustav Ejstes (vocals, strings, flute, piano, percussion); Reine Fiske (guitar, percussion); Johan Holmegard (drums, percussion); Anna Jarvinen (background vocals).
Dungen is largely the brainchild of Swedish studio rat and multi instrumentalist Gustav Ejestes, who has used his finely honed producer's acumen and unerring nose for vintage sounds to create some of the most compelling rock albums to emerge from Europe in the 21st century. Since first gaining the attention with the multi-hued but hard nosed psychedelic rock of 2004's TA DET LUNGT, Ejestes has been painstakingly refining Dungen's sound, and opening the group to the contributions of other notable musicians.
The succinctly titled 4 draws from the baroque psychedelia that informed Dungen's early work, including such `60s touchstones as the Zombies and The PrettyThings, but also exhibits a restless creativity that allows for the absorption of more esoteric influences. The frantic improvisations of "Samtidigt 1" and "Samtidigt 2" recall the droning, jam band aesthetic of Kraut Rock acts like Amon Duul, while the careful harmonies of "Ingenting Ar Sig Likt" evoke the hippie idealism of David Crosby's IF I COULD ONLY REMEMBER MY NAME. 4, like the majority of Dungen's output, succeeds in presenting a compelling amalgamation of influences without sacrificing musical intensity or originality.
While Tio Bitar saw Gustav Ejstes relinquishing some of Dungen's instrumental duties to other musicians, specifically guitarist Reine Fiske, 4 is the closest he's come to employing a full-time band. The Swedish frontman confines himself to the piano and microphone this time around, only taking occasional stabs at flute and violin, while bassist Mattias Gustavsson and drummer Johan Holmegard join Fiske in creating Dungen's sonic stew. As before, the band brews up a nice mix of psychedelic rock, free jazz, and other vintage genres associated with mind expansion and counterculture ideals. The folk influence that peppered earlier releases isn't as prominent here, however, having been replaced by a newfound emphasis on piano. The instrument lends new, softer textures to several songs, especially when combined with washes of woodwinds and strings. "Marleras Finest," in particular, mixes piano-fueled jazz with vintage elevator music, ...
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