| | Jamie Baum Moving Forward, Standing Still CD Jamie Baum Discography of CDs
A huge step forward from her already impressive 1997 debut, Jamie Baum's third album as a leader is simply outstanding. Baum's mixture of influences ranges from modern classical composers like Béla Bartók, whose commingling of Eastern European folk melodies and diaphanous romanticism is wittily updated on the punningly titled "Bar Talk," to '50s cool jazz masters like Gil Evans and Dave Brubeck. The opening "All Roads Lead to You" combines the two strains, in an unforced updating of the now largely moribund subgenre known as third stream. Baum was a student at the New England Conservatory of Music, and her music occasionally recalls that of NECM faculty members Ran Blake and Jaki Byard, but with a livelier rhythmic sense, best heard on "In the Journey," which sets a cyclical main figure that would not sound out of place on a '70s Philip Glass record against a funky Latin beat. That sense of musical freedom, an unwillingness to limit herself simply to staid through-composed pieces, post-bop jazz classicism, or free improv experimentalism, but to mix and match the elements that suit her needs on a piece-by-piece basis, is what sets Baum apart from many of her peers, and what makes Moving Forward, Standing Still an immensely satisfying, exciting listen. ~ Stewart Mason
Jamie Baum: Jamie Baum; Doug Yates (bass clarinet, alto saxophone); Drew Gress (double bass); George Colligan, Jeff Hirshfield, Ralph Alessi, Tom Varner.
Personnel: Jamie Baum (flute, alto flute); Doug Yates (bass clarinet, alto saxophone); Ralph Alessi (trumpet, flugelhorn); Tom Varner (French horn); George Colligan (piano, electric piano); Jeff Hirshfield (drums).
Audio Mixer: Paul Wickliffe.
Liner Note Author: Frank Tafuri.
Author: Igor Stravinsky.
Editor: Paul Wickliffe.
Photographer: Frank Tafuri. Moving Forward, Standing Still Music Jamie Baum Moving Forward, Standing Still Songs | 1. | All Roads Lead to You |
| 2. | Spring Rounds |
| 3. | In the Journey |
| 4. | Clarity |
| 5. | Medley: From Scratch/Primordial Prelude |
| 6. | South Rim |
| 7. | Central Park |
| 8. | Bar Talk |
| 9. | Spring |
| 10. | Rivington Street Blues |
|
Moving Forward, Standing Still Review
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Recorded live at the Umbria Jazz Winter Festival, Museo Emilio Greco, Orvieto, Italy on December 3, 1998.
Recorded live at NDR Radio Studios, Hamburg, Germany on October 29, 1998.
Recorded live at the Montreaux Jazz Festival, Montreaux, Switzerland on July 10, 1996.
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On February 9, 1953, Dizzy Gillespie played a live concert at the Salle Pleyel in Paris that was recorded, though when excerpts were first released, there were only enough used to fill one 10" LP. This two-disc set not only includes the entire 84-minute show (which actually fills just over one disc) for the first time on CD, it also adds 16 studio tracks that Gillespie cut in Paris that same month, as well as eight Gillespie-less studio tracks (also done in Paris in February 1953) by three of his sidemen, working under the name the Wade Legge Trio. It's the live Salle Pleyel set that's the main feature, presented here, according to the liner notes, in an "unedited remastered version of that evening's events with a number of butchered solos fully restored plus the addition of [alto and baritone saxophonist] Bill Graham's previously discarded showcase "'I Don't Stand a Ghost of a Chance,'" for which Dizzy made a rare appearance on piano."
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