| | Wes Montgomery Trio CD Wes Montgomery Discography of CDs
(1 Customer Review)
This is a hybrid Super Audio CD playable on both regular and Super Audio CD players.
While even label executive Orrin Keepnews admits that The Wes Montgomery Trio may have fallen short of representing Montgomery's talent, he still felt that this debut captured a large portion of it. Recorded on October 5 and 6 in 1959, guitarist Montgomery is joined by organist Melvin Rhyne and drummer Paul Parker. Montgomery's style, block chords and octaves, is already firmly in place, and he delivers lovely solos on "'Round Midnight," "Whisper Not," and "Satin Doll." The choice of material, in fact, from classics like "Yesterdays" to originals like Montgomery's "Jingles," never falters. The only drawback is that the accompaniment, which though solid, doesn't seem to perfectly match his guitar style. One gets the impression that Montgomery's forceful, deliberate style would be better-served by beefier arrangements. Having said this, Montgomery's performance -- coming at the end of a decade represented by guitarists like Tal Farlow and Barney Kessel -- was a revolution in technique and execution. Suddenly, out of nowhere, a 36-year-old guitarist re-imagines the jazz guitar solo. There are two bonus tracks on The Wes Montgomery Trio: extra takes of "Satin Doll" and "Missile Blues." Although later Riverside recordings of Montgomery are more fully realized, fans will enjoy returning to the moment when he first burst upon the jazz scene. [The album appeared again in 2004, newly remastered and with bonus tracks intact.] ~ Ronnie D. Lankford, Jr.
Wes Montgomery: Wes Montgomery (guitar); Melvin Rhyne (organ); Paul Parker (drums).
Liner Note Author: Orrin Keepnews.Down Beat (1960) - 4 Stars - Very Good - "..On the basis of Montgomery's work this would be a 5-star LP, but unfortunately the rest of the trio does not measure up to his standard, and the final effect is just short of that.." **Super Audio CD (SACD) Hybrid** This CD will play in standard CD players. A Super Audio CD player is required to take advantage of the SACD sound technology. Wes Montgomery Trio Music Wes Montgomery Trio Songs | 1. | 'Round Midnight | $0.99 | |
| 2. | Yesterdays | $0.99 | |
| 3. | End of a Love Affair, The  | |
| 4. | Whisper Not | $0.99 | |
| 5. | Ecaroh | $0.99 | |
| 6. | Satin Doll - (Take 5, bonus track) | |
| 7. | Satin Doll | $0.99 | |
| 8. | Missile Blues - (Take 5, bonus track) | |
| 9. | Missile Blues | $0.99 | |
| 10. | Too Late Now  | $0.99 | |
| 11. | Jingles | $0.99 | |
| Wes Montgomery Trio Music Wes Montgomery Trio Music Review Buy Wes Montgomery Trio CD Purchase Wes Montgomery Trio CD To buy, Click on price to add to cart | Chet Baker In New York CD (1958) SACD Hybrid
Wes Montgomery Trio
$16.05 Digitally remastered by Joe Tarantino (1988, Fantasy Studios, Berkeley, California).
This is a hybrid Super Audio CD playable on both regular and Super Audio CD players.
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This historic 1957 session, beginning with Monk's favorite hymn ("Abide With Me") and ending with the composer's most affecting ballad ("Crepescule With Nellie"), functions as an overview of his career. As such, MONK'S MUSIC, Thelonious' fifth album for the Riverside label, is a shot across the bow of the hard bop movement.
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Wes Montgomery Trio
$16.05 Recorded in New York, New York on January 25 & 27, 1960. Originally released on Riverside (1167). Includes liner notes by Orrin Keepnews.
Digitally remastered by Phil De Lancie (1989, Fantasy Studios, Berkeley, California).
This is a hybrid Super Audio CD playable on both regular and Super Audio CD players.
This CD reissue brings back a near-classic by cornetist Nat Adderley. Utilizing a cornet-cello-guitar front line (with Sam Jones and Wes Montgomery) along with a top-notch rhythm section (pianist Bobby Timmons, Percy Heath, or Keter Betts on bass and drummer Louis Hayes), Adderley performs a fine early version of his greatest hit ("Work Song") and helps introduce Cannonball Adderley's "Sack O' Woe." ...
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$17.95 This 50-song collection contains everything that's on Rhino Records' single-CD Gene Pitney compilation, plus a lot more, and all of it is in release order, but it's got more than just excellent music -- the producers interviewed Pitney for the jacket notes, and he basically walks you through the history of each song and the background on how it came to be recorded and released. It's easy to dismiss Pitney as an early-'60s phenomenon, and it is true that his most well-remembered and influential singles came out of that period, up through 1965, but as this set and the interview remind you, he continued to chart records in the United States until the end of the decade, albeit on the low end of the charts, and was making a much bigger splash in Europe and elsewhere during that same period, regularly making the Top Ten in England. This two-CD set gives you a step-by-step account of the progress and changes in Pitney's career across an entire decade and more, and offers listeners a chance to catch up on singles that they may well have missed at the time. Pitney was never less than a powerful singer, even when American pop music moved in a direction that made that talent seem less than essential or cutting edge -- squeezed somewhere between the rock and pop world after the mid-'60s, he made superb records that simply couldn't get picked up on enough radio play lists to make an impact in America. This collection restores all of it to availability, in excellent sound, and ends with his 1988 chart comeback "Something's Gotten Hold of My Heart," cut with Marc Almond -- originally a 1967 single that made it to number five in England, the new version put him back in the number one spot 21 years later. Between all of that and a list price of well under 20 dollars, this is a ...
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Wes Montgomery Trio
$15.95 Recorded in New York, New York on January 21, 1949; WOR Studios, New York, New York on May 9, 1952 and April 20, 1953; the Van Gelder Studio, Hackensack, New Jersey on March 6, 1954 and March 9, 1958.
Recorded between 1945 & 1986. Includes liner notes by Bob Blumenthal.
Davis spent the most groundbreaking years of his career on Columbia; volume eight of that label's "This Is Jazz" series offers a survey, however inherently limited, of his work from 1955 to 1965, a period that covers his two classic quintets, the recording of KIND OF BLUE and his first work with Gil Evans. What THE BEST OF MILES DAVIS includes is material from BIRTH OF THE COOL, represented by three cuts from that LP, and from sessions done between 1952 and 1954 that featured musicians like J.J. Johnson, Jackie McLean, Jimmy Heath, Percy Heath and Art Blakey. It's an interesting period, in that neither Blue Note nor Davis had quite developed into the icons they were about to become. Ironically, with the final two cuts on this collection (from 1959's SOMETHING ELSE), both the label and Miles
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