| | Deep Blue Organ Trio Deep Blue Bruise CD Deep Blue Organ Trio Discography of CDs
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Organist Chris Foreman is a Chicago legend who Peter Margasak of The Chicago Reader called "Chicago's most exciting and under-recorded organist." Guitarist Bobby Broom is featured on this CD -- his bio lists Sonny Rollins, Miles Davis and Dr. John as pre
Deep Blue Organ Trio: Chris Foreman (Hammond b-3 organ); Greg Rockingham (drums); Bobby Broom.
Personnel: Bobby Broom (guitar).
Liner Note Author: Bob Porter.
Recording information: Riverside Studio, Chicago, IL (04/12/2004-04/14/2004).
Photographer: Frank Warren.
Philadelphia jazz singer Lou Lanza had an excellent point when he asserted that jazz improvisers who ignore rock and R&B songs "are cutting themselves off from a lot of worthwhile material." Lanza wasn't suggesting that jazz artists should totally give up the Tin Pan Alley standards they've been performing all these years -- actually, he's done plenty of Cole Porter and Irving Berlin gems himself -- but he was saying that if you're going to use popular songs as vehicles for jazz expression, there is no reason not to interpret Sting, Billy Joel or Prince along with Harry Warren and George Gershwin. And if Deep Blue Bruise is any indication, the members of the Deep Blue Organ Trio -- leader/organist Chris Foreman, guitarist Bobby Broom and drummer Greg Rockingham -- feel the same way. While Deep Blue Bruise is definitely an album of instrumental jazz, only a few of the songs on this soul-jazz/hard bop/post-bop disc were actually written as jazz instrumentals. Joe Henderson's "Granted" and Broom's exuberant title track were jazz instrumentals from birth, but most of the songs on this 2004 date started out in popular music -- and that is true of "Polka Dots and Moonbeams" and "These Foolish Things" (both from Tin Pan Alley) as well as Prince's "Raspberry Beret," the Doors' "Light My Fire" and Earth, Wind & Fire's "Can't Hide Love." What the Deep Blue Organ Trio does to these songs isn't smooth jazz or NAC music; this is a passionate, hard-swinging organ combo in the Jimmy Smith/Richard "Groove" Holmes/Shirley Scott/Jack McDuff tradition, and a real improviser's mentality prevails whether the Chicago threesome is tackling Ervin Drake's "It Was a Very Good Year" or the Isaac Hayes tune "Café Regio's." Although not innovative by 21st century standards, Deep Blue Bruise is a satisfying, noteworthy effort that die-hard Hammond B-3 enthusiasts will appreciate. ~ Alex Henderson
Deep Blue Organ Trio Deep Blue Bruise Songs Deep Blue Bruise Music Review Purchase Deep Blue Bruise CD To buy, Click on price to add to cart | Mike LeDonne Smokin' Out Loud CD (2004)
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Additional Tracks
| | Fall Room To Live CD (2002)
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Reissue of their 1998 album, remastered and featuring 2 bonus tracks taken from rare withdrawn Kamera single 'Marquis Cha Cha' & 'Papal Visit'. Cog Sinister. 2002.
This 1998 reissue contains bonus tracks.
The Fall: Brixe Smith, Craig Sanlon (vocals, guitar); Mark E. Smith (vocals, violin, piano); Karl Burns (bass, drums); Steve Hanley (bass); Paul Hanley (drums).
Recorded ...
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| | Sondre Lerche Two Way Monologue CD (2004) (Import) Bonus Track; Japan
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Japanese edition of the Norwegian indie rocker's sophomore album includes one bonus track 'Johny Johny Ooh Ooh'. Copy Controlled. 2004.
Personnel: Sondre Lerche (vocals, acoustic & electric guitars, glockenspiel, bass, percussion, programming); Kato Adland (acoustic & electric guitars, organ, samples); Reid Gilje (trumpet); Sindre Dalhaug (trombone); HP Gundersen (piano, Fender Rhodes piano, organ, background vocals); Erik Halversen (piano); Jorgen Traeen (keyboards); Erik Berg (vibraphone); Ole Ludvig Kruger (drums, shaker); Leslie Ahern (background vocals).
Producers: Jorgen Traeen, HP Gundersen, Sondre Lerche.
Japanese edition features one bonus track.
Sondre Lerche's first album, Faces Down, was bursting with promise. Two Way Monologue fulfills that promise and then some. Right from the beginning of the first song ("Love You" (a brief instrumental that hints at things to come with a sunbursting string arrangement and beautiful chords stacked together like bunches of flowers), it is clear that Lerche has lost some of the ...
| | Merrol Ray Stanley CD (2009)
Deep Blue Bruise
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Small towns and blue collars have given rise to more aspiring songwriters than space or time allows most of us to explore. But when it comes to sifting through the various offerings, what speaks to most fans is music that is honest, gut-wrenching, born of highs and lows revealing a real-world understanding.Merrol Ray is one of those Texas voices and personalities so flavored by his past that most folks have at least heard of him before they hear him sing. His name is synonymous with northeast Texas music - so much so that most everyone refers to him by both his first and last moniker. It's not just "Merrol" - it's Merrol Ray.As Texas clichés go about those born and bred here, Merrol is larger than life with a voice that bellows a soothing but captivating tone. "I used to go in where Merrol Ray used to work, and you could always hear him from anywhere in the store," says friend and fellow musician Wendy McNeal. His voice is unmistakable.That voice finds its inspiration in mainly rock and southern rock, a little punk and metal from his "awareness" teen years in the early-to-mid 1980s, plus honest (did I use that word again?) Americana country. Merrol's "desert island" CD list includes Zeppelin, Skynyrd, and Chris Knight."I used to sit and listen to my mother's records, like Buddy Holly and the Buck Owens Christmas albums. I distinctly remember studying Creedence Clearwater Revival's 'Cosmos Factory' album cover dreamin' of those guitars and amps and how cool it all was. I couldn't have been more than five-years-old," Merrol says.Of his influences (dead or alive), Merrol Ray would most like to play with Hendrix and write with David Gilmour. " 'Time' by Pink Floyd is probably the greatest song ever written. The way it builds is genius and the meaning of the song hits home, I don't care who you are."Having recorded or shared the stage with Dan Baird (Georgia Satellites), Shooter Jennings and Pure Prairie League to name a few, Merrol said the band he played with that rubbed off on him the most was Back Porch Mary. "They're just bad, man. You gotta see 'em live!"Blossom, Texas, in the late 1970s to mid 80s was little more than a stoplight, hardware store, open-air produce market and a school. But his experiences growing up there, son and descendant of a "long line of feedmill workers" (as he recounts on "Bloodline") made him who he is today."There wasn't much else to do except during sports season. And if somebody was a musician or even had a guitar, Blossom was so small you knew about it. Even though I did like most kids and couldn't ...
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