| | Para Diso Paradise II Paranoia CD Para Diso Discography of CDs
Jean-Paul "Bluey" Maunick of Incognito collaborated with his son Daniel "Venom" Maunick to produce a an album aimed directly at techno clubbers.
Para Diso is a side project for Jean-Paul 'Bluey' Manuick of Incognito, working with his son Daniel Maunick aka Venom. The album draws from a wealth of influences. With guest vocals from ex-Galliano singer Valerie Etienne, Niki King and Tommy Blaize, it features break-beat syncopations and abstract fusions from a new jazz era. 11 tracks. Dome. 2004. Paradise II Paranoia Music Para Diso Paradise II Paranoia Songs | 1. | Paradise II Paranoia |
| 2. | All About U |
| 3. | Waiting |
| 4. | Sune 2 Shine (Ft Valerie Etienne) |
| 5. | Eden |
| 6. | Right Is Right (Ft Niki King) |
| 7. | Black Orchid |
| 8. | Snowblind |
| 9. | Let Yourself Go |
| 10. | Connexion |
| 11. | Vanishing Point |
| 12. | Sweet Rain |
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Paradise II Paranoia Review
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Purchase Paradise II Paranoia CD To buy, Click on price to add to cart | Justin Bieber My World CD (2009) Enhanced CD
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On THE BLUEPRINT 3, still unretired Jay-Z announces "the only rapper to rewrite history without a pen." It's a standard Jigga boast, but the Brooklyn icon has earned the bragging by backing it up, particularly on his gold-label, top-shelf BLUEPRINT series. Ever-ready for battle, Jay-Z takes on autotune, crossover radio, and many other hip-hop concerns with the gloriously jagged rap elan for which he's become known.
When Jay-Z first made a series out of his best album, 2001's The Blueprint, it became a game of high expectations. The first volume saw Jay-Z as vital as he'd ever been, storming back ...
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Annie ran into some obstructions on the way to the release of her second album. Don't Stop was supposed to come out on Island well over a year before it was finally issued on Norway's Smalltown Supersound; Island had gone as far as releasing "I Know UR Girlfriend Hates Me" as a single and video, as well as a cover of Stacey Q's "Two of Hearts" as a ...
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| | Rosanne Cash Right Or Wrong/Seven Year Ache CD (2001) (Import) Australia
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The issue of Rosanne Cash's first two Columbia albums in a single package is not only a listening delight, it's more importantly a historical document. In the same way archivists go back to finds the roots of certain evolutions in earlier strains of country music, these two records will be marked undoubtedly as the turning point from the countrypolitan and outlaw sounds of the late '70s to the fusion of country music with modern pop styles that could crossover and reach audiences on both sides of the country music divide. It also marked the resurgence of the female singer/songwriter that the music hadn't seen since the late '50s through the mid-'60s. Right or Wrong is Cash's first collaboration with her husband and producer, Rodney Crowell. Formerly a member of Emmylou Harris's Hot Band, he recruited Emmylou's crew for this project and picked Los Angeles as the site; Cash chose songs based on their merit as songs rather than as country-potential country records. Consequently, writers such as Keith Sykes, Karen Brookes, Gary P. Nunn, and (at least on the British version) Lennon and McCartney got shots at the mainstream country charts. In addition, Cash and Crowell both honed their songwriting skills specific to her voice and delivery style, to the point where on Seven Year Ache they scored with three number one singles and a Top Ten album. Two of those singles, the title track and "Blue Moon With Heartache," were Cash compositions. The third single, Leroy Preston's "My Baby Thinks He's a Train," was covered by virtually every major female country performer in its wake. Add covers of Tom Petty and Steve Forbert songs and the appearance of the queen herself, Emmylou Harris, and you have a dynamite recording. These sides hold up well over two decades later -- especially after what happened to country in the '90s (yeccccchhhhhh!!!!). The sound is pristine, ...
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Released in 1969, Tim Dawe's Penrod was one of the few entries on Frank Zappa's ironically monikered Straight Records label -- where it was nestled between Jeff Simmons' Naked Angels original motion picture soundtrack and Tim Buckley's Blue Afternoon, both of which were also issued that year. It has been suggested that Penrod was a pseudonym for the name of the assembled musicians. However, Penrod is in fact the fictional Penrod Schofield, a preteen whose misadventures were anthologized in a collection of humorous drawings by Pulitzer Prize-winning author Booth Tarkington. He is portrayed on the outer LP jacket in two cover illustrations hand-drawn by Gordon Grant. For this recording Dawe (acoustic guitar and vocals) is joined by Arnie Goodman (keyboards), Chris Kebeck (guitar), Claude Mathis (drums), and Don Parrish (bass), and the ten-track project was realized under the supervision of producer and arranger Jerry Yester, who also scored light orchestrations for several of Dawe's originals. The midtempo opener, "Scarlet Woman," builds upon a folk-rock feel punctuated by Goodman's rollicking keys. It also demonstrates Dawe's penchant for reeling off memorable melodies. Somewhat darker is the psychedelic and bluesy "Nite Train Home," with Dawe adopting a huskier tone harking back to Fred Neil's trademark pipes. The discernible vibrato in his voice is complemented by Goodman's shimmering Farfisa. Kebeck gets in on the action, asserting his sneering -- practically punkish -- electric leads. The charming "Nothing at All" recalls the Velvet Underground and Nico's seminal "Femme Fatale," as Yester's lithe strings and woodwinds unite the verse with an effective and timeless pop quality during the middle-eight instrumental section. While on the subject of ...
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