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Baum, Jamie - Moving Forward, Standing Still CD Cover Art
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Jamie Baum Moving Forward, Standing Still CD

 Jamie Baum Discography of CDs

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Jamie Baum: Jamie Baum; Doug Yates (bass clarinet, alto saxophone); Drew Gress (double bass); George Colligan, Jeff Hirshfield, Ralph Alessi, Tom Varner.
Personnel: Jamie Baum (flute, alto flute); Doug Yates (bass clarinet, alto saxophone); Ralph Alessi (trumpet, flugelhorn); Tom Varner (French horn); George Colligan (piano, electric piano); Jeff Hirshfield (drums).
Audio Mixer: Paul Wickliffe.
Liner Note Author: Frank Tafuri.
Author: Igor Stravinsky.
Editor: Paul Wickliffe.
Photographer: Frank Tafuri.
A huge step forward from her already impressive 1997 debut, Jamie Baum's third album as a leader is simply outstanding. Baum's mixture of influences ranges from modern classical composers like Béla Bartók, whose commingling of Eastern European folk melodies and diaphanous romanticism is wittily updated on the punningly titled "Bar Talk," to '50s cool jazz masters like Gil Evans and Dave Brubeck. The opening "All Roads Lead to You" combines the two strains, in an unforced updating of the now largely moribund subgenre known as third stream. Baum was a student at the New England Conservatory of Music, and her music occasionally recalls that of NECM faculty members Ran Blake and Jaki Byard, but with a livelier rhythmic sense, best heard on "In the Journey," which sets a cyclical main figure that would not sound out of place on a '70s Philip Glass record against a funky Latin beat. That sense of musical freedom, an unwillingness to limit herself simply to staid through-composed pieces, post-bop jazz classicism, or free improv experimentalism, but to mix and match the elements that suit her needs on a piece-by-piece basis, is what sets Baum apart from many of her peers, and what makes Moving Forward, Standing Still an immensely satisfying, exciting listen. ~ Stewart Mason
Moving Forward, Standing Still Music


Detailed Moving Forward, Standing Still Music Information



Category Rock/Pop Albums, Jazz Instrument CDs, Flute, Jazz
Label Omnitone
Orig Year 2004
All Time Sales Rank   155114  
CD Universe Part number 6766173
Discs 1
Release Date Apr 01, 2005
Studio/Live Studio
Mono/Stereo Stereo
Producer Jamie Baum; Richard DeRosa
Engineer Paul Wickliffe
Jamie Baum Moving Forward, Standing Still Songs


Jamie Baum Moving Forward, Standing Still Album Track Listing



Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample1.All Roads Lead to You
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample2.Spring Rounds
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample3.In the Journey
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample4.Clarity
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample5.Medley
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample6.South Rim
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample7.Central Park
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample8.Bar Talk
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample9.Spring
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample10.Rivington Street Blues

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Includes liner notes by Patrice Trapier.
SOLO:
Solo performer: Richard Galliano (accordion).
Engineer: Gianni Grassilli.
Recorded live at the Umbria Jazz Winter Festival, Museo Emilio Greco, Orvieto, Italy on December 3, 1998.
DUO:
Personnel: Richard Galliano (accordion); Michel Portal (clarinet).
Recorded live at NDR Radio Studios, Hamburg, Germany on October 29, 1998.
TRIO:
Personnel: Richard Galliano (accordion); Jean-Francois Jenny-Clark (bass); Daniel Humair (drums).
Engineer: Emmanuel Guyot.
Recorded live at the Montreaux Jazz Festival, Montreaux, Switzerland on July 10, 1996.
For those unfamiliar with accordionist Richard Galliano, this set is a rare kind of introduction to the man who, inspired by the late Astor Piazzolla, redeemed the accordion as an instrument for improvisation. This three-CD collection will delight fans, all of whom have favorite settings in which to hear Galliano play. There are three of them here: solo, duo, and trio. The solo set is perhaps the most revelatory: one complete concert in Orvieto, Italy, at the foot of the mountains on New Year's Eve, 1998. Here is where Galliano's particular genius and discipline reveal their magic. This is how his New Musette form of music was developed -- playing to himself in a mirror. The swinging harmonic phrases and melodic lines, at sometimes dizzying tempos, are entrancing as he stops and starts on a dime, gliding ...

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On February 9, 1953, Dizzy Gillespie played a live concert at the Salle Pleyel in Paris that was recorded, though when excerpts were first released, there were only enough used to fill one 10" LP. This two-disc set not only includes the entire 84-minute show (which actually fills just over one disc) for the first time on CD, it also adds 16 studio tracks that Gillespie cut in Paris that same month, as well as eight Gillespie-less studio tracks (also done in Paris in February 1953) by three of his sidemen, working under the name the Wade Legge Trio. It's the live Salle Pleyel set that's the main feature, presented here, according to the liner notes, in an "unedited remastered version of that evening's events with a number of butchered solos fully restored plus the addition of [alto and baritone saxophonist] Bill Graham's previously discarded showcase "'I Don't Stand a Ghost of a Chance,'" for which Dizzy made a rare appearance on piano."
This might not have been Gillespie's best band, or Gillespie's very best period; those honors probably belong to the work he did in the mid- to late '40s. Still, Gillespie close to his best -- as he is here -- is very good indeed, as is the sound quality of this concert recording. The program mixes some of the more well-known tunes identified with Dizzy ("Ooh-Shoo-Be-Doo-Be," "Swing Low, Sweet Cadillac") with some standards (including no less than four songs written or co-written by George Gershwin and Ira Gershwin). On one of those Gershwin tunes, "Embraceable You," there's also a surprise vocal by Sarah Vaughan -- not a member of Gillespie's band at the time, but a fellow jazz star "who just happened to be in the building," according to the liner notes.
The first ten of the 16 Gillespie-led studio tracks -- in which ...

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