| | SGT Major Rich Creamery Butter CD SGT Major Discography of CDs
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Our Price: $11.09  CDFor Sale Usually ships in 1-2 days
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Rich Creamery Butter Music | List Price | $12.97 (You save $1.88) | | Category | Rock/Pop Albums, Rock CDs | | Label | Book | | CD Universe Part number | 6763898 | | Discs | 1 | | Release Date | Aug 03, 2004 |
SGT Major Rich Creamery Butter Songs | 1. | Erase You |
| 2. | Underneath It |
| 3. | A Battleship Called Greed |
| 4. | Drawing Board |
| 5. | Toward The Lamps |
| 6. | Guiding Light |
| 7. | Test Of Time |
| 8. | Cheaters |
| 9. | In The Garden |
| 10. | The World Inside |
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Rich Creamery Butter Review
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Purchase Rich Creamery Butter CD To buy, Click on price to add to cart | Adam Lambert For Your Entertainment CD (2009)
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With Adam Lambert, American Idol finally got a finalist who was completely, utterly contemporary, aware of what's hip in music and culture and aware of how music is made and consumed in 2009, never seeming to try to follow fads or set trends, just embodying the time. Mercifully, he came in second to Kris Allen, for if he came in first he may have had to tame his self-styled glamazon ways. A second place finish allowed Lambert to come out of the closet and indulge in his penchant for theater on his debut, For Your Entertainment -- which isn't quite the same thing as camp, for if Adam Lambert is anything, he's earnest about his dress-up, never winking at the audience because he doesn't think there's much funny about his glitter and mascara: that's just what pop stars are supposed to do. He's learned that by listening to his stacks of Queen and Bowie records, from watching old MTV videos on YouTube, from living in a present that always competes with the ever-present past, so he takes it all at face value, mixing up arena rock guitars, new wave, disco, operatic overdubs with a constant electro pulse, glassy modern R&B, and the vague Euro strains of new millennium teen pop. All this makes For Your Entertainment very, very ...
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Track Listing of songs: DISC 1: JANUARY 17, 1970 FIRST SHOW: Start Of Show; Roadhouse Blues; Ship Of Fools; Break On Through; Tuning/Breather; Peace Frog; Blue Sunday; Alabama Song; Back Door Man; Love Hides; Five To One; Tuning/Breather; Who Do You Love; Little Red Rooser; Money; Tuning/Breather; Light My Fire; More, More, More; Soul Kitchen; End Of Show; DISC 2: JANUARY 17, 1970 SECOND SHOW: Start Show 2; Jim "How Ya Doing?"; Roadhouse Blues; Break On Through (To The Other Side); Ship Of Fools; Crawling King Snake; Alabama Song; Back Door Man; Five To One; Pretty Neat, Pretty Good; Build Me A Woman; Tuning/Breather; Who Do You Love; Tuning/Breather; Wild Child; Cheering/Tuning; When The Music's Over; DISC 3: JANUARY 17, 1970 SECOND SHOW CONTINUED: Tuning/Breather; Light My Fire; Hey, Mr. Light Man!; Soul Kitchen; Jim's Fish Joke; End, The; End Of Show; DISC 4: JANUARY 18, 1970 THIRD SHOW: Start Show; Roadhouse Blues; Ship Of Fools; Break ...
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| | Johnny Hallyday Insolitudes CD (1973) (Import) France
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| | Brian Setzer Nitro Burnin' Funny Daddy CD (2003) Bonus CD
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Brian Setzer deserves his due for continually shuffling the stylistic deck. Renowned for the greased-up rockabilly of his breakthrough band, the Stray Cats, Setzer went on to roots-rock solo albums and, in the 1990s, his popular ...
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| | Alias & Tarsier Brookland/Oaklyn CD (2006)
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$12.95 (MP3 Available for Download)
It's really hardly a surprise that Alias has delved completely into indie electronica/trip-hop. 2005's Lillian, made with his brother Ehren, was practically one ambient soundscape, and Muted, the album that spawned the collaboration between himself and singer Tarsier, was all but void of its Anticon alternative hip-hop connotations. But perhaps that's what Alias is trying to do, anyway: dispel connotations. Yes, he's a hip-hop producer, and yes he's a rapper, but he's also interested in lush, layered atmospheric instrumentals, both organic and synthesized, that blend and contrast with one another like the colors on painter's palette. And what he and Tarsier do on Brookland/Oaklyn is exactly that. There aren't so much songs on the record as explorations of movement, thought, and mood. Keyboards come together with distorted guitars, muddy trip-hop beats meet violins. Tarsier's voice, which often takes a kind of Björk-like haunt, fits smoothly with the tracks that Alias has laid down. It's often clear and smooth, alluding to loneliness and regret, but Alias as producer doesn't hesitate to distort and echo the vocals, putting the singer in the bottom of a well, at the end of a long telephone line, or deep under the earth in a large cave. The idea of space may be the most interesting part of Brookland/Oaklyn, ...
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