Very Best of Alan Jackson CD

Very Best of Alan Jackson songs THE VERY BEST OF includes a 46-page booklet with pictures and track information. "Hole In The World" was nominated for the 2004 Grammy Award for Best Pop Performance By A Duo Or Group With Vocal. The Eagles' founders Don Henley and Glenn Frey were forthright in their desire to bring then-emerging country rock to new heights of commercial success. Formed in Los Angeles in 1971, they learned from their observations of the scene around them, and subsequently took their music to the top of the charts. They stayed there throughout the '70s, becoming synonymous with the sound of Southern California rock. The band's first hit was with a song by Jackson Browne, and their first album also included a cover of "Ol' 55" by Tom Waits, but the bulk of the material they're known for was penned by Henley and Frey. This two-disc set wisely expands the original VERY BEST OF collection with important album tracks that have also long been band staples and favorites (such as the aforementioned Waits tune and a number of other songs from their pre-platinum first three releases). As is often the common industry-wide practice, there's also a new song, "Hole in the World." A 2-CD retrospective from the multiplatinum superstars whose 1976 "Greatest Hits" is the #1 album of all time! Special Limited Edition bonus DVD included with a music video, outtakes from the video and backstage pass to Farewell 1. Initial pressings included a bonus DVD. Recorded between 1972 & 2003. The Eagles: Bernie Leadon (vocals, guitar, slide guitar, pedal steel guitar, banjo, mandolin); Don Felder (vocals, guitar, slide guitar, steel guitar, keyboards); Glen Frey, Joe Walsh (vocals, guitar, slide guitar, keyboards); Randy Meisner (vocals, guitar, guitarron, bass); Don Henley (vocals, drums, percussion); Timothy B. Schmit (vocals, bass). Producers: Glyn Johns, Bill Szymczyk, Eagles, Elliot Scheiner, Rob Jacobs. Compilation producer: The Eagles. Eagles: Don Felder (vocals, guitars, slide guitar, steel guitar, keyboards); Bernie Leadon (vocals, guitars, slide guitar, pedal steel guitar, banjo, mandolin); Glenn Frey, Joe Walsh (vocals, guitars, slide guitar, keyboards); Randy Meisner (vocals, guitarron, bass guitar); Timothy B. Schmit (vocals, bass guitar); Don Henley (vocals, drums, percussion). Additional personnel: Steuart Smith (electric guitar); Al Perkins (pedal steel guitar); David Sanborn (alto saxophone); Jim Ed Norman, Willie Hollis ...

Very Best of Alan Jackson buy CD music Loosely inspired by the time-honored Disney theme-park ride, PIRATES OF THE CARIBBEAN: THE CURSE OF THE BLACK PEARL is a swashbuckling high-seas tale directed by Gore Verbinski. When Captain Jack Sparrow (Johnny Depp), an eccentric rogue, arrives at Port Royal, he barely avoids going down with his ship. Soon enough, he's in the market for a new one, but not before he saves the life of Elizabeth Swann (Keira Knightley), the beautiful daughter of the governor (Jonathan Pryce). This act of bravery sets into motion a sweeping adventure involving Elizabeth's childhood friend, blacksmith Will Turner (Orlando Bloom); a mysterious medallion; and a legendary pirate ship, the Black Pearl. The Pearl's mottled Captain Barbossa (Geoffrey Rush) wants Elizabeth's doubloon necklace, and when she's kidnapped by the ol' salty dog and his crew, Sparrow and young Will must rescue her and find out the truth behind the ship's curse. Verbinski's PIRATES is a welcome throwback to Hollywood offerings of yesteryear, filled with rope-swinging heroes, crusty villains, treasure hoards, swift swordplay, and even wittier wordplay. Screenwriters Terry Rossio and Ted Elliott have crafted one of the most clever action-movie scripts in many moons, and this gives the filmmakers and cast (especially Depp) plenty of room to cut loose. Although the skeletal pirates may be a bit frightening for small children, there's lots of humor to temper the scary moments, making PIRATES OF THE CARIBBEAN: THE CURSE OF THE BLACK PEARL a nearly flawless fun film. Johnny Depp, Geoffrey Rush, Orlando Bloom and Keira Knightley star in this action adventure. The 2-disc DVD set features deleted scenes, outtakes and audio commentary with Johnny Depp.

Very Best of Alan Jackson album for sale From the early 1980s onward, there's been no greater champion of traditional country-music values in the mainstream (and none more successful) than George Strait. Like a virtual Ramones of country, he's remained unshakeable in his devotion to a straightforward, no-frills aesthetic of which he's become the unquestioned standard-bearer. This populist stance has accordingly resounded with huge numbers of listeners; if you thought it was impressive when Alabama released a hits collection containing 40 Number One country hits, try Strait's 50 NUMBER ONES on for size. In keeping with Strait's singular approach, the passage of time is difficult to notice here. From the wistful 1982 lost-love tale "Fool Hearted Memory" to the one new song, 2004's "I Hate Everything," Strait's amiable mix of honky-tonk, Western Swing, and bar-room ballads is remarkably consistent, providing the perfect framework for each sentiment just as comfortably as his warm, inviting voice serves the songs. Unlike many artists' best-of collections, there's no chronological peak beyond which the hits stop coming; 50 NUMBER ONES contains just as many latter-day smashes as early chart-toppers, a testament to the remarkable staying power and clarity of vision that make George Strait a star. Liner Note Authors: George Strait; Michael McCall. Photographers: Jarrett Gaza; Mark Tucker .

Very Best of Alan Jackson CD music Initial pressings of GREATEST HITS VOLUME 2 included a bonus CD. "It's Five O'Clock Somewhere" won the 2004 Grammy Award for Best Country Song. The song was also nominated for Best Country Collaboration With Vocals. Anyone who earns a second volume of GREATEST HITS has obviously learned a thing or two about staying power and consistency of artistic vision. Such is the case with Alan Jackson, who appeared in the 1990s as mainstream country's alternative to the dominance of King Garth. His sound was still eminently accessible, but the faux-Springsteen drama of Kiss fan Garth's rock manque was eschewed for a more roots-oriented (though hardly traditionalist) sound. Things kick off nicely with the Cajun-flavored smash "Little Bitty," then giving way to the introspective, fiddle-laced country ballad "Everything I Love." Along the way, there's the pleasantly chugging, upbeat "It Must Be Love," the much-publicized post-9/11 song "Where Were You (When the World Stopped Turning)," thankfully absent of Toby Keith's contemporaneous jingoistic rancor, and the Jimmy Buffett-assisted party anthem "It's Five O' Clock Somewhere." Add a couple of unreleased tracks and a bonus disc of more obscure material, and you've got as good an introduction to Jackson's work as his first GREATEST HITS COLLECTION. Additional Tracks Recorded at Emerald Entertainment's Tracking Room, The Sound Station, East Iris, Nashville, Tennessee; Shrimpboat Sound, Key West, Florida; McClear Digital, Toronto, Canada. Personnel: Alan Jackson (vocals, guitar); Jimmy Buffett (vocals); Bruce Watkins, Greenwood Hart (acoustic guitar); Brent Mason (electric guitar); Paul Franklin, Lloyd Green (steel guitar); Stuart Duncan (mandolin, fiddle); Hargus "Pig" Robbins (piano); Glenn Worf (electric bass); Eddie Bayers (drums); Eric Darken (percussion); John Wesley Ryles (background vocals).

Very Best of Alan Jackson buy CD music Country music star Alan Jackson presents a first volume of his greatest video hits with this collection. Among the standout tracks are "Little Bitty," "It's Five O'Clock Somewhere," and "It's Alright to be a Redneck." Standard Screen; Soundtrack English

Very Best of Alan Jackson songs In the tradition of singers such as Wanda Jackson and Tanya Tucker comes Gretchen Wilson, a self-proclaimed hard-living trailer-park inhabitant with country-rock attitude to spare. The pleasant surprise with Wilson is that, in stark contrast to the streamlined country-pop of Shania Twain and Faith Hill, she doesn't mind getting a bit dirty (musically or otherwise). Though her grassroots ethos clearly plays into her success, it's not a pose: Wilson means what she says, and her country twang, mixed with roots and mainstream rock, packs a punch. HERE FOR THE PARTY alternates between songs about rural, working-class nightlife (particularly Wilson's love of cowboys, whiskey, and, of course, country music) and its trials and tribulations (romantic heartache and spiritual struggle). The runaway single, "Redneck Woman," waves the banner of the "four-wheel-drive tailgate" and standing "barefoot in my own front yard with a baby on my hip." But where the anthemic choruses of songs such as "Here for the Party" are all bravado, "Holdin' You" and "The Bed" show the vulnerability of a dedicated and jilted lover, respectively. Wilson's range (listen to the gospel-derived "Chariot," complete with a mid-song rap) impresses, and adds to the appeal of a down-home girl that can rip up the honky-tonk and belt out a heartfelt ballad. Recording information: Sony; Tree Studios, Nashville, TN. Photographers: Michael Penner; Glen Rose. Personnel: Gretchen Wilson (background vocals); Gretchen Wilson (vocals); Russ Pahl (guitar, steel guitar, lap steel guitar, banjo); John Rich (acoustic guitar); Michael Rhodes , Mike Brignardello (baritone guitar, bass guitar); Reese Wynans, Steve Nathan (piano, Hammond b-3 organ); Gale West, Joe Scaife, Angela Primm, Wes Hightower, Big Kenny (background vocals); John Willis (acoustic guitar); Kenny Greenberg, Tom Bukovac (electric guitar); Al Anderson (gut-string guitar); Larry Franklin (mandolin, fiddle); Greg Morrow (drums, percussion); Eric Darken (percussion). Audio Mixer: Bart Pursley.